Pelenakeke Brown is a multi-disciplinary New Zealand artist. In 2019 she was awarded the Disability Dance Artistry Award by Dance/NYC, and was recognised for her work through Creative NZ's Arts Pasifika Awards with the Pacific Toa award in 2020.
Career Brown was 9 years old when she became a founding member and company dancer for Touch Compass. Her involvement lasted from 1997 to 2000, when she left to focus on her schooling. After secondary school, Brown studied at the University of Auckland (2007–2010), completing a bachelor of arts in Pacific studies and English literature. In 2011, she undertook the Be Leadership programme with Be Lab, a New Zealand accessibility organisation. About the programme, Brown stated “Everyone has the potential to be a great leader and the Be.Leadership programme has helped me realize that I could be one too.”
After completing her undergraduate study and spending some time in the work force, Brown left New Zealand to continue studies in New York, moving in 2013 and studying at the National Academy School of Fine Arts completing the Studio Intensive Programme in 2016.
Brown's work is embedded in the Samoan concept Vā'.Vā centers spatial relationships as a way to understand and move in the world. In my art practice, this translates to interrogating relationships, how we relate to ourselves, each other. I am fascinated with the in-between spaces and how our in-between spaces inform the way we navigate the world. (Brown)Brown has exhibited work across the United States of America, in California, New York and San Francisco and in Germany, London, and New Zealand. She has been published in the James Franco Review, Apogee Journal, Movement Research Performance Journal and the Hawai'i Review.
Brown spent six and a half years based in New York, where she engaged in choreography, movement, dance, curation, visual arts, writing, and storytelling. She has collaborated with The Metropolitan Museum of Art, New York Public Library, Goethe Institute and Gibney Dance Centre for projects. She has held art residencies in New York, Vermont and New Zealand. She returned to Auckland, New Zealand in mid-2019 and took up the role of artistic director at Touch Compass the following year, becoming the first disabled artist to lead the company in its twenty four years of operation.
In 2020, Brown collaborated with artist Yo Yo Lin and co-founded Rotations, "a dance collaborative movement working towards deepening and challenging our understanding of artistry, disability, and access".
Brown was the keynote speaker for the Christchurch Tiny Fest in 2021; writer Kosta Bogoievski described Brown's talk as '''an emotional opening, as festivals can be but Tiny Fest happens to be, in 2021, one of the last live performance festivals standing in the country'.In March 2022, Brown was part of an online panel discussion for Te Tairāwhiti Arts Festival wānanga series Te Ara i te Matihiko Toi'', to discuss access, inclusion and participation within the performing arts.
In 2022 Brown is one of the panel members evaluating proposals to the Innovation Fund at the New Zealand Ministry of Culture and Heritage. Other panel members are W. Gary Nicholas and Ian Barrs.
Performances +YearShow/CompanyRoleLocationRef.1997- 2000Touch Compass Dance TrustCompany DancerNZ 2017A Remedy for a Constitutional Crisis (Abrons Art Center)PerformerNYC. NY2017Boogie on the Boulevard (Bronx Museum of the Arts)PerformerBronx, NY 2018Excavātion (Denniston Hill Open House)PerformerWoodridge, NY2018Sunshower (Yuko Uchida, Ideal Glass Studio)PerformerNYC, NY2019Down In The River Judson Memorial ChurchPerformerNY2019Excavātion: An Archival Process (Gibney Dance Center)PerformerNY2020WITH (Tanzplattform supported by the Goethe Institute)PerformerMunich, Germany2022Vā Moana Conference (Auckland University of Technology, online) Artist actiVAtorAuckland, NZ
Solo exhibitions +YearTitle OrganisationLocationRef.2017Reasoning on Paper: The Myth Of Herself ORA GalleryNYC, NY2017In Conversation with LineSonia Gechtoff GalleryNYC, NY
Group exhibitions +YearTitleOrganisationLocationRef.2015Experiments in Self PortraitureSonia Gechtoff GalleryManhattan, NY2015FACE IT: The Face in Contemporary ArtOnsite:BrooklynBrooklyn, NY2016Urban Indigenous XAsian Pacific Islander Cultural CenterSan Francisco, CA2016Creative MischiefNational Academy MuseumNYC, NY2016Black and White Perspectives: Works on PaperSonia Gechtoff GalleryNYC, NY2017Trash CapsulesNew Women SpaceBrooklyn, NY 2017Creative MischiefNational Academy MuseumNYC, NY2017Ka OraORA GalleryNYC, NY2018Rendering LikenessLa Bodega GalleryBrooklyn, NY2019Mana Moana, Mana Wāhine,Raven Row GalleryLondon, UK2019Talk Back (Curated by Lexy Ho Tai and Moira Williams)Flux FactoryQueens, NY 2020Here To LoungeNook GalleryCA2021All That You Touch You ChangeHelmhaus (Stadt Zurich)Zurich, Germany
Residencies +YearResidencyOrganisationLocationRef.2016ResidencyVermont Studio Center, Johnson, VTNYC, NY2016Immigrant Artists Programme:Social PracticeNew York Foundation For The ArtsNY 2018Artist in Residence: Ana Pekapeka StudioCorbans Art EstateAK, NZ2018Create Change FellowLaundromat ProjectNYC, NY2018Performance Art Seminar with Xaviera SimmonsDenniston Hill NY 2019Artist in ResidenceDenniston Hill/Laundromat ProjectNY2019Disability Dance Artistry ResidencyDANCE/NYCNY 2020Artist in ResidenceEyebeamNY
Scholarships and awards +YearScholarship/AwardOrganisationLocationRef.2006Bursary ScholarshipASBAK, NZ2007Vice-Chancellor's Award for Top Māori and Pacific ScholarsUniversity of AucklandNZ2013Future New Zealand Charitable Trust ScholarshipFuture New ZealandNZ2014National Academy School ScholarshipNational AcademyNY, USA2019Disability Dance Artistry AwardDance/NYCNY, USA2020Pacific Toa - Arts Pasifika Awards Creative New ZealandWGN, NZPAK’nSAVE Artistic Achievement Award - Te Putanga Toi Arts Access AwardsArts Access AotearoaNZ
Personal life Brown has Samoan and Palagi (non-Samoan) heritage.
References
External References Gender/Power Composition IV Performance https://vimeo.com/188065481
Pelenakeke Brown Movement Research at the Judson Church https://www.youtube.com/watch?v=ArMqVHODgcM&t=15s