"The Star-Spangled Man" is the second episode of the American television miniseries The Falcon and the Winter Soldier, based on Marvel Comics featuring the characters Sam Wilson / Falcon and Bucky Barnes / Winter Soldier. It follows the pair as they reluctantly work together to track an anti-nationalist organization, the Flag Smashers. The episode is set in the Marvel Cinematic Universe (MCU), sharing continuity with the films of the franchise. It was written by Michael Kastelein and directed by Kari Skogland.
Anthony Mackie and Sebastian Stan reprise their respective roles as Sam Wilson and Bucky Barnes from the film series, with Wyatt Russell, Erin Kellyman, Danny Ramirez, and Daniel Brühl also starring. Development began by October 2018, and Skogland joined in May 2019. The episode gives a full introduction to the series' new version of Captain America, John Walker (Russell), with a Good Morning America interview and a drumline rendition of Alan Menken's song "Star Spangled Man" from the MCU film Captain America: The First Avenger (2011). It also introduces Isaiah Bradley (guest star Carl Lumbly), a veteran super soldier who was imprisoned and experimented on by the United States government and Hydra for 30 years. Filming took place at Pinewood Atlanta Studios in Atlanta, Georgia, with location filming in the Atlanta metropolitan area and in Prague.
"The Star-Spangled Man" was released on the streaming service Disney+ on March 26, 2021. Viewership for the series was estimated to have been higher than the previous week, and the episode was well received by critics who praised its racial commentary and dialogue, the chemistry between Mackie and Stan, and the introduction of Bradley.
Plot John Walker appears on Good Morning America to discuss becoming Captain America and his desire to live up to Steve Rogers's legacy. A disappointed Bucky Barnes confronts Sam Wilson about his decision to hand Captain America's shield to the United States government. He joins Wilson in searching for the Flag Smashers terrorist group.
Wilson and Barnes travel to Munich and find the Flag Smashers smuggling medicine. Wilson identifies a possible hostage, who is revealed to be the group's leader, Karli Morgenthau. With their enhanced abilities, the Flag Smashers quickly overpower Barnes and Wilson until Walker and Lemar Hoskins come to their aid. The Flag Smashers escape. Walker and Hoskins request Barnes and Wilson join them in aiding the Global Repatriation Council (GRC) to quash the ongoing violent post-Blip revolutions, but they refuse. Meanwhile, Morgenthau receives a threatening text from the mysterious Power Broker.
Traveling to Baltimore, Barnes introduces Wilson to Isaiah Bradley, a veteran super soldier who fought Barnes in 1951, during the Korean War. Bradley refuses to help them uncover information about a new Super Soldier Serum due to being imprisoned and experimented on by the U.S. government and Hydra for 30 years. As the two argue over Barnes keeping the existence of an African-American super-soldier a secret, Wilson is harassed by police and Barnes is arrested for missing a therapy appointment. Barnes is released on bail after Walker and Hoskins intervene. Barnes and Wilson are forced into a therapy session with Barnes's therapist Dr. Raynor.
Barnes and Wilson again refuse to work with Walker and Hoskins, and Walker warns the duo to stay out of their way. In Slovakia, the Flag Smashers escape while one member stays behind to hold off the Power Broker's men. Barnes and Wilson decide to visit an imprisoned Helmut Zemo in Berlin to gather intelligence on the Flag Smashers.
Production Development By October 2018, Marvel Studios was developing a limited series starring Anthony Mackie's Sam Wilson / Falcon and Sebastian Stan's Bucky Barnes / Winter Soldier from the Marvel Cinematic Universe (MCU) films. Malcolm Spellman was hired as head writer of the series, which was announced as The Falcon and the Winter Soldier in April 2019. Spellman modeled the series after buddy films that deal with race, such as 48 Hrs. (1982), The Defiant Ones (1958), Lethal Weapon (1987), and Rush Hour (1998). Kari Skogland was hired to direct the miniseries a month later, and executive produced alongside Spellman and Marvel Studios' Kevin Feige, Louis D'Esposito, Victoria Alonso, and Nate Moore. The second episode was written by Michael Kastelein and is titled "The Star-Spangled Man".
Writing The opening scene features the new government-chosen Captain America, John Walker, going on a press tour. This was suggested by Feige as a way to humanize the character. Actor Wyatt Russell described Walker as a soldier from a different time period than the first Captain America, Steve Rogers, comparing him to those who served in the Iraq War and War in Afghanistan. He noted that there is a "grey area now" and a different way of fighting due to the influence of technology. He also felt Walker was a company man for the United States military and someone who is willing to do things he is not comfortable doing. He also paralleled Wilson's imposter syndrome regarding the Captain America mantle with Walker's, stating that Walker was a "little bit more of a [jump in] head first type guy" than Wilson. Russell did not read the comics for inspiration.
Spellman took inspiration for the series from the comic book Truth: Red, White & Black (2003), which Feige was nervous about adapting because he felt they would not be able to do justice to it and its main character, Isaiah Bradley, if they were only a small part of the series. He changed his mind when he saw how central Bradley was to the series' themes. The character is introduced in this episode and Spellman described him as the soul of the series. He said Bradley's interactions with Wilson would be formative for Wilson's eventual tenure as Captain America.
Casting The episode stars Anthony Mackie as Sam Wilson, Sebastian Stan as Bucky Barnes, Wyatt Russell as John Walker / Captain America, Erin Kellyman as Karli Morgenthau, Danny Ramirez as Joaquin Torres, and Daniel Brühl as Helmut Zemo. Also appearing are Clé Bennett as Lemar Hoskins / Battlestar, Carl Lumbly as Isaiah Bradley, Desmond Chiam, Dani Deetté, and Indya Bussey as the Flag Smashers Dovich, Gigi, and DeeDee, respectively, Renes Rivera as Lennox, Tyler Dean Flores as Diego, Ness Bautista as Matias, Amy Aquino as Dr. Christina Raynor, Elijah Richardson as Eli Bradley, Noah Mills as Nico, Gabrielle Byndloss as Olivia Walker, Mike Ray as Alonso Barber, Neal Kodinsky as Rudy, and Good Morning America journalist Sara Haines as herself. Aquino received news of her casting while filming the series Bosch (2014–2021). She did not know about the MCU and was given information and advice on the franchise from her co-star Titus Welliver, who portrayed Felix Blake in the Marvel One-Shots short films and the series Agents of S.H.I.E.L.D. (2013–2020).
Filming Filming for the series officially began in November 2019, taking place at Pinewood Atlanta Studios in Atlanta, Georgia, with Skogland directing, and P.J. Dillon serving as cinematographer. Location filming took place in the Atlanta metropolitan area and in Prague. Scenes in Isaiah Bradley's house were filmed in 66 Hogue Street NE in Atlanta, a block away from Martin Luther King Jr.'s birthplace. The series was shot like a film, with Skogland and Dillon filming all of the content at once based on available locations. Most of the second episode's footage was filmed before production was halted due to the COVID-19 pandemic in March 2020.
For the series' first episode, "New World Order", Dillon differentiated the cinematography for Barnes ("cold and austere") and Wilson ("warm and inviting"). For the second episode, Skogland wanted to merge the two cinematography styles now that the characters come together. A comedic scene with the pair early in the episode sees them discuss wizards and the novel The Hobbit (1937). Stan credited this scene to the script and said the committed delivery from him and Mackie made it funny. However, Skogland credited Mackie and Stan's improvisation skills. Another example of this which Skogland gave was a subsequent scene where the pair walk to a plane in silence, staring at each other. She felt this experimental approach had allowed them to develop a "genuine, authentic relationship" between the characters and include ad-libs and humor naturally.
Skogland said the therapy scene between Barnes and Wilson allowed the characters to show their vulnerabilities, convey how Barnes's mind is "this type of jail cell he's in", and explore their shared grief over losing Rogers. Aquino added that Dr. Raynor's "soldier to soldier" conversations with the pair allowed them to explore themes about acknowledging and resolving trauma. She took inspiration from therapists she had both met with and portrayed throughout her career, and cited detective Mitzi Roberts as her biggest influence in portraying Dr. Raynor. Aquino said the therapy scene was largely improvised by Mackie and Stan, and it took around 4 to 5 takes to film the humorous moment in which Wilson and Barnes's legs are interlocked. For a central action sequence that takes place on moving trucks, Skogland wanted to contrast Wilson and Barnes's incompatibility with Walker and Hoskins being a "well-oiled machine". She also emphasized Wilson's attempts to get through to Morgenthau. Action and stunts for the sequence were filmed practically, primarily by the second unit.
Visual effects Eric Leven served as the visual effects supervisor for The Falcon and the Winter Soldier, with the episode's visual effects created by Digital Frontier FX, Tippett Studio, Rodeo FX, QPPE, Cantina Creative, Technicolor VFX, and Trixter. Rodeo FX was tasked with working on the truck action sequence, delivering approximately 180 shots for it. After realizing that the background plate footage from Atlanta and separate blue screen footage was insufficient for the sequence, the team began rendering elaborate digital environments for the scene. Because the sequence is set in Munich, Germany, the team augmented the plate footage with German trees and mountains, using Google Maps and Google Earth for reference. Rodeo also created a five-mile-long (eight-kilometer-long) digital highway that the trucks could drive on. This allowed them to easily change positions during filming or use different plate shots, as the team wanted to show different areas in successive shots of the sequence. They rendered the highway moving at 120 kilometers per second, rather than the trucks moving, as it was easier for the camera to align all the elements and ensure details like stones, dirt, and smoke could be inserted. Rodeo computer-generated imagery (CGI) supervisor Loïc Beguel created a method for the team to track the position of the trucks across the digital highway during edits, making editorial updates easier. In some shots they used digital doubles of the trucks, and a fully digital interior of one of the trucks was created for the moment where Barnes confronts Morgenthau, with digital vaccine crates replacing cardboard boxes from the original reference footage. Shots in the sequence also featured digital doubles of the actors, particularly during close-ups of Falcon and when modifying footage of stunt doubles became difficult. Rodeo visual effects supervisor Sébastien Francoeur said a digital double was present for around 95 percent of shots featuring Barnes's Winter Soldier arm.
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