The Maid of Cashmere is a opéra-ballet created and performed in the 1830s. It was an English version of Daniel Auber's Le Dieu et la Bayadère.Notable American Women, 1607-1950: A Biographical Dictionary. (1971). United Kingdom: Belknap Press of Harvard University Press.
Background The Maid of Cashmere made its debut in March 1833, combining elements of opera and ballet. It was performed for the first time at Drury Lane on March 16, 1833. It was the English version of La bayadère amoureuse, ou, Le dieu et la bayadère, Eugène Scribe and Daniel Auber's popular piece.The London Literary Gazette and Journal of Belles Lettres, Arts, Sciences, Etc. (1833). United Kingdom: H. Colburn. The updated version of Auber's ballet was developed collaboratively with Henry Bishop and Edward Fitzball.New Monthly Magazine, and Universal Register. (1833). United Kingdom: Henry Colburn. The music was by Auber's celebrated opera.Auber, Daniel Francois Esprit, "Maid of Cashmere" (1832). Historic Sheet Music Collection. 542. https://digitalcommons.conncoll.edu/sheetmusic/542 In its debut in March 1833, the French ballet dancer Pauline Duvernay was featured in the leading role of Zelica. The production aimed to introduce Mlle. Duvernay and the foreign corps de ballet, featuring a shawl dance performed by the female dancers.Court Journal. (1833). United Kingdom: Alabaster, Pasemore & sons, Limited.
The lead role of Zelica was also played by Madame Céleste.The Gentleman's Magazine. (1888). United Kingdom: F. Jefferies.
Roles RolePremière cast, March 1833(Cast member: - )Brama, God of the HindusMr. WoodOhfour, the Grand Vizier or JudgeMr. SequinLeliaMiss BettsZelica, Chief of a band of Bayadères or dancing girlsPauline DuvernayFatimaMlle Augusta
Synopsis The Maid of Cashmere tells the story of Brama, a god who takes mortal form, enduring human suffering to find a woman who truly loves him. After freeing an innocent man, Brama becomes a fugitive and hides in the city of Cashmere, where he encounters Zelica. She rejects the advances of the Grand Vizier, showing a clear affection for Brama, who repeatedly comes to her aid. To test Zelica's love and loyalty, Brama stirs her jealousy by showing interest first in Leila, a singing Bayadère, and then in Fatima, a dancing Bayadère. In a dramatic twist, Brama reveals his divine identity to save Zelica from execution, lifting her to the heavens by his side.The Harmonicon. (1833). United Kingdom: W. Pinnock.
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