Serafima Germanovna Birman (; – 11 May 1976) was a Soviet and Russian actress, theatre director and writer. She was named People’s Artist of the RSFSR in 1946.Serafima Birman article from the TheFreeDictionary.com

Biography Serafima Birman was born in Kishinyov in the Russian Empire (modern-day Chișinău, Moldova) into a Russian Orthodox family.Serafima Birman (1962). The Path of an Actress. – Moscow: VTO, pp. 10–22, 37–39, 65, 76–157, 187–221 (Autobiography) Her father German Mikhailovich Birman was a Stabs-kapitan who served in the 51st reserve infantry battalion of the Imperial Russian Army. He came from raznochintsy, but was granted personal nobility after making a successful military career. He resigned rather early and died in 1908. Serafima described him as a "lonely, unsociable man... who had little success at finishing things, like the Moldovan-Russian dictionary he was writing for years". Her mother Elena Ivanovna Birman (née Botezat) "was a complete opposite". She came from a wealthy Moldovan family, studied in a finishing school and married as a teenager. At the time German met and married her, she was already a 19-year-old widow with two daughters. Serafima also had a younger brother, Nikolai.

Theatre She grew up in Kishinyov and graduated from a local gymnasium for girls with a gold medal. At the age of 11 she visited a theatre and became obsessed with it. One of her stepsisters, then a student at the Saint Petersburg medical university, was offered to play a small part in Konstantin Stanislavski's play. She brought Serafima a signed photo of him and suggested to enter the Moscow Art Theatre. In 1908 she left for Moscow and entered drama courses led by Alexander Adashev; among her fellow students was Evgeny Vakhtangov. , a well-known Bessarabian State Duma deputy and philanthropist, supported her and paid for the first year of studying.

In 1911 Birman graduated from the courses and became an actress of the Moscow Art Theatre with the help of Vasily Kachalov, one of her teachers who sent a recommendation letter straight to Vladimir Nemirovich-Danchenko. From 1913 on she also performed at the First Studio led by Stanislavski. She played her first big role of Ortensia in the 1914 adaptation of The Mistress of the Inn play. In 1924 the First Studio was turned into the by its actors led by Michael Chekhov. Same year Birman debuted as a theatre director with Love – A Golden Book, an adaptation of Aleksey Tolstoy's play. After a number of internal conflicts the theatre was finally closed in 1936.

Birman and other actors then joined the Mossovet Theatre where she continued staging plays. One of her biggest successes was Maxim Gorky's Vassa Zheleznova where she also performed in the main part which she considered the role of her life. In 1938 one of the actors Ivan Bersenyev founded the Lenin Komsomol Theatre and invited some of the leading Mossovet actors to join him, including Birman.The History of Lenkom at the Lenkom Theatre official website (in Russian) In 1943 she relaunched Vassa Zheleznova and directed other adaptations of classic plays such as Leo Tolstoy's The Living Corpse and Edmond Rostand's Cyrano de Bergerac. She served there until 1958 and then returned to the Mossovet Theatre where she stayed for the rest of her life.

She also published articles and several non-fiction books dedicated to her profession and Russian theatre in general: Actor and Character (1934), Actor's Labour (1939), The Path of an Actress (1959 and 1962), Meetings Granted by Fate (1971).Serafima Germanovna Birman bibliography at the Russian State Library

Cinema Birman's first roles in cinema date back to 1918: she played a small part in But He, Rebellious, Seeks for Tempest... crime drama and Lady Sophia Entwistle in the Buried Alive adaptation of Arnold Bennett's satirical book. Both films were directed by Alexandre Volkoff shortly before his emigration and are considered to be lost today.State Institute for Art Studies, Russian State Archive of Literature and Art (1965). From the History of Cinema: Documents and Materials. Volume 6 – Moscow: Iskusstvo, p. 209Viktor Korotkiy (2009). Cinematographers and Directors of Russian Live Action Cinema 1897–1921: Bibliographic Reference. – Moscow: Research Institute of Cinema, p. 101 She returned to big screen during the mid-1920s and played several comedy roles and episodes in a number of silent films, most notably a neighbor in Yakov Protazanov's The Tailor from Torzhok (1925) and Madame Irène in Boris Barnet's The Girl with a Hatbox (1927). Her unusual appearance and expressive acting attracted comedy directors: between 1956 and 1957 she played two memorable grotesque characters in Andrey Tutishkin's Crazy Day and Alexander Stolbov's An Ordinary Man.Cinema: Encyclopedic Dictionary // main editor Sergei Yutkevich (1987). — Moscow: Soviet Encyclopedia, p. 48 She also voiced some animated films.

Yet her biggest success came with Ivan the Terrible directed by Sergei Eisenstein in 1944 during the war. Birman played the main antagonist – Yefrosinya Staritskaya, mother of Vladimir of Staritsa – who wanted to see him as a new Russian Tsar and led the plot against Ivan the Terrible. Eisenstein first planned Faina Ranevskaya for this part, but she was rejected by censors supposedly because of her "openly Semitic features".Islands. Faina Ranevskaya documentary by Russia-K, 2011 (in Russian)Joan Neuberger (2003). Ivan the Terrible. – New York: I.B. Tauris, pp. 18–19 Either way, Birman's character has been widely praised since. In 1946 she was awarded the Stalin Prize and the rank of People's Artist of the RSFSR for it. Same year the second part The Boyars' Plot was finished where she reprised the role of Yefrosinya, although the film was met with harsh criticism and banned for 12 years.

Death In 1969 Birman's husband Alexander Talanov, a Russian writer and journalist, died of illness aged 68. Serafima took his death hard. She soon became mentally ill and left the theatre. She was taken by her relatives to Leningrad where she went through treatment in mental hospitals until her death in 1976. (2011). Queens of Laughter. Life That Never Happened?. – Moscow: Eksmo, pp. 5–12 As one of her close friends Rostislav Plyatt wrote in his memoirs, "She tried to stage The Blue Bird with her ward neighbors, hasting to demonstrate the work to her beloved Stanislavski! Irrepressible, she even died Birman-style – no day without theatre!.."Rostislav Plyatt, Boris Poyurovskiy (1991). Without an Epilogue. – Moscow: Iskusstvo, p. 60 She was buried at the Novodevichy Cemetery in Moscow near her husband.Serafima Birman's tomb While biographers usually state the couple was childless, according to the actor Stanislav Sadalsky Birman actually left some descendants."She had a family. I even visited her flat near TASS – it went to her grandson" comment by Stanislav Sadalsky from his LiveJournal (in Russian)

Selected filmography Year Title Role Notes 1925The Tailor from Torzhok Shirinkina's neighbor 1926The Three Million Trial a lady with a rose uncredited1927The Girl with a Hatbox Madame IrèneThe End of St. Petersburg a lady with a fan uncredited 1936Girl Friends uncredited1938Friends Mussa's motherA Man with a Gun Varvara Ivanovna 1941Valery Chkalov American woman uncredited 1944Ivan the Terrible Efrosinia Staritskaya 1946Ivan the Terrible. Part II: The Boyars' Plot Efrosinia Staritskaya 1956Crazy Day Dr. Anna Pavlovna1957Don Quixote housekeeperAn Ordinary Man aunt Constance Lvovna 1960It Was I Who Drew the Little Man voice only animation 1965Rikki-Tikki-Tavi Chuchundra/Nagaina (voice only) animation

References

External links

Serafima Birman at the Moscow Art Theatre website Serafima Birman at the Lenkom Theatre website (in Russian)