The church of San Francesco is a church located in Mirandola, in the province of Modena, Italy.
Almost completely destroyed by the 2012 Emilia earthquake, it was one of the first Franciscan churches built in Emilia by the Order of Friars Minor, constructed shortly after the canonisation of St. Francis of Assisi in 1228. Inside it was the ''Pantheon'' of the House of Pico della Mirandola.
History
Origins Towards the first half of the 13th century, the Franciscan friars arrived in Mirandola from Bologna, where the first Franciscan settlement dates back to 1213, while the beginning of the construction of the Bolognese Basilica of St. Francis is recorded in the year 1236, after the visit of St. Francis of Assisi to Bologna in 1222.
The first building of the Mirandola complex, initially with a single nave, a gabled roof with two slopes and a quadrangular plan, dates back to 1286-1287, in the outer part of the defensive walls of Mirandola among the houses of Borgo di Sopra, later renamed Borgo San Francesco. At the time, the façade faced east and the apse towards the walls of the centre of Mirandola. Other records of the church date back to 1349, 1377, 1385, and 1392.
In 1390, a council of 13 judges met in the church of San Francesco to settle the dispute that had arisen over the dominion of Mirandola between the four brothers Spinetta, Francesco, Prendiparte and Tommasino (sons of Paolo Pico) against Giovanni and Prendiparte (sons of Nicolò Pico).
In 1400 the church was reconsecrated, after the reconstruction within the new walls ordered by Costanza Pico (daughter of Tommasino and wife of Stefanino Stefanini of Modena), enlarged to three naves in Gothic style. Later, the chapel dedicated to the Blessed Virgin of Reggio was built in Baroque style. A few years after the fall of the Pico family, their tombs were plundered.
In 1660, a five-arched exterior portico was built, connecting the façade to the adjacent monastery. Until its demolition in 1927, the Franciscan friars distributed soup or a hot meal and bread to the poor and wayfarers, including foreigners, under that portico. The institution of the "desco dei poveri" (known in Mirandola dialect as "al scaldatoi") dates back to 1485, while ten years later, to combat usury, the Sacro Monte di Pietà was founded (later incorporated into the Cassa di Risparmio di Mirandola in 1941), where the needy could pledge their possessions at little or no interest.
In 1714, the bursting of the keep of the Pico Castle caused serious damage to the church of San Francesco, as well as to all the buildings in the town centre. Further serious damage occurred in 1798-1799 during the French campaign in Italy, but the church managed to save itself from Napoleonic destruction (which also abolished ecclesiastical orders), as it was sold together with the Oratory of Santa Rosalia.
Contemporary age
After the destruction of the convent in 1812, a period of restoration began after two years with the advent of Francis IV, Duke of Modena, who, however, transferred to Modena in 1818 the very precious Crucifixion with Saints Jerome and Francis (known as the Altarpiece of the Three Crosses, today exhibited in the Galleria Estense), a 15th-century work by Francesco Bianchi Ferrari. In 1824 a monument was added dedicated to the famous Renaissance philosopher Giovanni Pico della Mirandola, who died in 1494 in Florence and buried there in the Convent of St. Mark. In 1833 the wooden high altar carved in 1745 by Francesco Salani della Mirandola was destroyed. In 1837, the windows on the southern wall were closed.
After 1848, the Franciscan monastery was also rebuilt. In 1866, the convent was requisitioned by the Kingdom of Italy, which handed it over to the municipality the following year. In 1870, the church was again restored: the interior was plastered with wide white and blue horizontal stripes in Gothic-Tuscan style and the side chapels were enriched with post-Baroque and Rococo decorations, with an altar in each bay
During World War I, the army requisitioned the church, which was closed from 1917 for many years.
During the Fascist period, a radical stylistic restoration was planned by the superintendency of Bologna and following the canons of Alfonso Rubbiani: in 1927 the external portico dating back to 1660, which housed the so-called "desco dei poveri" (the demolition was justified as indispensable due to the serious damage to the wall, which was not actually present), was demolished and restoration work began, which was completed in 1938, in an attempt to restore the church to its original appearance, i.e. prior to the 19th century renovations. In addition to the portico, the Baroque altars were removed and the windows on the south wall, which had been reduced to an almost square shape in 1642, were restored with stained glass windows. In addition, the marble floor was redone, but the Pico family's underground mass graves were lost (the crypt was already buried in 1922). In 1928-1930, a military shrine was built for soldiers who had fallen in the wars. The mullions on the southern and northern sides of the bell tower, which had been reduced to single-light windows in 1829, were also restored. In 1929, the windows of the south aisle were reopened and the floor was redone in marble.
The adjacent Franciscan monastery housed the civic library (founded in 1868), the junior high school and the Liceum "Giovanni Pico" (founded in 1923): the façade on Giuseppe Garibaldi square was completely rebuilt in "mock-Gothic" style by Fascist architect Mario Guerzoni.
In 1994 the Franciscan friars left the church for good and in January 1997 it was entrusted by the bishop of Carpi Bassano Staffieri to don Luciano Ferrari, diocesan priest and chaplain of the Santa Maria Bianca Hospital in Mirandola; as rector, he was in charge of the church until, in view of his advanced age, the newly installed Bishop Elio Tinti decided to assign it to the Missionary Servants of the Poors as of 19 October 2001.
2012 earthquake
The San Francesco complex was severely damaged by the 2012 Emilia earthquake: the bell tower, which initially remained standing after the first tremor on 20 May, was damaged by the earthquake, subsequently collapsed during the second major seismic tremor on 29 May, fortunately without causing any casualties. The bell tower crashed down onto the church, almost completely destroying it, of which only the façade, the northern wall (where the Pico tombs are located) and the chapel of the military shrine in the opposite southern nave were saved. On 22 June, about a month after the first earthquake, the fire brigade began slinging and shoring up the surviving façade and the remains of the church.
The damage caused by the earthquake to the church of San Francesco amounts to 10 million euros.
Architecture
The external façade, in exposed red brick, was built in the 15th-century extension in a simple, austere and markedly geometric style. Lesene mark out the façade, characterised by a modest central rose window surmounted by a cross-shaped window, decorated at the top with crossed bricks and terracotta tiles.
The size of the building hints at its importance to the community: the interior of the church is 49.95 metres long by 21 metres wide, built in Gothic style, with a large central nave 10.42 metres wide (typical of mendicant orders), with ogival arches and brick-red ribs on white plaster that reached up to the ceiling (14.50 metres high). The nave reached the large octagonal apse, where the altar and choir were located. The naves were separated by 7.80 m high arcades supported by 5.10 m high columns.
At the end of the 5.02 m wide right-hand nave, already decorated with stained glass windows, is the military shrine chapel, dedicated to the fallen of all wars, which remained almost unscathed after the 2012 earthquake.
In the left aisle, 5.36 m wide, there was a painting of St Francis Receiving the Stigmata by Sante Peranda (recovered from the rubble of the 2012 earthquake by the fire brigade and currently transferred to Sassuolo) and a precious marble altar in the chapel of the Virgin of Reggio (Madonna della Ghiara).
Pantheon of Pico family
The most interesting part of the church was the so-called Pantheon of the Pico family, rulers of Mirandola and Concordia, located on the northern wall of the left aisle, consisting of a series of four suspended sarcophagi. From the entrance towards the back of the church:
tomb of Galeotto I Pico (dead in 1499, brother of Giovanni Pico) and his wife Bianca d'Este, in simple Renaissance style, bears the coat of arms of the Pico della Mirandola-Concordia family, a resurrecting phoenix, a cross and the inscription "I had Bianca for my wife, who, grateful, gave me this tomb to serve both, a chaste soul and this memory"; tomb of Prendiparte Pico (who died on 20 June 1394 and was initially buried in the crypt, Spinetta's brother) and Caterina Caimi: the latter, having seen the beauty of her brother-in-law Spinetta's tomb, did not want to be outdone and commissioned an even more beautiful work from the prestigious Venetian woodcarver Paolo dalle Masegne, son of the famous Jacobello The monument is one of the greatest masterpieces of Venetian Gothic in Emilia: the urn is carved from a single block of marble with the scene of the Crucifixion in the centre, flanked by the highly expressive figures of Mary, St John and Mary Magdalene screaming in pain; at the sides of the tomb a mule bent by the weight of a sack (representing the widow's unbearable grief) and a dog (symbol of loyalty) together with Old English inscriptions, testifying to the link between Prendiparte and John Hawkwood. The plaster lid is carved life-size in the image of the deceased on his deathbed wearing battle armour. Traces of gold and colour, typical of the Delle Masegne tombs, are still visible; tomb of Spinetta Pico (died 1399, brother of Prendiparte), made according to the detailed testamentary dispositions of the deceased: in the sarcophagus is a Madonna and Child flanked by the martyred saints Stephen and Catherine, as well as Saints Anthony Abbot and Christopher. On the marble lid of the urn is a life-size sculpture of the deceased asleep, dressed in battle armour. tomb of Gianfrancesco I Pico (dead in 1469) e Giulia Boiardo, parents of Giovanni Pico della Mirandola: commissioned by his nephew Gianfrancesco II, it is also a simple Renaissance work in the Tuscan style, with sculpted leaves surrounding the family shield..
All the tombs, looted over the centuries, are empty inside.
The church also contained a cenotaph of Giovanni Pico, made in 1824 by the sculptor Giuseppe Pisani. Initially placed in the chapel of the Blessed Virgin of Reggio, in 1922 it was moved to the wall of the right aisle, next to the tombs of the Pico family.
Francesco Pico together with his wife Pietra Pia and their children were also buried in the church in 1445 (the red marble tombstone from Verona, however, was removed in 1839 by the friars, its inscriptions abraded and divided into two pieces that were reused as the threshold of the side doors); in front of the altar of San Francesco Solano, Giovanni I Pico and his wife Caterina Bevilacqua d'Ala; on the left side of the choir there is a decorated plaque (ruined by French troops in 1798) in memory of Ippolito Pico, killed by the Huguenots in 1569, placed there by his brother Luigi Pico. Finally, on the opposite side of the choir, there are two other tombstones: one in black marble dedicated to Galeotto IV Pico (commissioned by his wife Maria Cybo-Malaspina) and the other in red marble, in memory of Nicolò di Giovanni Pico (died in 1448) and his wife Maddalena d'Orlando Pallavicino.
Other members of the Pico family were buried in a crypt (looted in the 19th century) reached from the chapel of the Blessed Virgin of Reggio.
Bell tower