Freya Waley-Cohen (born 20 February 1989) is a British-American composer based in London.

Biography Waley-Cohen grew up in an arts-oriented family. Her mother is the American sculptor Josie Spencerjosiespencerjosiespencer.com and her father is English theatre manager and producer Stephen Waley-Cohen. Her sister is the violinist Tamsin Waley-Cohen. She began playing the violin at the age of three, and at aged 11 enrolled for a composition course at The Walden School, New Hampshire. She studied with Giles Swayne whilst an undergraduate at Cambridge, and then afterwards with Simon Bainbridge and Oliver Knussen at the Royal Academy of Music. In 2016 she was a Composition Fellow at the Tanglewood Festival.

Music An early composition was Dark Hour, a piano quintet with clarinet, performed at the Sage Gateshead in May 2013. The choral piece Linea was written specifically for performance inside the Princess of Wales Conservatory glass house at Kew Gardens, an installation as much as a concert piece. It was performed there by the vocal ensemble Reverie in October 2014. Similarly Permutations (2017), for six recorded violins, is also site-specific. It was written to be performed inside a specially constructed building at the Aldeburgh Festival, created with architectural designers Finbarr O’Dempsey and Andrew Skulina. The six violin parts were recorded separately and the sound distributed around the building.Permutations, Signum Classics SIGCD496 (2016)

The song cycle Happiness for soprano and orchestra was the last piece Waley-Cohen worked on with her teacher Oliver Knussen before his death in July 2018. It premiered at St Luke Old Street on 19 October 2018, played by the London Symphony Orchestra with soloist Lauren Fagan. Ink for large ensemble, recorded by the Philharmonia Orchestra on the NMC label, was inspired by the poetry collection Bottled Air by Caleb Klaces (who also provided the text for Linea). Changeling, a 10-minute work for chamber orchestra, was commissioned by the Los Angeles Philharmonic and premiered on 1 June 2019 by the LA Phil New Music Group at the Walt Disney Concert Hall, conducted by John Adams.

Her BBC Proms debut came with a performance of the octet Naiad at Cadogan Hall by the Knussen Chamber Orchestra, led by Ryan Wigglesworth, on 9 September 2019. Conjure, a string trio, was commissioned by the Wigmore Hall and given its first performance at the hall on 2 November 2019 by the Albion Quartet. Spell Book for soloists and chamber orchestra, setting poems from Rebecca Tamás’s 2019 collection WITCH, was commissioned by the Britten Sinfonia and first performed on 21 January 2020 in Cambridge. Spell Book (Volume 2) was premiered at Conway Hall on 1 March 2020. The complete cycle, eight songs lasting around 45 minutes, was given its premiere at Milton Court in London on 1 February 2024.Richard Morrison. 'Spell Book review', in The Times, 2 February 2024 Spell Book has been recorded, along with Conjure, Naiad and Talisman (2020, for string ensemble).Spell Book, NMC D284 (2024), reviewed at MusicWeb International

In March 2022 the premiere of her hour-long opera WITCH (also setting Rebecca Tamás) took place at the Royal Academy of Music as part of its 200th anniversary celebrations.Freya Waley-Cohen. 'The witching hour: how my opera conjures old stories through new eyes', in The Guardian, 22 March 2022 Waley-Cohen was composer in residence with the London Chamber Orchestra for the 2021-22 season, where performances of her works included Saffron and Happiness as well as the new work Pocket Cosmos, written for the orchestra.St John's Smith Square, 21 June 2022

Further works for full orchestra have followed. Demon (2023), co-commissioned by the City of Birmingham Symphony Orchestra and the Royal Stockholm Philharmonic Orchestra, was premiered at Birmingham Symphony Hall on 22 February 2023, conducted by Ilan Volkov.'CBSO/Volkov review — Freya Waley-Cohen's Demon is magic', in The Times, 23 February 2023 The 25 minute orchestral work Mother Tongue, commissioned by the London Philharmonic Orchestra, was premiered at the Royal Festival Hall in November 2024, conducted by Edward Gardner.Andrew Clements, 'Fierce Brahms and a rich Waley-Cohen premiere', in The Guardian, 7 November 2024

Works

Stage WITCH (2022), opera

Orchestral Ignite (2013), orchestra Magpie (2016), small orchestra Saffron (2016), small orchestra Bandstand (2017), orchestra Changeling (2019), chamber orchestra Talisman (2020), for String Ensemble Pocket Cosmos (2022), orchestra Demon (2023), orchestra (fp. 22 February, Birmingham) Variation on Sellinger's Round (2023), solo recorder and string orchestra Mother Tongue (2024) (for the London Philharmonic Orchestra, 6 November 2024)

Chamber/Instrumental Ascension (2012), solo cello A Pyrrhic Smile (2012), violin and cello Five Breaths (2013), solo piano Day Three (2013), flute, saxophone, harp and string quartet Dark Hour (2013), clarinet, piano & string quartet Sillage (2013), ensemble and solo violin Regen (2013), flute, clarinet, piano and string trio Fragments (2013), violin and guitar Southern Leaves (2014), solo piano Tree Rings (2014), organ and percussion trio Stella (2014), brass ensemble Daphna (2014), horn trio Just so we can Dance (2014), accordion, clarinet and string trio Glass (2015), percussion quartet Nocturne (2015), solo clarinet Unveil (2015), solo violin Sunstone (2015), horn octet Unbridling (2016), viola da gamba BluTack for Sophie (2016), solo harp Blu-Tack (2016), harp and viola Sardine (2016), cello and piano Wing (2016), violin duet Likeness (2016), six violins Skye (2017), solo harp Snap Dragon, string quartet Vitae (2017), string quartet Permutations (2017), six recorded violins Vita (2017), string quartet Blu-Tack (2017), vibraphone and clarinet Ink (2018), large mixed ensemble Isle (2018), solo piano Water (2018), accordion and cello Naiad (2019), octet Winterbourne (2019), string quartet Dust (2019), string quartet Wake (2019), clarinet, viola da gamba, cello Caffeine (2019), recorder Conjure (2019), string trio Amulet (2020), for string quintet Amulet (2021), for guitar Bad Habit (2021), piano Caffeine (2021), caprice for violin for Simon (2022), piano Glass Flowers (2023), flute trio Stone Fruit (2024), for percussion ensemble

Vocal/Choral In the Bubble Gum Jungle (2013), soprano & piano Linea - Pleasure Trip (2014), vocal ensemble (text Caleb Klaces) To Declare (2014), baritone or tenor & piano Landay (2015), piano and voice Oyster (2015), soprano, clarinet, harp & double bass Attired with Stars (2015), choir and audience Little Poisonous Snakes (2015), soprano, piano, oboe, cello We Phoenician Sailors (2016), soprano, harp, clarinet, double bass (text Octavia Bright) The Rope and Glass Between Us (2016), vocal ensemble Happiness (2018), song cycle for soprano and orchestra Lend us your Voice (2019), choral, written for the King's Singers Once (2019), choir and audience Spell Book (Volume 1) (2020), mezzo-soprano and chamber orchestra Spell Book (Volume 2) (2020), soprano and string quartet Spell for reality (2020), soprano and ensemble The Moon, The Moss & The Mushrooms (2024), voice and piano

References

External links Freya Waley-Cohen website Recordings on Soundcloud Performance of Conjure by the Albion Quartet, Wigmore Hall, 2 November, 2019 Documentary about the world premiere performance of Linea at Kew Gardens, October 2014 Freya Waley-Cohen on This Classical Life, BBC Radio 3