Alexander Valentinovich Vampilov (; 19 August 1937 – 17 August 1972)« Background to the 65th birth anniversary of playwright Alexander Vampilov », 19 August 2002 was a Soviet playwright. His play The Elder Son was first performed in 1969, and became a national success two years later. Many of his plays have been filmed or televised in Russia. His four full-length plays were translated into English and Duck Hunting was performed in London and Washington DC (Arena Stage).
Life Vampilov was the fourth child in the family of schoolteachers. His father, Valentin Nikitich, was of Buryat ancestry, and his mother, Anastasia Prokopievna was Russian, the daughter of a Russian Orthodox Church priest. His father was arrested for alleged nationalist activity.
The young Alexander taught himself guitar and mandolin, and his first comic short stories appeared in magazines in 1958, later collected as A Confluence of Circumstances under the name "A. Sanin". After studying literature and history at the Department of Philology at Irkutsk State University, graduating in 1960, he turned to theatre. He was executive secretary of an Irkutsk newspaper from 1962 to 1964, and later formed an acquaintance with popular dramatist Aleksei Arbuzov.
The first production of Farewell in June in Moscow in 1966 was unsuccessful, but by the early 1970s he was becoming very well known, and his humanity and insight has been compared with that of Chekhov. .
He married in the early 1970s, and drowned in 1972, while fishing on Lake Baikal. Last Summer in Tchulimsk was his final play.
Youth Aleksandr Valentinovich Vampilov was born in Cheremkhovo in the Irkutsk Oblast of eastern Siberia on 19 August 1937.For biographical information see: Elizarova, E.D., comp. Александр Валентинович Вампилов: Библиографический Указатель, ed. L.A. Kazantseva and M.D. Sergeev (Иркутск:Редакционно-издательский отдел упрполиграфиздата, 1989), 25-32; Farber, Vreneli, Aleksandr Vampilov: An Ironic Observer (New York: Peter Lang, 2001), 5-16; Farber, Vreneli, The Prose of Aleksandr Vampilov (New York: Peter Lang, 2003), 3-16; Gushanskaya, Elena, Александр Вампилов: Очерк творцчества (Leningrad: Sovetsky Pisatel, 1990), 5-46; Rumyantsev, Andrei, "Без мифов...", Сибирь, 4 (1991), 126–35; Streltsova, Elena, Плен утиной охоты (Иркутск: Издание ГП "Иркутская областная типография No. 1", 1998), 10-37, 78-98; Sushkov, Boris, Александр Вампилов (Москва: Советская Россия, 1989), 15; Tenditnik, Nadezhda, Александр Вампилов (Новосибирск: Западное-Сибирское книжное издательство, 1979), 3-16; Tenditnik, Nadezhda, Перед лицом правды: Очерк жизни и творчества Александра Вампилова (Иркутск: Изд-во журнала Сибирь совместно с Товариществом “Письмена,” 1997); Zhikhareva, T. D., comp. Александр Валентинович Вампилов: Библиографический Указатель, ed. L.A. Kazantseva (Иркутск: Издательство Иркутской областной публичной библиотеки имени И.И. Молчанова-Сибирского, 2000), "Genealogy"; Zhilkina, Tatyana, "Проверяется памятью", Литературное обозрение 8 (1983), 107–12. His father, Valentin Nikitich Vampilov, born in 1898, was a Buryat from the nearby village of Alar. At his father's death, Valentin, who was seventeen, undertook the running of the family's cattle farm. He managed at the same time to graduate from the gymnasium and go on to study in the historical-philological department of Irkutsk State University. Valentin taught Russian language and literature in, and became director of, the high school in Kutulik, the regional center of the Irkutsk oblast, some thirty kilometers south of Alar. In the summer of Vampilov's birth he was transferred to Alar as chief teacher.
The parents of Valentin's wife, Anastasia Prokopevna Kopylova, Prokopi Kopylov and Aleksandra Afrikanovna Medvedeva, were Russian. Kopylov was a priest and teacher of religious law in a women's gymnasium, but after the Revolution he had to sweep streets and chop wood for a living. In 1937 he was arrested on ridiculous but standard charges for the time. Following the arrest, Aleksandra Afrikanovna, settled in Kutulik with her youngest daughter, Anastasia, Aleksandr Vampilov's mother. Aleksandra Afrikanovna lived to ninety two, dying only three years before her famous grandson, whom she had lovingly cared for when he was a child. Born in 1906, Anastasia studied at the gymnasium and then completed a teacher training course.
Aleksandr Vampilov never knew his father, because on 17 January 1938, Valentin was arrested on fabricated charges. He was shot in Irkutsk in March of the same year (and rehabilitated in 1957). Aleksandr was named in honor of Aleksandr Pushkin since the year of his birth was the hundredth anniversary of the poet's death. For his son he bought the new edition of the collected works of Pushkin that was published that year.Zhilkina, 107-108. There is a certain irony in the final choice of first name, in that Vampilov, like his namesake, died prematurely, at almost exactly the same age.
Vampilov was the youngest in the family of three sons and one daughter. He spent his childhood and adolescent years in the town of Kutulik, where the family lived in a room of the teachers' barracks, a log house that in earlier days had been a "forwarding point", the last place that prisoners would spend the night on their way to labor camps.
Vampilov started school in 1944 and was a good student, but not outstanding. He drew well and enjoyed singing. He had a good ear and taught himself to play the guitar and mandolin. He took part both in the school orchestra and, in the university, in an ensemble of folk instruments. Other activities during his school years included fishing, soccer, the school's drama circle, and a passion for writing verses, which he hid from his family and read to friends sworn to secrecy. In 1954 Vampilov graduated from the gymnasium and took the entrance exams for the Department of Historical Philology at the Irkutsk State University. Since he failed the German exam, he had to take the entrance exams again in 1955.
University and early writing career In 1955 Vampilov moved to Irkutsk and enrolled in the university. In 1958, while still a student, Vampilov published ten stories in several newspapers under the pseudonym Sanin. Only one piece, a dramatic scene entitled “Flowers and Years” (“Цветы и годы”), appeared under his real name. Vampilov was hired by the newspaper Soviet Youth (Советская молодежь) in 1959 and when he graduated from the university a year later, he went to work for the newspaper full-time. Together, work for the newspaper and TOM (Творческое обединение молодых), the Young People's Creative Union, served as a second university for Vampilov, training him to observe life and compelling him to write. TOM included a number of young men not unlike Vampilov—Valentin Rasputin, Vyacheslav Shugaev, Dmitri Sergeev, Yuri Skop—with whom Vampilov became friends.
Vampilov's first collection of stories, A Coincidence (Стечение обстоятельств), appeared in 1961 under the pseudonym A. Sanin. He wrote most of these stories while still at the university. In the following years he participated in a number of seminars for young playwrights. In 1964 he left Soviet Youth, contributed to two collections of stories and sketches by Irkutsk authors, and made his debut as a playwright with the publication of The House with a View of the Field (Дом окнами в поле) in the November issue of Theatre (Театр). With that success under his belt, Vampilov set out with Vyacheslav Shugaev in 1965 to conquer Moscow. He attended advanced courses at the Gorky Literary Institute from 1965 to 1967 and made the rounds of all the theaters of Moscow with a copy of the first version of Farewell in June (Прощание в июне) that initially bore the title The Fair (Ярмарка). But he had no success in getting it adopted anywhere. Nevertheless, he made the acquaintance of Aleksandr Tvardovsky and was recommended for membership in the Union of Writers. He was accepted into the Union in February 1966, the year he completed The Elder Son (Старший сын), first titled The Suburb (Предместье) and published Farewell in June. The latter had its premier in ten theaters of the Soviet Union in the autumn. The following spring, Vampilov completed his literary courses and returned to Irkutsk.
Theatrical career Eventually Vampilov emerged as one of the principal figures in the generation of dramatists who came to prominence following the death of Stalin. He reached the height of his popularity in the seventies and the first half of the eighties, but the process had begun already in his own lifetime. In 1967, the year he returned to Irkutsk from Moscow, Farewell in June had over 700 performances in fourteen theaters, and it continued to receive widespread production in the following years. The Elder Son, published in 1968 under the title The Suburb in the journal Angara (Ангара), enjoyed even greater success. It came out in a separate edition in 1970, and by 1971 was one of the leaders of the season playing in twenty-eight different theaters with more than a thousand performances that year.
The fate of the one-acts, Twenty Minutes with an Angel (Двадцать минут с ангелом) and Incident with a Typesetter (История с метранпажем), was somewhat different, and both Duck Hunting (Утиная охота) and Last Summer in Chulimsk (Прошлым летом в Чулимске) gained recognition only belatedly, after Vampilov's death. Twenty Minutes with an Angel, written in 1962, was published in Angara in 1970. Incident with a Typesetter, finished in 1968, was published in a separate edition in 1971. Vampilov combined the two into Provincial Anecdotes(Провинциальные анекдоты), and they were first produced by the BDT, Big Dramatic Theater (Большой Драматический Театр), in Leningrad in March 1972, under the direction of A.G. Tovstonogov. During the winter of 1971, Vampilov took part in the rehearsals at the BDT. Although Vampilov's first plays were widely produced around the country, he always experienced difficulty getting his works produced, especially in Moscow and Leningrad. His correspondence with Elena Yakushkina (who worked in the literary department of the Ermolov Theater) reflects the problems he encountered.Rasputin, Valentin, “Ему было бы нынче пятьдесят...Переписка А. Вампилова с Е. Якушкиной,” Новый мир, No. 9 (1987), 210, 222. Likewise, although his works became very popular, few directors staged them adequately. Reviews of productions repeatedly note that directors do not quite know how to handle Vampilov's plays, for they misunderstand the style and content of the works. Even fifteen years after Vampilov's death, following the accession to leadership of Mikhail Gorbachev and the introduction of his policy of glasnost’ that had a liberating effect on the arts, and in spite of many productions, both successful and unsuccessful, the treatment of Vampilov's plays had not gone beyond conventional staging nor were they presented with full understanding.
Final years and death