The Prisoner of Sex is a non-fiction work by American author Norman Mailer, first published in 1971, that responds to the rise of second-wave feminism and specifically critiques the arguments made by feminist writers such as Kate Millett. Commissioned originally as a long-form article for Harper’s Magazine, the book blends memoir, literary criticism, and polemic as Mailer confronts what he perceives as the movement's reductionist views on sex, power, and literature. Notorious for its provocative tone and contentious engagement with feminist theory, The Prisoner of Sex both reflected and intensified the cultural debates of the era, solidifying Mailer's reputation as a polarizing voice in American letters.
Background The Prisoner of Sex (POS) became Mailer's nineteenth major publication, following the release of King of the Hill: Norman Mailer on the Fight of the Century in the same year. POS follows Mailer's early, critically acclaimed fiction of the 1940s and 1950s and reflects his shift into Literary nonfiction and New Journalism throughout the 1960s and 70s.Murphy, Sean. "The Most Important Single Intellectual Event of the Last Few Years': Norman Mailer and 'Town Bloody Hall". The Pulitzer Prizes. Retrieved April 29, 2025. In response to the rapidly shifting social and political climate of the mid-twentieth century, Mailer found success using the conventions of fiction in journalistic writing alongside fellow new journalists such as Joan Didion and Truman Capote.
Entering this genre with Armies of the Night, Mailer began writing about himself from the third-person perspective, departing from the third-person omniscient and first-person perspectives used in his early fiction. This technique became a hallmark of Mailer's nonfiction, including The Prisoner of Sex.
POS is Mailer's response to the 1960s women's liberation movement, though he primarily offers a critique of literary critic Kate Millett. In Sexual Politics, Millett delivers a sustained critique of Mailer, primarily in Chapter 8, where she analyzes his novel An American Dream alongside brief references to Advertisements for Myself and The Naked and the Dead. Millett portrays Mailer as emblematic of a masculine literary tradition that glorifies aggression and sexual domination. She argues that An American Dream in particular presents male violence as thrilling and redemptive: "In the dream world of Norman Mailer, male supremacy is taken for granted, and the expression of its power, even in violence, is assumed to be exhilarating and necessary". For Millett, this is not incidental but central to Mailer’s artistic and ideological vision.
She further contends that Mailer equates masculinity with domination and femininity with submission, reducing complex interpersonal relationships to hierarchies of power. "The male is above all the aggressor", she notes, "the female his passive object". Millett frames this dynamic as not merely psychological but deeply political—an artistic enactment of patriarchy itself.
Mailer is also positioned as part of a larger lineage—alongside Henry Miller and D. H. Lawrence—that uses literature to reinforce misogynistic values. According to Millett, these writers contribute to a cultural framework that marginalizes women and celebrates male potency as a literary virtue: "The literature of Lawrence, Miller, and Mailer shows how deep the masculine bias runs in modern letters, shaping values, aesthetics, and definitions of power". Subsequently, critics like Merrill, Paglia, and Steiner accuse Millett of distorting the literary intentions of the authors she critiques unfairly truncating quotations, severing qualifications and afterthoughts, and only retaining sentences that reinforce both men as sexist. Her desire to impugn them by overlooking quotations that do otherwise runs against scholarly and critical principles. Mailer gives multiple examples of these distortions, and states: "the bloody ground steamed with the limbs of every amputated quote".
Millett's critique paints Mailer as a writer whose sexual politics are not only regressive but dangerously seductive, masked in the language of artistic freedom and existential depth. These charges would serve as the primary target of Mailer’s combative response in POS.
Style POS presents Mailer's style as forceful and urgent. Wording that might appear uncomfortable to some readers was the forefront of his work. He exposed the uncomfortable, the tough conversations, and the unasked questions. Known as a defining writer in the world of journalism, Mailer used hard-hitting topics to get his opinions across. In this work, Mailer approaches his opinion as a response to Millett's critique of women's liberation.
According to J. Michael Lennon, Mailer’s writing style was marked by his distinctive use of metaphor, which Lennon described as one of his most significant linguistic talents. Influenced early on by editorial feedback, Mailer developed a wide-ranging and often visceral metaphorical style that became a hallmark of his prose. His metaphors, often carnal and vivid, served as vehicles for complex ideas and thematic resonance throughout his career.
Even Mailer’s literary style is suspect in Millett’s account. His confessional and self-mythologizing prose, especially in Advertisements, is seen as a rhetorical strategy to elevate personal pathology into literary insight. She claims that Mailer “presents a view of the world that is both obsessed with his own sexual anxieties and determined to transform those anxieties into a moral or aesthetic vision".
Focusing on gender roles and female ideology, Mailer uses third-person persona to express his viewpoint on the changes that occur when the human subconscious is suppressed. His viewpoint was criticized by female social and literary critics who labeled him as a feminist anathema.
Summary Mailer structures POS into four sections, and each section casts the author in a different role to explain an aspect of his views on women's liberation. Mailer's persona learns from his secretary that he is rumored to receive a Nobel Prize. Having already won the Pulitzer Prize, he did not feel thrilled in receiving the news of winning another prize and was more concerned with his recent separation from his fourth wife. He decides to name himself FNPW-Falso Nobel: Prize Winner, Prisoner of War, Prisoner of Wedlock, or Prisoner of Prizewinner. He heads to Maine to spend the next six-weeks of the summer with his five children as a “housewife” with a mistress and a maid.
The Prize Winner The Prisoner embarks on vacation for the summer to care for his children after a false rumor emerged of him possibly winning a Nobel Prize. The Prizewinner’s ghost-phallus remained in New York, while the prisoner of wedlock enjoyed his time with his children in Maine. Norman Mailer suffered from gastral issues after reading Thinking About Women by Mary Ellmann. Mailer read the article New American Review by Kate Millett and describes her as a gossip columnist.
He writes, "He could not know whether he would have found it endurable to be born a woman or if it would have driven him out onto the drear avenues of the insane." The remainder of the section consists of Mailer writing about the growing women's liberation movement and the backlash against his work he received from these "enraged Amazons, an honor guard of revolutionary vaginas," and concluding that he needed to further articulate his thoughts about women.
PW ends the section listing life themes that depress him, and he describes how difficult it is for him to write about Women's Liberation honestly.
The Acolyte Mailer, understood to be an acolyte in the title, begins by surveying the writings and participants of the women's liberation movement and considers women as a class in economic terms. He discusses female neurosis, blaming a woman's period for car crashes, increased admission to mental hospitals, and crime, which plays a part in a larger argument about the inherent physical strength of women compared to men. Mailer discusses the philosophical and existential purpose of the female orgasm and what it means for men and mankind when women figure out how to orgasm without the assistance of a penis. The clitoral orgasm where no man or phallus is needed, as opposed to a vaginal orgasm, is an aspect of the women's liberation movement that shows Mailer's inner fear of not being "needed."
The Advocate Mailer offers a critique of the work of Millett. He opens the section by proclaiming that "by any major literary perspective, the land of Millett is a barren and mediocre terrain." He discusses Millet's assessment of his work and two of his favorite literary figures, Miller and Lawrence. He critiques her use of quotes and the conclusions that she comes to through her choice of quotes. He believes that she does not give the authors any credit for the work they did to understand women, taking issue with her only drawing attention to their oppression of women. He continues his discussion of sex by debating the power dynamics of male prison sex, equating power and dominance to manliness, and submission and penetration to the societal example of a woman. Mailer makes the case that succumbing to the natural depth of womanhood and manhood is a necessity, essentially arguing that womanhood is based on the confines of the womb. His discussion turns into the evolution of sex as a transaction. In prison, sex is a transaction, a transaction of power. Mailer writes that heterosexual sex became transactional and more like homosexual sex with the invention of the pill, as there is no chance of conception. Only power, cruelty, lust, desire, or pleasure is traded.
The Prisoner Mailer discusses the genetics of sex and how it is determined beyond basic chromosomal knowledge. He theorizes how the determination of sex may, through the selective fertilization of an egg, have a larger meaning than just chance. Mailer discusses how even the choice of a woman to have sex with a particular man has an impact on the outcome of a child, putting great meaning on the act of sex. Mailer concludes the book by coming full circle to his own life. He describes an example of a couple where responsibilities are shared and given equal importance. His work should not suffer unless her work were more important than his—and he thinks that is impossible. Mailer makes a final call for succumbing to the differences between the sexes that are rooted in biological differences. A perfect world for Mailer would be one in which "people would found their politics on the fundamental demands they make of sex," one in which women's liberation supporters would accept that liberation from sex simply is not possible.
Themes Gender in society Mailer offers differing views of women. He states that "his respect for the power of women was so large that…[it] would tear through him" before later arguing that women should be kept in cages. He stands by his statement that he does not hate women—even though some other parts of the book seem to contradict this. He states that his past writings do not reflect his actual beliefs; however, his statements often contradict this. Mailer writes about how the "goal" of women's liberation seeks to destroy the separation and uniqueness of the two sexes, which in turn would ruin the sacred and essential natural design of sex. Gender and sexuality are described with reverence and a belief that they are part of nature's "spiritual design," and that sexual technologies and the changing social constructs of gender were contributing to the demise of the "majesty of men and women fucking."
Power dynamics between the sexes