David Philippe Revoy (; born in 1981 in Reims) is a French artist best known as the creator of the free webcomic series Pepper&Carrot which is translated into 27 languages to a degree of 90 percent or more. It is published as books via Glénat.
After work in traditional painting, Revoy started using digital tools in 2003 and moved to use free and open-source software around 2009.
Revoy publishes a large portion of his work under free licenses, allowing his work to be remixed even for commercial use. This has led to derivations of mainly Pepper&Carrot such as animated films, cosplay, a card game and several video games. Revoy has expressed excitement about the derivations and often links to them from his web page. He has interpreted freely licensed works and works in the public domain. In 2010 he was awarded the CG Choice Award for an illustration of Alice in Wonderland. One of his most famous works is "Yin and Yang of world hunger", a remix of the yin and yang symbol.
He has published several tutorials, time-lapse videos, and speed painting videos showing his work process and has described his hardware and software setup.
Early work
Revoy started as a street portraitist in Avignon at the age of 18. Later he worked in traditional painting, illustration, concept art and teaching. In 2003 he ended his career as a traditional painter and started working with digital tools.
Film work
In 2009–2010, Revoy worked as art director on the Blender short film Sintel, which was the first major project that used free software to produce free culture that Revoy encountered. He would later also work on the Blender films Tears of Steel and Cosmos Laundromat.
Pepper&Carrot
In May 2014, after more than 10 years of freelance work, Revoy published the first episode of the webcomic Pepper&Carrot. Pepper is a young orphan witch disciple at Chaosah, the smallest of the six schools of magic on the magical planet Hereva. She is aided by her cat Carrot, and lives with her mentors Thyme, Cayenne, and Cumin in a house in the forest of Squirrel's End. Her peers are Saffron, Shichimi, Coriander, and Camomile. Revoy aims for each episode to contain a small story arc where a character evolves and learns. The story bible is available on the website.
The webcomic is free (CC-BY) and is financed using crowdfunding. Revoy suggests the business model allows the comic to stay independent and does not have to resort to advertising. Revoy publishes all panels for the comic and often publishes links from his blog to derivations of the comic and characters, such as short animated films, cosplay, a card game and several video games. Revoy has expressed excitement that his work is re-used, saying "I'll never regret making Pepper&Carrot so open." and that he is happy to see other people make money from it. On the webcomic's webpage he extensively explains his philosophy, the reasons for wanting to cut out intermediaries between artist and audience, and why he does not put any content behind a paywall. He attributes some of the success of the webcomic to the release of its source, and highlighted the translations into some 50 languages. Reviews of the text in the comic and the translations are performed in GitLab using Markdown.
When the publisher Glénat reached out to Revoy about publishing Pepper&Carrot, he declined their offer of a traditional contract with royalty payments in favor of keeping the Creative Commons attribution license, something that caused confusion in the legal and financial departments of the publisher. Glénat then offered to be the top patron of the webcomic, and Revoy retained the copyright and creative control over it. He considers Glénat's published books as just one of many other derivative works of the webcomic.
About working on the webcomic, Revoy said in 2015 that it was a dream come true and that "Every artist I know would love to make their own comics. Would love to get paid for making it, and to keep the control of it".
Free software
Revoy uses free and open-source software (FOSS). However, even since having paid more than €3000 on software licenses for proprietary software, he rejects the notion that it is primarily a question about money. Though practicality, low cost and possibility to work on lower end hardware were initial motivators for Revoy to move from proprietary software to free software, in 2020 he said that there were even better reasons. He then rather referred to the benefits of control, performance and standards, transparency, and control over data and privacy. Among the cons he listed that he depends on hardware being compatible with Linux, which may be more difficult to find and not well documented.
Background In a 2016 interview, Revoy conveyed that he used Photoshop and Corel Painter for 10 years (and Manga Studio and Sony Vegas) until a computer purchase in 2009 which included Windows Vista. The OS upgrade then required he buy upgrades for the proprietary software he was using, which totaled to an investment of a full month's salary, just for compatibility and with no additional features. Revoy commented on the experience saying "That was a really bad week: [I] had to spend a lot of money and my productivity was totally ruined."
He sold the new computer and bought one that could still run Windows XP, but realized it was not a viable long-term solution. In 2004, Revoy had tried a Knoppix distribution with KDE 3.0 and was impressed with it."KDE's 25th Anniversary", davidrevoy.com, 13 October 2021. After the failed computer purchase in 2009, Revoy started to move away from using Windows by configuring a dual boot with Linux Mint 4.0, compiling Wacom driver, modifying Xorg, and writing a Xsetwacom script to handle his Cintiq 12Wx. He kept Photoshop CS2 running on Wine to handle CMYK and files from publishers.
He then switched to Linux and got involved in free software projects like MyPaint and Gimp-painter (a fork of GIMP), and later Krita. In 2012, he started using Krita exclusively.
Contributions Other than just using Krita, he reported bugs (over 200 bugs as of May 2015), helped other artists with it, and demonstrated new features.
In 2018, the Krita foundation sponsored Revoy to work on the default brush kit for Krita 4.0. Revoy merged his brushkit with brushes made with feedback from the community as well as brushes submitted by several other users."Krita 4.0 Brushes", davidrevoy.com, 22 March 2018. In 2023 he shared an updated pack of 38 brushes"Krita brushes 2023-01 bundle", davidrevoy.com, 18 January 2023. and published a video explaining how they work."My Krita free brush bundle of 2023 explained", David Revoy on YouTube, 10 February 2023.
In 2023, Revoy updated an ongoing article which chronicles his more than 20-year-long use of graphics tablets, and outlined the design of what he considered would be a perfect tablet. In 2024, he published a post-installation guide for his setup.David Revoy. "Debian 12 KDE Plasma: The right GNU/Linux distribution for professional digital painting in 2024. Reasons and complete installation guide.", davidrevoy.com, 30 may 2024.
Work process In 2016, Revoy had his own render farm that he used for rendering the pages of Pepper & Carrot, then ImageMagick and Inkscape glue speech bubbles to the images on the render farm. Using a GitHub repository, Revoy collaborates with the translators and other parts of the community and shares assets.
Other work and use
Revoy mostly creates original work, but also remixes other public domain and free works, for example Alice in Wonderland or Wikipe-tan. One of his most famous works is "Yin and Yang of World Hunger", a 2010 remix of the yin and yang symbol, which generated both admiration and negative comments.
Revoy's images have been used in research described as "training a computer to turn pencil sketches into cleaned line-art." In 2022, Revoy had noted that his 2006 work "Narcissus & Echo" was popular among scholars, and for use in theses and books about mythology, but tracking royalties and granting permissions for editing it was becoming cumbersome. He then released an updated version under a more free license.
On his blog, he publishes many of his works, often in high resolution and under permissive Creative Commons licenses. Some work, which Revoy prefers not be used for commercial or political purposes without his approval, are published under more restrictive licenses.
Revoy publishes tutorials, time-lapse videos, and speed-painting videos"DeevadRevoy on YouTube", youtube.com. showing his work process. He has published descriptions of his hardware and software setup.
23 October – 11 November 2023, Bulles à croquer organized a large exhibition at an E.Leclerc supermarket in Plérin. The exhibition was called "Un monde magique" ("A Magic World")."Un monde magique, une exposition de David Revoy", bullesacroquer.net, 11 October 2023. 70 of Revoy's work were displayed in large print. Quality upgrades were required and upscaling was performed using G'MIC."Large exhibition in Plérin, France." (archived), davidrevoy.com, 23 October 2023.
Revoy has started a less serial, more anthological comic also set in Hereva called Mini Fantasy Theater. It is intended as a spiritual sequel or companion series to Pepper&Carrot as the original comic's run continues into the mid-2020s.
Inspiration and aspirations Revoy has expressed admiration for artists like Yoshitaka Amano who are able to work in several fields. After Akira Toriyama passed in 2024, Revoy wrote that Toriyama was probably the artist that influenced him the most when he started drawing."Fanart tribute to Toriyama. Arale, Dr. Slump", davidrevoy.com, 8 March 2024.
In 2015, Revoy expressed a long-term vision to create an animation studio which only produces works under free licenses. For the top tier, named "Hereva studio" on one of Revoy's crowdfunding sites, Revoy aspires to hire CG professionals to make an animated web series and an open online school.
Financing To finance his work, Revoy accepts donations via Patreon, Liberapay, Tipeee, PayPal, and wire transfers.
Image gallery
References "peppercarrot.com" (button "All 63 languages"), peppercarrot.com. "Alice in Wonderland", davidrevoy.com, 21 July 2010. "Yin and Yang of world hunger", davidrevoy.com, 3 September 2010. "Sintel", davidrevoy.com, 30 September 2010. "Episode 2: David Revoy", Passionate Voices, 2 June 2015. "Interview with David Revoy" (archived), krita.org, 29 May 2015. Erik Moeller (via Ryan Merkley). "The case of the witch and her cat: crowdfunding free culture", creativecommons.org, 17 July 2015. "Passionate Voices Episode 2 - David Revoy" (at 27m48s), Passionate Voices on YouTube, 2 June 2015. Paul Brown. "Free Software Artists and their Tools — Part I: David Revoy & Krita" (archived), Open Content & Software Magazine, 28 May 2016. "36: David Revoy on Pepper & Carrot and Free Culture" (mp3), Libre Lounge, 17 April 2020. "Wikipe-tan", davidrevoy.com, 14 October 2022. "David Revoy", storyberries.com. "The author", peppercarrot.com. "All Comic Panels", peppercarrot.com. "", mayhemandmuse.com. "Pepper et Carrot - Tome 1" (archived), glenat.com. "Patronage:", davidrevoy.com, retrieved 5 February 2023. "About", davidrevoy.com, retrieved 5 February 2023. "Why I'm using 100% Open-source ?", davidrevoy.com, 1 May 2013. "Scientific Paper: Sketch to Line-art by Waseda University", davidrevoy.com, 2 July 2018. Edgar Simo-Serra, Satoshi Iizuka, Hiroshi Ishikawa at Waseda University."Mastering Sketching:Adversarial Augmentation for Structured Prediction", arxiv.org, 27 March 2017. "Narcissus & Echo" (2006 original)" and "Narcissus & Echo" (2022 remix)", davidrevoy.com. "Narcissus & Echo", davidrevoy.com, 24 October 2006. "Pepper&Carrot Wiki", peppercarrot.com, retrieved 6 February 2023. "My tablet history log: a listing of all the tablet I tested since 2002 (update: 2023)", davidrevoy.com, updated 1 February 2023.