Mathilde Weil (January 1872 — June 1942) was an American editor, literary agent, and portrait photographer based in Philadelphia, Pennsylvania.
Early life Mathilde Weil was from Philadelphia, the daughter of Edward Henry Weil and Isabel R. Lyons Weil.Woman's who's who of America (1914): 864. Her parents were Jewish;Malcolm H. Stern, First American Jewish Families (Jacob Rader Marcus Center of the American Jewish Archives): 183. her father was a lawyer.Gillian Greenhill Hannum, "Philadelphia's Forgotten Plein-Air Portraitist: Mathilde Weil" 19th Century 35(1)(Spring 2015): 3-11. One of her first cousins, Nathalie Fontaine Lyons, married tobacco executive Bowman Gray Sr.William S. Powell, "Bowman Gray" Dictionary of North Carolina Biography (University of North Carolina Press 1986).
She attended Mr. and Mrs. L. M. Johnson's School.Bryn Mawr College, Program (Philadelphia 1905): 199, 213. She graduated from Bryn Mawr College in the class of 1892, with further studies at the Philadelphia Museum of Industrial Art and Textile School (now known as University of the Arts), and a summer course with painter Joseph DeCamp at Annisquam, Massachusetts."Miss Mathilde Weil and her Work" Wilson's Photographic Magazine (August 1902): 313-314.
Career From 1893 to 1896, Weil worked as an editor and reader at Macmillan publishing house. From 1895 to 1896 she was "sub-editor" of the American Historical Review.
Weil acquired a camera in about 1896 and soon became a portrait photographer.Osborne I. Yellot, "Mathilde Weil, Artist Photographer" Photo-era (June 1899): 323-328. She had a studio,"Artistic Photography" The Times (January 28, 1899): 2. via Newspapers.com but specialized in "home portraiture", or making portraits in the subjects' homes or gardens.Frances Benjamin Johnston, "A Series of Beautiful Photographs Showing What American Women Have Done with a Camera: Mathilde Weil" Ladies' Home Journal (June 1901): 9. Her equipment "comfortably fills an ordinary leather suitcase", marveled one trade magazine in 1915."Miss Weil's Outfit" The Photo-miniature (September 1915): 419. She published a small guide, "Outdoor Portraiture", detailing her methods."Review of Books Etc. Received" Photographic Times Bulletin (April 1904): 188.Mathilde Weil, "Home Portraiture" The New Photo-miniature (August 1904): 245-280.
In 1898 her "Rosa Rosarum" portrait was included in the first Philadelphia Photographic Salon, a juried show organized by Alfred Stieglitz. The following year, she was represented in the Salon by five works, and in 1900 by one work. In 1901, she showed work in the Glasgow International Exhibition, and was featured in Ladies' Home Journal, in a series of features on American women photographers edited by Frances Benjamin Johnston. Weil won a medal from the Royal Photographic Society for her work. From 1905 to 1909, she lectured on photography at the Drexel Institute,"Interesting Photo Display" Philadelphia Inquirer (January 21, 1906): 11. via Newspapers.com and mentored the Drexel Camera Club, later the Lantern and Lens Gild of Women Photographers. Nature photographer and filmmaker Margaret L. Bodine attended Weil's lectures and was founder and president of the Gild."Lantern and Lens Gild of Women Photographers, Records 1904-2004" Historical Society of Pennsylvania. She exhibited some of her portraits of prominent Philadelphians (including Agnes Repplier, Margaret Deland, and Violet Oakley) in Harrisburg, Pennsylvania in 1916."Photograph of Former Judge in Exhibition" Carlisle Evening Herald (March 18, 1916): 1. via Newspapers.com She was an officer of The Plastic Club."Plastic Club Presidency Struggle to be Spirited" Philadelphia Inquirer (April 11, 1912): 3. via Newspapers.com
Weil left Philadelphia and photography by 1920, returning to the publishing industry as a literary agent in New York,Helen L. Laird, A Mind of Her Own: Helen Connor Laird and Family, 1888–1982 (Terrace Books 2006): 154. Marian Hale, "Hospital for Sick Stories Kept by Woman Expert" Bismarck Tribune (August 14, 1923): 7. via Newspapers.com and eventually moving to San Francisco, California.Edna B., "Bagatelles" Honolulu Advertiser (August 20, 1939): 22. via Newspapers.com
Later life Weil died in Philadelphia in 1942, aged 70 years. Works by Weil were featured in a 1982 show, "Women Look at Women", at UCLA's Frederick S. Wight Art Gallery."UCLA to Present Ceramic Art, Photography of Women Exhibits" Los Angeles Times (February 14, 1982): 654. via Newspapers.com
References
External links
Mathilde Weil, "Across the Fields" (circa 1900) in the photography collection of the Art Gallery of New South Wales. Mathilde Weil, "Violet Oakley at work upon the panel of 'International Understanding and Unity' for the Senate Chamber, Capitol of Pennsylvania" (circa 1913), in the Pennsylvania Capitol Photograph Collection, Library Company of Philadelphia.