The Mabinogion () is a collection of the earliest Welsh prose stories, compiled in Middle Welsh in the 12th–13th centuries from earlier oral traditions. There are two main source manuscripts, created –1410, and a few earlier fragments. Often included in the broader mythologies described as the Matter of Britain, the Mabinogion consists of eleven stories of widely different types, offering drama, philosophy, romance, tragedy, fantasy and humour. Strictly speaking, the Four Branches of the Mabinogi are the main sequence of related tales, but seven others include a classic hero quest, "Culhwch and Olwen"; a historic legend, complete with glimpses of a far off age, in "Lludd and Llefelys"; and other tales portraying a very different King Arthur from the later popular versions.
The stories were created and amended by various narrators over a very long period of time, and scholars beginning from the 18th century predominantly viewed the tales as fragmentary pre-Christian Celtic mythology,Notably Matthew Arnold; William J. Gruffydd. or folklore.Kenneth Hurlstone Jackson. 1961. The International Popular Tale and the Early Welsh Tradition. The Gregynog Lectures. Cardiff: CUP. Since the 1970s,Bollard 1974; Gantz 1978; Ford 1981. an investigation of the common plot structures, characterisation, and language styles, especially in the Four Branches of the Mabinogi,John K. Bollard. "Mabinogi and Mabinogion - The Mabinogi". The Legend and Landscape of Wales Series has led to an understanding of the integrity of the tales, and they are now seen as a sophisticated narrative tradition, both oral and written, with ancestral construction from oral storytelling,Sioned Davies. 1998. "Written Text as Performance: The Implications for Middle Welsh Prose Narratives", in: Literacy in Medieval Celtic Societies, 133–148Sioned Davies. 2005. "'He Was the Best Teller of Tales in the World': Performing Medieval Welsh Narrative", in: Performing Medieval Narrative, 15–26. Cambridge: Brewer. and overlay from Anglo-French influences.Lady Charlotte Guest. The Mabinogion. A Facsimile Reproduction of the Complete 1877 Edition, Academy Press Limited Edition 1978, Chicago, Ill. p. xiii.
The first modern publications of the stories were English translations by William Owen Pughe of several tales in journals in 1795, 1821, and 1829, which introduced usage of the name "Mabinogion".1. William Owen Pughe. 1795. "The Mabinogion, or Juvenile Amusements, Being Ancient Welsh Romances". Cambrian Register, 177–187.2. William Owen Pughe. 1821. "The Tale of Pwyll". Cambro-Briton Journal 2 (18): 271–275. 3. William Owen Pughe. 1829. "The Mabinogi: Or, the Romance of Math Ab Mathonwy". The Cambrian Quarterly Magazine and Celtic Repository 1: 170–179. In 1838–45, Lady Charlotte Guest first published the full collection we know today, bilingually in Welsh and English, which popularised the name. The later Guest translation of 1877 in one volume has been widely influential and remains actively read today.Available online since 2004. Charlotte Guest. 2004. "The Mabinogion". Gutenberg. http://onlinebooks.library.upenn.edu/webbin/gutbook/lookup?num=5160.
The tales continue to inspire new fiction, dramatic retellings,e.g. Robin Williams; Daniel Morden. visual artwork, music and research, from early reinterpretations by Evangeline Walton in 1936, to J.R.R. Tolkien's The Silmarillion, to the 1975 song "Rhiannon" by Fleetwood Mac, to the 2009–2014 series of books commissioned by Welsh independent publisher Seren Books.
Etymology The name first appears in 1795 in William Owen Pughe's translation of Pwyll in the journal Cambrian Register under the title "The Mabinogion, or Juvenile Amusements, being Ancient Welsh Romances".Peter Stevenson, Welsh Folk Tales. The History Press, 2017, np The name appears to have been current among Welsh scholars of the London-Welsh Societies and the regional eisteddfodau in Wales. It was inherited as the title by the first publisher of the complete collection, Lady Charlotte Guest.
The form mabynnogyon occurs once at the end of the first of the Four Branches of the Mabinogi in one manuscript. It is now generally agreed that this one instance was a mediaeval scribal error which assumed 'mabinogion' was the plural of 'mabinogi', which is already a Welsh plural occurring correctly at the end of the remaining three branches.S Davies trans. The Mabinogion (Oxford 2007) pp. ix–x
The word mabinogi itself is something of a puzzle, although clearly derived from the Welsh mab, which means "son, boy, young person".I. Ousby (ed.), The Cambridge Guide to Literature in English (Cambridge 1995), p. 579 As early as 1632 the lexicographer John Davies quotes a sentence from Math fab Mathonwy with the notation "Mabin" in his Antiquae linguae Britannicae ... dictionarium duplex, article "Hob". Eric P. Hamp, of the earlier school traditions in mythology, found a suggestive connection with Maponos, "the Divine Son", a Gaulish deity.
Sioned Davies suggests the title Mabinogi properly applies only to the Four Branches,Sioned Davies (translator). The Mabinogion (Oxford 2007), p. ix–x. which is a tightly organised quartet very likely by one author, where the other seven stories are very diverse. Each of these four tales ends with the colophon "thus ends this branch of the Mabinogi" (in various spellings), hence the name.Sioned Davies (translator), The Mabinogion (Oxford 2007), p. x.
Translations
Lady Charlotte Guest's work was helped by the earlier research and translation work of William Owen Pughe. The first part of Charlotte Guest's translation of the Mabinogion appeared in 1838, and it was completed in seven parts in 1845. A three-volume edition followed in 1846,, which was followed in 1877 by a revised edition. In 1906 J.M. Dent published an edition of her translation in his Everyman%27s Library. Her version of the Mabinogion was the most frequently used English version until the 1948 translation by Gwyn Jones and Thomas Jones, which has been widely praised for its combination of literal accuracy and elegant literary style. Several more translations have since been published, which are listed below.
Date of stories
Dates for the tales in the Mabinogion have been much debated, a range from 1050 to 1225 being proposed,Andrew Breeze, The Origins of the Four Branches of the Mabinogion (Leominster 2009), p. 72, 137. with the consensus being that they are to be dated to the late 11th and 12th centuries.I. Ousby (ed.), The Cambridge Guide to Literature in English (Cambridge 1995), p. 579 The stories of the Mabinogion appear in either or both of two medieval Welsh manuscripts, the White Book of Rhydderch or Llyfr Gwyn Rhydderch, written , and the Red Book of Hergest or Llyfr Coch Hergest, written about 1382–1410, though texts or fragments of some of the tales have been preserved in earlier 13th century and later manuscripts. Scholars agree that the tales are older than the existing manuscripts, but disagree over just how much older. It is clear that the different texts included in the Mabinogion originated at different times (though regardless of this, their importance as records of early myth, legend, folklore, culture, and language of Wales remains immense).
Thus the tale of Culhwch ac Olwen, with its primitive warlord Arthur and his court based at Celliwig, is generally accepted to precede the Arthurian romances, which themselves show the influence of Geoffrey of Monmouth's (1134–36) and the romances of Chrétien de Troyes.Sioned Davies (translator), The Mabinogion (Oxford 2007), p. xxiii, 279. Those following R. S. Loomis would date it before 1100, and see it as providing important evidence for the development of Arthurian legend, with links to Nennius and early Welsh poetry.H. Mustard (translator), Parzival (New York 1961) pp. xxxi, xlii By contrast, The Dream of Rhonabwy is set in the reign of the historical Madog ap Maredudd (1130–60), and must therefore either be contemporary with or postdate his reign, being perhaps early 13th century.Sioned Davies (translator), The Mabinogion (Oxford 2007), p. xxi.
Much debate has been focused on the dating of the Four Branches of the Mabinogi. Ifor Williams offered a date prior to 1100, based on linguistic and historical arguments,Andrew Breeze, The Origins of the Four Branches of the Mabinogion (Leominster 2009), p. 69. while later Saunders Lewis set forth a number of arguments for a date between 1170 and 1190; Thomas Charles-Edwards, in a paper published in 1970, discussed the strengths and weaknesses of both viewpoints, and while critical of the arguments of both scholars, noted that the language of the stories best fits the 11th century, (specifically 1050–1120),Andrew Breeze, The Origins of the Four Branches of the Mabinogion (Leominster 2009), p. 72. although much more work is needed. In 1991, Patrick Sims-Williams argued for a plausible range of about 1060 to 1200, which seems to be the current scholarly consensus (fitting all the previously suggested date ranges).Sims-Williams, Patrick, 'The Submission of Irish Kings in Fact and Fiction: Henry II, Bendigeidfran, and the dating of the Four Branches of the Mabinogi', Cambridge Medieval Celtic Studies, 22 (Winter 1991), 31–61.
Stories
The collection represents the vast majority of prose found in medieval Welsh manuscripts which is not translated from other languages. Notable exceptions are the Areithiau Pros. None of the titles are contemporary with the earliest extant versions of the stories, but are on the whole modern ascriptions. The eleven tales are not adjacent in either of the main early manuscript sources, the White Book of Rhydderch () and the Red Book of Hergest (), and indeed Breuddwyd Rhonabwy is absent from the White Book.
Four Branches of the Mabinogi The Four Branches of the Mabinogi (Pedair Cainc y Mabinogi) are the most clearly mythological stories contained in the Mabinogion collection. Pryderi appears in all four, though not always as the central character.
Pwyll Pendefig Dyfed (Pwyll, Prince of Dyfed) tells of Pryderi's parents and his birth, loss and recovery. Branwen ferch Llŷr (Branwen, daughter of Llŷr) is mostly about Branwen's marriage to the King of Ireland. Pryderi appears but does not play a major part. Manawydan fab Llŷr (Manawydan, son of Llŷr) has Pryderi return home with Manawydan, brother of Branwen, and describes the misfortunes that follow them there. Math fab Mathonwy (Math, son of Mathonwy) is mostly about the eponymous Math and Gwydion, who come into conflict with Pryderi.
Native tales Also included in Guest's compilation are five stories from Welsh tradition and legend: Breuddwyd Macsen Wledig (The Dream of Macsen Wledig) Lludd a Llefelys (Lludd and Llefelys) Culhwch ac Olwen (Culhwch and Olwen) Breuddwyd Rhonabwy (The Dream of Rhonabwy) Hanes Taliesin (The History of Taliesin)
The tales Culhwch and Olwen and The Dream of Rhonabwy have interested scholars because they preserve older traditions of King Arthur. The subject matter and the characters described events that happened long before medieval times. After the departure of the Roman Legions, the later half of the 5th century was a difficult time in Britain. King Arthur's twelve battles and defeat of invaders and raiders are said to have culminated in the Battle of Badon.
There is no consensus about the ultimate meaning of The Dream of Rhonabwy. On one hand it derides Madoc's time, which is critically compared to the illustrious Arthurian age. However, Arthur's time is portrayed as illogical and silly, leading to suggestions that this is a satire on both contemporary times and the myth of a heroic age.Brynley F. Roberts (1991). "The Dream of Rhonabwy", in: Norris J. Lacy, The New Arthurian Encyclopedia, pp. 120–121. New York: Garland. .