Lin Hsin Hsin () is a Singaporean IT inventor, artist, poet and composer
Early life and education Lin was born in Singapore. She graduated in mathematics from the University of Singapore and received a postgraduate degree in computer science from Newcastle University, England. She studied music and art in Singapore printmaking at the University of Ulster, papermaking in Ogawamachi, Japan and paper conservation at the University of Melbourne Conservation Services.
Career
In 1976, Lin painted "Distillation of an Apple", an oil painting claimed to visualised the construction and usage of Apple computer 7 days before the birth of Apple computer. In 1977, she painted "The Computer as Architect", an oil painting depicting the vision of the power of computer in architecture. Lin claimed she has never seen nor used a Computer-aided design (CAD) system prior to her painting while commercial CAD systems are available since early 1970s.
1988 March organized 1st Artificial Intelligence conference in Singapore 1991 February 1 poem titled "Cellular Phone Galore" predicted mobile phone, & cellular network BEFORE 2G GSM launch, 27 March 1991, p. 54,55, "from time to time" 1992 wanted to build a multimedia museum (letter to National Computer Board, Singapore) 1993 February, predicted the Y2K bug while building a ten-year forecasting model on an IBM i486 PC, Journal of the Asia Pacific Economic Conference (APEC), 1999 1993 August 21, poem title "Online Intimacy" on Online dating service, p. 235, "Sunny Side Up" 1993 August 23, poem titled "Till Bankrupt Do Us Part", on online shopping & e-commerce, p. 241, "Sunny Side Up" 1994 May, painted "Voices of the Future" – oil painting depicted the Wireless and mobile entertainment future lifestyle, p. 32, "Lin Hsin Hsin: Works from Art, Science & Technology Series" 1994 Designed and built a virtual museum in the world,"Virtual Museum Tour – from Reality to Fantasy and Back", p.32, Mishkafayim Art Magazine No.28, Israel Museum, Jerulsalem, Israel, April 199624 Hours in Cyberspace, p.150, Simon & Schuster, U.S.A., November 1996"Lin Hsin Hsin Art Museum", Sightings!, Art, NetVoice October 1997, p.51Museums Re-Examine Sites, With Frames, and Without, New York Times, U.S.A., 13 March 1997"Museums of the Future Symposium", Co-ordinated and edited by Morten Hertzum, Interaction Design Centre, University of Limerick, Limerick, Ireland, 2 June 1998 1995 September 9, poem titled "Virtual Offices" predicted virtual office as the concept of businesses, p. 20, "In Bytes We Travel" 1995 September 9, poem titled "The Day Will Come..." on SMS, using fingers to type on screen, p. 181, "In Bytes We Travel" 1996 October, predicted Twitter, tweeting as a way of life. in a diptych titled "twigee-tweedee", digital art in private collection, Paris, France
1996 October 1, poem titled "e-money" on digital currency & Cryptocurrency p. 58, "In Bytes We Travel" 1999 February 1, poem titled "Mobility" on mobility, p. 20, "Between the Lines"
IT Inventions 2018 May 19 Next Generation 100% Directed Acyclic Graph DAG-based blockchain protocol 2017 Nov 11 Encryption Algorithm 2017 FACT Finger on Android Circling Techniques—A Finger Intelligence Technology (FIT 3.0) on Android 2016 <PugScript>-- A Visual Language on Android 2016 4 new mathematical theorems, launched in London, June 2016 2016 STEP Sustainable Time-motion Enabled Power—A Finger Intelligence Technology (FIT 3.0) on Android 2015 FAME Finger/Fist Accelerated Mathematical Engine—A Finger Intelligence Technology (FIT 3.0) on Android 2013 TANGO Touch ANd GO—A Finger Intelligence Technology (FIT 3.0) on Android 2007 MedTECH 20/20 visions for all ages—POC done 2007 Super Image File Shrinkage for JPEG files
Startup 2018 SpaceGraph™ founder 2014 Founder Lin Hsin Hsin Intelligence Center 2017 Blockchain Threats Intelligence 2016 Biometrics Threats Intelligence 2016 Data Science 2006 IoT
Contemporary Art
Paintings and sculptures Lin Hsin Hsin specialises in oil painting, she has transformed the opaque properties of oil paint to make it translucent in 1988."Modern Art in Singapore", Actuell DB, Deutsche Bank AG, Frankfurt, August 1989"Kunst-Sponsoring durch Banken – Das Beispiel des Kunstkonzepts der Deutsche Bank AG", Prof Dr. Hans E. Büschgen, Vortrag beim 11. Churburger Wirtschaftsgespräch am 12 Oct 1996 As such, she has made oil paint to look like watercolor, Chinese ink as well as pastel, pencil or charcoal, as demonstrated in the Aqua Series"The awesome power of water", Straits Times, 30 June 1989"Water, water, everywhere", Business Times, 3 July 1989"Using Oil to convey a message", Straits Times, 4 July 1989 of paintings. Besides oil paintings, she makes acrylic sculptures.
Art exhibitions Lin Hsin Hsin has held 15 solo exhibitions in Singapore, Amsterdam,Adformatie, 18de jaargang No. 16, 1990Uitkrant, jaargang 24 No. 8, April 1990Alert, 6e jaargang No. 5, 1990 and San Jose, California, United States. She has participated in more than 220 exhibitions in 60 cities, 26 countries across Asia, Europe,"Feinsinning und Züruckhaltend", Mannheimer Morgen, 16 July 1990"Jedem eine Chance und eine Roje", Frankfurter Allgemeine Zeitung, Dezember 15, 1990"Ein Hauch Fernost in der Bank", Neue Rheine Zeitung, März 6, 1990"Die Kunst der Assimilation", Handelsblatt, März 9/10, 1990"Am Schnittpunkt zwischen West und Ost", Rheinische Post, März 13, 1990"Kunst aus dem Fernen Osten", Forum, Deutsche Bank AG, Frankfurt, No. 2, April 1990 North America and South America."Hsin Hsin's work for Chile", Straits Times, 8 September 1989, p.4
Art Collectors Lin's art can be seen in private, public and museum collections in 32 cities across Asia, Europe, North America and Australia. In 1985, she was awarded a silver medal by the Société des Artistes Français, Paris. In 1987, Lin received the IBM Singapore Art Award, she has received Visiting Fellowship to Germany in 1988 and Japan Foundation Fellowship in 1991 Her artworks are in private, public and museum collections in Asia, Europe and North America.
Paper Besides paper sculptures, papier collé, collograph and monoprints, Lin handmade acid-free paper."Washi Paper", Japan Topic, Japan Information & Culture Center, Embassy of Japan, December 1991 She has pioneered acid-free papaya paper"Artist fashions artwork made from papaya tree", The Straits Times, 8 June 1993 and umbrella plant paper in 1992."Beauty in Fiber", p. 77, Sali'ng Lahat Saling Tanggap—A Report on the ASEAN Conference and Workshop, Manila Philippines, 24 May 1993
Digital Media
Digital Media Pioneer
Lin is a digital media pioneer,"Lin Hsin Hsin – A Multimedia Artist in the Garden City", p. 146, Digital Boy (with CD-ROM), Tokyo, Japan, May 1996 She has created digital music in 1985, 3D digital art in 1987, and digital animation in 1989 in Singapore. Since 1993 to date, Lin has pioneered the use of a two-button mechanical PC Mouse to draw and paint Western and Chinese paintings."She paints with a mouse", Straits Times, 28 November 1997, p.3 She has created digital oil paintings, watercolors, Chinese ink paintings and calligraphy. She also digitally sketches with this mouse. Hsin Hsin has never and does not use any tablet PC and stylus in such creation. More than 250 digitally created artworks were exhibited in 1997 in her 15th solo exhibition in Singapore. "Painting a cyberscape", The Straits Times, 3 December 1997, p.46
Virtual Museum
In 1994, Lin set up a virtual museum the Lin Hsin Hsin Art Museum"Editorial" Museum International, Museum and the Internet, Special Edition, UNESCO, Paris, France, and Blacknell, Oxford, United Kingdom, January – March 2000"Museum International, Volume LII,1:2000""Un musée d'art numérique : une première sur le Web / Lin Hsin Hsin""Singapore artist's UN exposure", Straits Times, 18 February 2000, p.3 "Comments on Lin Hsin Hsin Art Museum", Dr Susan Hazan, Web design for the Cultural sector, Goldsmith, University of London, 6 January 2003"Museum participation in a Network Society: A Reflection”, Olga van Oost, Program for Policy Research Centres, Gent, 2003"Museos, Tecnología e Innovación Educativa: Aprendizaje de Patrimonio y Arqueología en Territorio Menosca", José Miguel Correa Gorospe, Didáctica y Organización Escolar, Alex Ibáñez Etxeberria, Didáctica de las Ciencias Sociales, Laboratorio de Innovación Educativa y Nuevas Tecnologías, Euskal Herriko Unibertsitatea-Universidad del País Vasco, Madrid, Spain, 2003"Museo Multimedia con Sistema de Gestión de Exposiciones Virtuales", Miguel Jesús Otero López, Lenguajes y Ciencias de la Computación, 2003, Spain"As transformações da relação museu e público: a influência das tecnologias da informação e comunicação no desenvolvimento de um público virtual", Rosane Maria Rocha de Carvalho, Doutorado em Ciência da Informação, Instituto Brasileiro de Informação em Ciência e Tecnologia – IBICT, Programa de Pós Graduação em Ciência da Informação, Convênio CNPq/IBICT – UFRJ/ECO, Universidade Federal do Rio de Janeiro – UFRJ, Escola de Comunicação – ECO, Rio de Janeiro, Brazil, Março 2005 "Comunicação e informação de museus na Internet e o visitante virtual", Rosane Maria Rocha de Carvalho, Revista Eletrônica do Programa de Pós-Graduação em Museologia e Patrimônio – PPG-PMUS Unirio | MAST, MUSEOLOGIA E PATRIMÔNIO – vol.I no 1 – jul/dez de 2008 "Churer Schriften zur Informationswissenschaft Herausgegeben von Josef Herget und Sonja Hierl Schrift 14, Verlag Arbeitsbereich Informationswissenschaft, ISSN 1660-945X, Chur, Februar 2009"
Digital Art Lin Hsin Hsin Started from the real-world, in 1985, she moved into the digital world.
However, Lin has, since 1994, began with the digital, and fabricated the digital into the real
Lin Hsin Hsin created Web art and Net art in 1995, HTML art in 1996 and she has developed interactive Web art"CyberKunst aus Singapur" Wirtschafts Woche, 24 Februar, 2000 since 1997. Lin pioneered virtual sculpting in 1999 in Singapore; it was exhibited in Paris, France in 1999, 2001, and 2003.
ISM Lin believes in Mathematical & Computing fundamentals, she anchors on science to create art. She forbids drag & drop, scan & morph, cut & paste processes to create digital art. established Eco-computing"eco-computing – FacetedDBLP" initiatives for digital media in 2007. algorithm driven & equation-based Linux platform
Genres Lin initiates, establishes and creates different genres of digital art:
Non-Photorealistic Rendering Images (NPR) by a hand held device (mouse)A Non-Photorealistic Rendering Images by a Handheld Device , July 2007A Non-Photorealistic Rendering Images by a Handheld Device , July 2007"Let the mouse replace brush", Straits Times, 17 December 1999, p.13 Images include digital oil paintings, digital watercolor, digital cartoons, digital Chinese ink, digital crayons, digital pencils, etc. Photorealistic Images by a hand held device (mouse) Images include digital oil paintings, digital watercolor, digital Chinese ink, digital crayons, digital pencils, etc. Mathematical art 2D – still images include: 253 categories of digital fabrics, digital coinThe Automorphism of Amalgamation of Polytopes and Tessellation, July 2007, Bridges Conference, San Sebastian, Spain 3D – still and animated. Computation-based digital voyages; 3D modelling digital sculptures,"Novel approach to 3D sculpting", Straits Times, 6 October 1999, p.10 3D modelling digital objects Grid Geometry art 2D Grid Geometry artA New Paradigm for Visualization and Generating Grid Geometry Art and Beyond , July 2010A New Paradigm for Visualization and Generating Grid Geometry Art and Beyond , July 2010 2D Interactive Grid Geometry ArtInteractive Web based Grid Geometry Construction , July 2006Interactive Web based Grid Geometry Construction , July 2006 2D Perception-Based Art 3D Perception-Based Art lenticular, coleuraille