Guillaume Brellant, or Brallot, or Brayllont was a French embroiderer employed at the English royal court in the 16th century. Some English records call him "William Brellout".

Career Brellant came to London from Normandy in May 1524. He was licensed to establish a workshop and employ foreign craftsmen and apprentices in November 1531.Letters of Denization and Acts of Naturalization for Aliens in England, 1509–1603 (Lymington, 1893), p. 30. He worked for Henry VIII with the embroiderers William Ibgrave and Stephen Humble. The three embroiderers worked for Anne Boleyn.Maria Hayward, Dress at the Court of King Henry VIII (Maney, 2007), pp. 326–27. In 1543, his workshop supplied embroidered pairs of crosses and roses, highlighted with spangles, for the uniforms of soldiers and the royal guard.Maria Hayward, The Great Wardrobe Accounts of Henry VII and Henry VIII (London Record Society: Boydell, 2012), pp. 179–181. Spangles and oes were a kind of sequin.M. Channing Linthicum, Costume in the Drama of Shakespeare and his Contemporaries (Oxford, 1936), pp. 152–153.

Brellant embroidered panels for chair which Princess Mary gave to Henry VIII in 1544 as a New Year's Day gift. He was paid £18 in February. The embroidered panels were mounted by the cabinetmaker William Green and the finished item was taken to Hampton Court.Maria Hayward, Inventory of Henry VIII, 2 (Society of Antiquaries, 2012), p. 154: Frederick Madden, Privy Purse Expenses of Princess Mary (London: Pickering, 1831), pp. 148, 152.

In 1547, Catherine Parr commissioned him to make hangings for her chapel, depicting the Crucifixion and the Assumption.Susan E. James, Women's Voices in Tudor Wills (Ashgate, 2015), p. 243. Brellant and Ibgrave worked on costume for the coronation of Edward VI. Brellant embroidered a gown, a doublet, and hose with "pirls" of damask gold and silver.Lisa Monnas, Merchants, princes and painters: Silk fabrics in Italian and Northern paintings, 1300–1550 (Yale, 2008), p. 333.

His daughter Philippa married a courtier Andrew Baynton of Bromham (died 1579). His father, Edward Bayntun, was the vice-chamberlain of the household of Catherine Parr.The Topographer, 2 (London, 1790), p. 106 as "Wm Brulett"."BAYNTON, Andrew (1515/16-64), of Stanley and Bromham", The History of Parliament: the House of Commons 1509-1558, ed. S.T. Bindoff, 1982 as "Gyllyam Brulet"."Manor of Bromham", Wiltshire notes and queries, 3 (Devizes, 1902) p. 133.Walter C. Metcalfe, Visitation of Wiltshire (London, 1897), p. 4.

Brellant was appointed embroiderer to Queen Mary I by warrant in August 1553.John Roche Dasent, Acts of the Privy Council, 1552–1554, 4 (London: HMSO, 1890), p. 426. An inventory of her jewels (British Library Harley 7376) records that pearls were delivered to him to embroider her costume. With William Ibgrave, he embroidered the coats of the guard and footmen with gilt spangles supplied by the goldsmith Peter Richardson.John Roche Dasent, Acts of the Privy Council of England: 1552–1554 (London: HMSO, 1892), pp. 84, 426. Brellant was supplied materials by Marie Wilkinson, one of the Queen's silkwomen, while working on a litter for the Queen.William Henry Hart, "Expenses of the Royal Stables, circa 1554", Gentleman's Magazine (March 1861), pp. 278–9.John Nichols, llustrations of the manners and expences of antient times in England (London, 1797), p. 22 Brellant was also involved in the preparations for the coronation of Elizabeth I, embroidering items with gilt spangles.Maria Hayward, Dress at the Court of King Henry VIII (Maney, 2007), p. 327: Janet Arnold, Queen Elizabeth's Wardrobe Unlock'd (Maney, 1988), p. 189: Ian Archer, "City and Court in the reign of Elizabeth I", Matthew P. Davies and Andrew Prescott, London and the Kingdom: Essays in Honour of Caroline M. Barron: Proceedings of the 2004 Harlaxton Symposium (Shaun Tyas, 2008), p. 47.

London properties Brellant had a property adjacent to the Inner Temple in 1547. His yard was used as a thoroughfare and to prevent this becoming a nuisance his garden was extended and a new brick wall was built.Andrew Frederick Inderwick, A calendar of the Inner Temple records, 1 (London, 1896), p. 151. In May 1562, he sold a tenement building and sometime brewery called the "Star and Ram" on Fleet Street in the parish of St Dunstan-in-the-West to a draper Henry Wright, reserving a shop and chamber to himself.Calendar of the Patent Rolls, Elizabeth, 2 (London: HMSO, 1948), p. 367Ram Alley: MoEML

David Smith, William Middleton, and John Parr Brellant held the offices of embroiderer to Mary and Philip, embroiderer to the household and stable, and embroiderer to chapel and vestibule. As he retired, these offices were given to David Smith and William Middleton in February 1563.Calendar of the Patent Rolls, Elizabeth, 2 (London: HMSO, 1948), pp. 470, 507. Some payments to Smith and Middleton were made by John Tamworth, a keeper of Elizabeth's privy purse.John Nichols, Progresses of Elizabeth, vol. 1 (London, 1823), pp. 270-271Elizabeth Goldring et al, John Nichols’s The Progresses and Public Processions of Queen Elizabeth I, vol. 5 (Oxford University Press, 2014), pp. 244-255. Smith's work at the embroidery frame from 1563 onwards is well documented in Elizabeth's wardrobe records. Smith embroidered the queen's gowns and Middleton worked on furnishings including bed hangings.Janet Arnold, Queen Elizabeth's Wardrobe Unlock'd (Maney, 1988), pp. 189, 191.

David Smith also worked for Robert Dudley, 1st Earl of Leicester, embroidering pearls on his costumes for state occasions.Simon Adams, Household accounts and disbursement books of Robert Dudley, Earl of Leicester (Cambridge: RHS, 1995), pp. 127–128 Smith become wealthy and by his will in 1587 endowed a hospital and almshouse for six poor widows at St Peter's Hill in Castle Baynard ward.Janet Arnold, Queen Elizabeth's Wardrobe Unlock'd (Maney, 1988), p. 190: Andrew Willet, Synopsis Papismi (London, 1600), p. 962. An account of the six almshouses founded by "D. S. embroderer" with the rules for the occupants was included in Holinshed's Chronicle.Holinshed's Chronicles of England, Scotland, and Ireland, 4 (London, 1808), pp. 548–550 His daughters Mary Paradine and Anne Chamberlain contributed to the foundation, which was known as "Smith's Almshouses" or the "Widow's Inn". Smith himself suggested the names "Poor Widow's Alley or Poor Widow's Inn". His will mentions another embroiderer John Parr (died 1607) as a business associate who would manage some legacies to Smith's family. Parr, who embroidered a dress for Bess of Hardwick intended as a New Year's Day gift,Santina M. Levey, Elizabethan Treasures: The Hardwick Hall Textiles (National Trust, 1998), p. 36. set up a charity in the parish of St Benet's, Paul's Wharf which contributed an income to the Widow's Inn.Further Report of the Commissioners for Charities: City of London within the walls, 11:3 (London, 1831), pp. 118–119: 22nd Report of the Commissioners (1830), pp. 68–70: TNA PROB 11/71/127.

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