Musical compositions of the composer Thomas de Hartmann (1884–1956).

Orchestral Suite from “La Fleurette rouge”. (1911)Photocopy of reproduced manuscript in Montreal collection Scherzo fantastique. Op. 25. (1929)Reproduced manuscript in Yale collection Two Organ Fugues of Bach transcribed for Orchestra. Op. 48. (1934)Referred to in lists of works, but current location unknown First Symphonie-Poème. Op. 50. (1934)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549820 Accessed August 31, 2022. Concerto for Violoncello and Orchestra. Op. 57. (c. 1936, published 1938)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549781 Accessed August 31, 2022. Twelve Russian Fairy Tales. Op. 58. (1937)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549836 Accessed August 31, 2022. Koliadky. Noëls Ukrainiens, chant spiritual. Op. 60. (c. 1938) Concerto for Piano and Orchestra. Op. 61. (1939)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549793 Accessed August 31, 2022. Suite pour grand orchestre: Une Fête en Ukraine. Op. 62. (1941) Fantasie-concerto for Contrabass and Orchestra. Op. 65. (1944) Concerto for Violin and Orchestra. Op. 66. (1944)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549798 Accessed August 31, 2022. Second Symphonie-Poème – Le dit du soleil. Op. 68. (1950)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549825 Accessed August 31, 2022. “La Guzla” – Concerto for Harp and Orchestra. Rapsodie slave d’après P. Merimé. Op. 72. (1945)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549806 Accessed August 31, 2022. Concerto d’après un cantate de Bach. For Violoncello and String Orchestra. Op. 73. (1949)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549774 Accessed August 31, 2022. Dances from the opera Esther. Op. 76. (1949)Reproduced manuscript in Montreal collection Concierto Andaluz, for Flute and Orchestra. Op. 81. (1949)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549765 Accessed August 31, 2022. Third Symphonie-Poème. Op. 85. (1953)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549828 Accessed August 31, 2022. Fourth Symphonie-Poème. Unfinished. Op. 90. (1956)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549832 Accessed August 31, 2022.

Chamber and instrumental music Sonate pour violon et piano. Op. 51. (1935)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549859 Accessed August 31, 2022. Concerto for Violoncello and Orchestra. Arrangement for Violoncello and Piano. Op. 57. (1936)Published by M.P.Belaieff, 1938, copy in Montreal archive Koliadky. Noëls Ukrainiens, chant spiritual. Arrangement for Saxophone Quartet. Op. 60. (c. 1938)Manuscript in Montreal archive Concerto for Piano and Orchestra. Arrangement for Two Pianos. Op. 61. (1939)Published by M.P.Belaieff, 1951, copy in Yale archive Sonate pour violoncelle et piano. Op. 63. (1941)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549854 Accessed August 31, 2022. Deux Pleureuses. Violin and Piano. Op. 64 (c. 1942) Fantasie-concerto for Contrabass and Orchestra. Arrangement for Contrabass and Piano. Op. 65. (1944)Manuscript in Yale collection Concerto for Violin and Orchestra. Arrangement for Violin and Piano. Op. 66. (1944) La Guzla: Concerto for Harp and Orchestra. Rapsodie slave d’après P. Merimé. Arrangement for Harp and Piano. Op. 72. (1945) Concerto d’après un cantate de Bach. Arrangement for Violoncello and Piano. Op. 73. (1945) Trio pour flute, violon et piano – “Quasi variations.” Op. 75. (1946)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549853 Accessed August 31, 2022. Two Preludes of J.S. Bach. Cello and piano. (1947) Dances from the opera Esther. Arrangement for Violin and Piano. Op. 76. (1949)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549847 Accessed August 31, 2022. Concierto Andaluz, for Flute and Orchestra. Arrangement for Flute and Piano. Op. 81. (1949) La Kobsa: deux musiques de veilleurs ukrainiens pour violoncelle solo. (1950)

Music for stage works

Incidental music for the play “Caligula,” by Alexander Dumas. For Orchestra. (1903)Photocopy of manuscript in Montreal collection La Fleurette rouge, ballet en cinq actes. Op. 9. (1906)Location of full orchestral score unknown Les Bacchantes, Choreographic Suite for “Danses Plastique” performed by Sacharoff. (1910)Manuscript in Moscow collection Fra Mino. Choreographic poem. Op. 14. (1912)Location of score unknown Gelbe Klang [Yellow Sound], with Wassily Kandinsky. Unfinished. (1912)Manuscript sketches in Yale collection Forces de l’amour et de la sorcellerie, divertissement comique en trois interludes. Op. 16. (1916) Flenushka. Unfinished opera. (1916)Location of manuscript unknown Music for the drama “In the Grip of Life,” by Knut Hamson. Tiflis Art Theater. Op. 22. (1919)Manuscript in Montreal collection Music for “The King of the Dark Chamber,” by Rabindranath Tagore. Tiflis. Op. 23. (1919) Le General Boulanger, d’après Maurice Rostand. Unfinished. (c. 1931) Babette, comédie-ballet en deux actes par Henri Cain. Op. 49 (1935) Suite pour grand orchestre: Une Fête en Ukraine, ballet en un acte. Op. 62. (1941) Esther, tragédie musicale d’après Racine. Opera. Op. 76. (1949) Musique pour la fête de la Patronne, d’après Degas. Ballet. Op. 77. (1949)

Piano solo Sonata for Piano. Op. 2. (1902) Trois Morceaux. Op. 4. (c. 1903)Published by Jurgenson in Moscow, copies of Nos. 2 & 3 in Montreal collection, No. 1 currently unavailable Six Pieces. Op. 7. (c. 1903)Published by Jurgenson in Moscow, copy in Montreal collection Three Preludes. Op. 9. (1904) La Fleurette rouge. Reduction for Piano Solo. Op. 9. (1906) Suite from “La Fleurette rouge”. Arranged for Piano Solo. (1911) Fra Mino. Selections. Reduction for Piano Solo. Op. 14. (1912) Forces de l’amour et de la sorcellerie. Reduction for Piano Solo. Op. 16. (1917) Humoresque Viennoise. Op. 45. (1931) Babette, comédie-ballet en deux actes par Henri Cain. Arranged for Piano Solo. Op. 49 (1935) Twelve Russian Fairy Tales. Version for Piano Solo. Op. 58. (1937)Published by M.P. Belaieff, 1937, copy in Montreal collection Koliadky. Version for Piano Solo. Op. 60. (c. 1940) First Piano Sonata. Op. 67. (1942)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549882 Accessed August 31, 2022. Lumière noire. Op. 74. (1948)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549871 Accessed August 31, 2022. Musique pour la fête de la Patronne, d’après Degas. Reduction for Piano Solo. Op. 77. (1949) Second Piano Sonata. Op. 82. (1951)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549884 Accessed August 31, 2022. Six Preludes. Op. 83. (1952)Location of manuscript unknown - a recording of Thomas de Hartmann playing the piece exists in the Montreal collection Two Nocturnes. Op. 84. (1954)Published by M.P. Belaieff, 1954, copy in Montreal collection Four Serenades. Op. 86. (1954)Reproduced Manuscript in Montreal collection Three Songs. Under pseudonym of Thomas Kross. (c. 1955)Photostats of Manuscript in Montreal collection Poco Rubato. Piano solo. n.d.

Vocal Romance. Words by Tatiana Shchepkina-Kupernik. Voice and Piano. (1901)Photocopy of printed version, publisher unknown, in Montreal collection Three Romances. Words by Pyotr Kapnist and Mikhail Golenischev-Kutusov. Op. 5. Voice and Piano. (c. 1903)Printed version, publisher unknown, in Montreal collection Mermaids. Words by B. Kakhovsky. Op. 5. Voice and Piano. (c. 1903) Four Poems of K. Balmont. Op. 8. Voice and Piano. (c. 1904) John of Damascus, cantata for soloists, mixed choir and symphony orchestra. Text based on the poem by A. K. Tolstoy. Op. 1. (1906) From the Verses of D.M. Ausonius. Op. 13. Voice and Orchestra. Also arranged for Voice and Piano. (1911)Orchestral version: Photocopy of manuscript in Montreal collection; Voice and Piano version: Published by Jurgenson in Moscow, copy in Montreal collection Three Songs of Balmont. Op. 12. Voice and Piano. (1912) Three Moorish Songs. Translated by Konstantin Balmont. Op. 15. Voice and Piano. (1913)Manuscript in Yale collection - mistranslated as "Three Maori songs" in Yale catalogue Four Melodies. Words by Anna Achmatova. Op. 17. Voice and Piano. (1915). Reproduced manuscript in Montreal collection Christ is Risen. Words by Sergei Gorodetsky. Op. 18. Voice and Piano. (1915) Two Spanish Songs. Words by Valery Bryusov. Op. 19. Voice and Piano. (1916)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549892 Accessed August 31, 2022. To the moon. Words by Shelley. Op. 11. Voice and Piano. (1917) Nightingale. Voice and Orchestra. (c. 1919) Cranes. Words by Vassily Zota. Voice and Piano. (1920)Printed, 1955, publisher unknown, copy in Montreal collection Bulgarian Songs. Translated by Konstantin Balmont. Op. 46. Voice and Piano. (1933)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549895 Accessed August 31, 2022. Three Ballads. Words by G. Adamovich and Maria Tsvetaeva. Op. 47. Voice and Piano. (1934)MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University. https://archives.yale.edu/repositories/6/archival_objects/2549894 Accessed August 31, 2022. Lament for King Alexander. Voice and Piano. (1934) Three Poems of Shelley. Op. 52. Voice and Orchestra. Also arranged for Voice and Piano. (1936)Orchestral version: Manuscript in Montreal collection; Voice and Piano version: Published by Éditions Musicale Sam Fox, 1936, copy in Montreal collection Sonnet de Ronsard. Op. 54. Voice and Piano. (1934)Published by M.P. Belaieff, 1953, copy in Montreal collection Romance 1830. Op. 55. Voice and Piano. (1936)Location of music unknown In Helen’s Herb Garden. Words by Vassilli Travnikov. Voice and Piano. (1936) A Poet’s Love: Nine Poems by Pushkin. Op. 59. Voice and Piano. (1936)Printed by M.P. Belaieff, 1960, copy in Montreal collection Indian Summer. Words by Don Aminado. Voice and Piano. (1938)