Happiness... Is Not a Fish That You Can Catch

Happiness... Is Not a Fish That You Can Catch (written as simply Happiness... on the cover) is the third studio album by Canadian alternative rock band Our Lady Peace. It was released on September 21, 1999, by Columbia Records. The album was very successful in Canada, debuting at #1 on the Canadian Albums Chart. The album was certified 3× Platinum in July 2001. Hit singles from the album include "One Man Army", "Is Anybody Home?", and "Thief". The final track on the CD, "Stealing Babies", features Elvin Jones, a prominent post-bop jazz drummer. The photo shoot for this album took place around Staten Island in New York State.

Background In early 1998, while touring behind their sophomore album Clumsy, the members of Our Lady Peace were already eager to get back into the studio. "We're all starting to get that itch," bass player Duncan Coutts said in a March 1998 interview. "We're all writing collectively and individually. Everyone's hovered over their four-track machines, if we're not trying to work things out in sound checks."Anon. "" Pause and Play March 22, 1998. Retrieved March 6, 2010

Mike Turner and Raine Maida said in interviews at the time that they wanted to make an album that didn't sound derivative, an accusation that had stung them in the past. Smashing Pumpkins leader Billy Corgan infamously accused them of ripping off his band's sound. They would try to counter the criticisms with their next album. "We've toured so much for the last five years throughout the U.S. and Canada and with all the bands we've played with . . . music became so diluted and so disposable we said: 'If we're going to make a record, let's put out something that maybe challenges people.'" Powell, Betsy "Our Lady Peace angling for U.S. Breakthrough" - Toronto Star September 20, 1999. Retrieved November 30, 2009

According to Raine Maida, the overall idea of the album is human obsession, "A lot of this record came from obsessions: Definitely seeing those obsessions in the States, the guns, the Gap ads and how the media determines who you are these days.... During the recording of this record, we talked a lot about death, for whatever reason. There's definitely an obsession with death and a huge fear. But in knowing that, it makes you hate these other things more, because it's not what life's about. Buying Tommy Hilfinger (sic) because it's cool has nothing to do with any kind of emotional value or content, and music for me does. So when they hit each other, I get pretty emotional about it."Ross, Mike "Restless in Peace: Don't ask Raine Maida how he is. He'll tell you!" - Canoe.ca 1999. Retrieved June 17, 2009

Recording For their third studio album, Our Lady Peace chose again to work with producer Arnold Lanni in Toronto. The band began writing, jamming and recording demos for Happiness... in late November soon after their appearance at the 1998 Summersault festival.Bliss, Karen "" - Chart November 25, 1998. Retrieved November 30, 2009 Raine brought in many of the songs he had written in demo form already recorded and the rest of the band expanded upon those. Unlike the previous two albums, Mike Turner took little part in the writing process. Recording began in mid-January 1999. The band isolated themselves in the studio with little outside contact. They spent one and a half months recording the bed tracks of vocals and guitar and a week and a half each for drum and bass parts. The album took four months to record in all. For the first time, this album was recorded entirely on digital equipment using ProTools to edit. "It's the best thing for us because you don't have to wait between takes like if I'm doing a vocal take or Jeremy's doing drum stuff, if you want to do it again, you can do it instantaneously." Other new effects the band used included filtering percussion through a distortion box and recording guitar parts through antique microphones, including one used by Stevie Wonder.

Former drummer for John Coltrane, Elvin Jones makes a guest appearance on the final track of the album "Stealing Babies". Jeremy Taggart was a big fan of Jones' and was able to meet him through his drum technician while at a show in Seattle.Blain, Craig "" - Modern Drummer Jul. 2000. Retrieved November 30, 2009 He invited Jones' into the Toronto studio early into the recording sessions to record drums for the song, which were recorded in one take.

Halfway through recording, the band realized that the music they were recording would be very hard to recreate live, especially for Mike Turner.Campbell, Greg "" - Extreme (magazine) Winter - Spring 2000. Retrieved November 30, 2009 They decided to hire Boston area multi-instrumentalist Jamie Edwards, who had formerly played with Blue Man Group and that Jeremy knew through a mutual friend, to augment their live shows. "The turning point was when we decided to take off the table our usual constraint, which is that if we can't pull it off as a three-piece instrumental then we shouldn't be doing it," said Mike Turner. "Now we're like, we'll get another guy, we'll do whatever we have to, let's just make a great record. So we indulged ourselves with a lot of textures, a lot of other sounds."Ostroff, Joshua "" - Ottawa Sun September 20, 1999. Retrieved November 30, 2009 Jamie provided extra guitar as well as Keyboards and other special effects and ended up recording for the album. The band was looking to make a sonic leap forward from their previous albums. "We took the things we thought were original from 'Clumsy' and 'Naveed' and tried to overdo them." said Raine Maida, "As well, our songwriting really improved."LeBlanc, Larry "" - Billboard Magazine September 11, 1999. Retrieved November 30, 2009

Raine Maida has stated that the album is so tight and so well executed because the band only recorded 12 songs during the Happiness sessions, instead of recording 20 or more like they did with their previous two albums. They strove to achieve a much simpler method of songwriting than on the previous albums which included tightening up songs and forming more cohesive tracks.Anon. "Our Lady Peace" - Canadian Musician Dec. - Nov. 1999. Retrieved November 30, 2009 This allowed each song to have the utmost attention given to it while being written and it sometimes took one week or more to record one song."" - OurLadyPeace.com September 13, 1999. Retrieved November 30, 2009 "Annie" for example, took over two weeks of jam sessions to become a fully realized song.

This was the first album of theirs to not be mixed by their producer Arnold Lanni. It was instead sent to Kevin Shirley at Avatar Studios in New York City. The mixing of the album was completed by late June 1999 when they played many of the songs for the first time for a large audience at Woodstock 1999.Fischer, Blair R. "" - Rolling Stone May 26, 1999. Retrieved September 21, 2009.

Release and reception

To promote the upcoming release of their album in September, Our Lady Peace performed a live in-studio concert and Q&A which was aired to 12 Canadian radio stations simultaneously utilizing satellite and ISDN technology. Listeners to any of the stations could call in and ask the band members questions. On September 13, 1999, a special listening party was held on a newly redesigned ourladypeace.com where fans could listen to the entire album via streamlink. The band also held an online chat with fans for a Q & A session."Our Lady Peace celebrates several firsts on eve of third album release. " Canada NewsWire September 21, 1999, ProQuest Newsstand, ProQuest. Web. Retrieved September 28, 2010.

Happiness... was released in Canada on September 21, 1999. The album was very successful in its first week, selling 40,090 copies and debuting at #1 on the Canadian Albums Chart.

Upon its release, Happiness... was panned by many critics who cited it as being over-ambitious and too dour in subject manner. In the band's hometown, Ben Rayner, the reviewer of The Toronto Star said, "...there's something curiously unmoving and dispassionate about it - it's canned angst ordered from some overstocked and increasingly disused alt-rock warehouse outside of Seattle, too studious and sterile to ever really hit you the way rock 'n' roll is supposed to."Rayner, Ben "Strange how many people give Peace a chance Pop Recordings :[1 Edition]. " Toronto Star Sep. 18, 1999, ProQuest Newsstand, ProQuest. Web. Retrieved September 28, 2010. Leigh Buckley Fountain of the Richmond Times-Dispatch gave the album a B− and positively noted that, "The same catchy melodies, same distracted off-kilter rhythms dominate this album that dominated 1998's Clumsy. but went on to criticize Maida's vocal performance as being "too experimental". He also had to say about the lyrical content, "One problem with the album is its typically vague, tangential lyrics. Critics have called Maida a "philosopher," but I'm not so sure I'd go all that far. I like what he does, but snippets out of the blue like "Nazis breast feeding" don't do much for me."Fountain, Lee Buckley "Vocalist on 'Fish' needs reeling in :[City Edition]. " Richmond Times-Dispatch Oct. 21, 1999, ProQuest Newsstand, ProQuest. Web. Retrieved September 28, 2010.

David Gerard of the Boston Globe praised the guitar playing from the album, especially on the song "Blister" and also noted how the band had expanded its musical turf.David Gerard. "Our Lady Peace Happiness. . . Columbia :[City Edition]. " Boston Globe Sep. 30, 1999, ProQuest Newsstand, ProQuest. Web. Retrieved September 28, 2010. Melissa Maino of The Buffalo News also reviewed the album positively, citing "Thief" as a stand-out track and saying that, "Our Lady Peace's music may be a little predictable, but if it's not broke, don't fix it."Maino, Melissa. "Latest effort from Our Lady Peace is a good catch :[CITY Edition]. " Buffalo News Oct. 12, 1999, ProQuest Newsstand, ProQuest. Web. Retrieved September 28, 2010. In a 2.5 star review, the San Antonio Express-News praised the album for its high energy and subtle textures but criticized the vocals, saying "Raine Maida's overexposed falsetto is grating enough to send borderline psychotics over the edge."

Music and lyrics The songs on Happiness... focus on a lighter melody, often following vocalist Raine Maida's extreme range of octaves sung in a falsetto-like manner. He could travel from one octave to another with ease and very smoothly. This created a very surreal effect to the songs, best shown on songs like "Happiness & the Fish", "Blister" and "Lying Awake", much like "Big Dumb Rocket" from Clumsy. The overall sound was quite a departure from their first album, Naveed, featuring very toned-down guitars and the addition of synthesizers and other instruments, typical in most alternative rock albums.

Raine explained the album's overall concept in an early 2000 interview with Vue Weekly:Johnston, Dave "Let it Raine: Our Lady Peace continues their pursuit of Happiness" Vue Weekly February 3–9, 2000. Retrieved January 22, 2010

The lyrics on the album are mostly written in the first-person. The lyrics are usually about unusual themes—laziness, isolation, loneliness and happiness, most explained in a metaphorical manner. The track "Lying Awake" was said to be about Benny Hinn, and how Raine Maida viewed him as a con-artist, trying to scam people into religion. "Annie" is said to be about a girl who is made an outcast, and ends up killing everybody in the end, similar to Pearl Jam's song "Jeremy" on their debut album Ten.

Stealing Babies