Léon Gaucherel (21 May 1816, Paris – 7 January 1886, Paris) was a French painter and etcher.
Biography He learned art from his childhood friend, Eugène Viollet-le-Duc, whom he accompanied to Sicily from 1836 to 1837.Nouveau Larousse illustré - Dictionnaire universel encyclopédique, Vol. 4, pp. 785-786. His first major works were illustrations for a project to restore Notre-Dame, proposed by his friend and Jean-Baptiste Lassus in 1843. The following year, he began to master the art of etching."Gaucherel, Léon", In: Janine Bailly-Herzberg, Dictionnaire de l'estampe en France (1830-1950, Paris, Arts et métiers graphiques, Flammarion, 1985, pg.130.
Over time, he went from producing original engravings to making reproductions of works by other artists. By 1858, the transition was complete and he began creating illustrations for magazines; notably the Gazette des Beaux-Arts and the Annales Archéologiques, where he depicted decorative architectural details. His work on the Gazette, together with his fellow printmaker Léopold Flameng, helped to establish that publication's reputation.R. K. Engen, Dictionary of Victorian Engravers, Prints, Publishers and their Works (1979), p. 123
He was an active member of the and, in 1864, was named a Knight in the Legion of Honor.Documentation @ the Base Leonore In 1866 he created a large album of still-lifes to promote etching, which was still considered to be more of a craft than an art. The latest techniques were introduced in an exhibition at the Salon.
In 1875, he became the artistic director for the weekly revue, , founded by . During his tenure, he recruited several engravers to be permanent staff members. Among the most popular was . In addition to his creative activities, he also took numerous students, including Victor Gustave Lhuillier, Louis Monzies, Edmond Ramus, and Adolphe Lalauze.
The museum of art and history in Sainte-Menehould has preserved many of his original plates.
Selected works
References
External links
Léon Gaucherel 1816–1886 at Harvard Art Museums Catalogue de la collection Gaucherel (1886), @ Gallica