Clive Blackmore Barda (born 14 January 1945) is a London-based, British freelance photographer best known for capturing the performances of classical musicians and artists of the stage (opera, ballet and theatre). During his career spanning over five decades, Barda has created a collection of over a million photographs of performers, composers, and conductors.

Early life Barda was born in 1945 and spent his early childhood in Alexandria, Egypt, where his father was a lawyer and his mother a painter. The family returned to England in 1956.Exhibition leaflet for An Eye for an Ear. Royal Festival Hall, London (1 March – 8 April 1979). Barda attended Bryanston School and graduated from Birkbeck College, University of London (BA Hons Modern Langs), aspiring to apply his knowledge of modern languages as a commodities broker in the City. His early interest in photography was mostly documentary; while studying for his degree, he travelled to Romania to photograph the painted monasteries of Moldavia. When he was twenty, following a friend's suggestion, he attended his first concert of classical music: an evening of Viennese music conducted by John Barbirolli. Soon after, he started attending concerts several times per week, and listening regularly to BBC Radio 3.

Career Barda decided to combine his interests in photography and classical music, and a chance encounter with a journalist for South Wales Magazine led to his first commission: photographing the harpist Susan Drake at home, on 12 November 1968. At the time, Drake's husband, John Wilbraham, was recording the Haydn and Hummel trumpet concertos and the producer asked Barda to shoot the album's sleeve. Retrieved on 6 September 2016. Drake then showed Barda's work to her agent, who recommended him to other artists, thus opening up opportunities for further engagements. Within a few months, Barda had his big break: The rehearsal took place at the Queen Elizabeth Hall the following Tuesday, and Barda showed the resulting contact sheets to Barenboim a few days later, in the Royal Festival Hall's green room. There, he also met Peter Andry, a senior executive at EMI, who suggested that Barda show his pictures to the art department at EMI. This immediately led to Barda's first major commission: to photograph Yehudi Menuhin, at EMI's No. 1 Studio, Abbey Road.

During the following decades, Barda has portrayed the world's leading classical musicians, as well as performers in opera, dance, theatre and musicals, as a freelance photographer. In her review of Barda's book Performance! (2000) for The Guardian, Charlotte Higgins stated:

Barda has been closely associated with major British locations, such as the

Barbican Hall, Edinburgh International Festival, English National Opera, Glyndebourne Festival Opera, Her Majesty's Theatre, National Theatre, Opera North, Queen Elizabeth Hall, Queen's Hall, Royal Albert Hall, Royal Festival Hall, Royal Lyceum Theatre, Royal Opera House, Royal Shakespeare Company at Stratford-upon-Avon, St John's, Smith Square, Usher Hall, and Welsh National Opera.

He has also worked abroad: in Austria, France, Germany, Italy, Japan, the Netherlands, Russia, the U.S., and China. He has taken photographs during rehearsals and recordings in the studios of AIR Studios, the BBC, CBS, EMI's Abbey Road Studios, Olympic Studios, among others, as well as at the home venues of major orchestras such as the LSO.

By 2012, Barda had already produced more than a million photographs, and has been referred to as the doyen of British music photography.

Method

When commissioned for a project, Barda asks what music will be played, since it is his understanding of the piece that will enable him to anticipate the decisive split second at which a good picture might be taken. As he explained: "Music is constantly punctuated. (...) There are narrative passages, there are peaks and troughs. The pictures occur at the peaks, the climaxes. Even if you don't know the music—though it helps if you do—you develop a sixth sense for these highs."

Vladimir Ashkenazy has stated that one of the secrets of Barda's success "is his rare gift of being unnoticed, discreet and unobtrusive while doing his work."

Personal life In 1970, Barda married Rosalind Mary Whiteley; they have three sons.

Exhibitions After a decade as a professional photographer, Barda began to exhibit his work, in the UK and abroad:

1979 – An Eye for an Ear. Royal Festival Hall, London (1 March – 8 April 1979) 1980 – An Eye for an Ear. Manchester, England 1981 – An Eye for an Ear. Perth, Australia (7 February – 2 March 1981)Exhibition leaflet for An Eye for an Ear. Perth Concert Hall, Perth (7 February – 2 March 1981). Hempstead & Associates. 1981 – An Eye for an Ear. Adelaide, Australia 1985 – Science Museum, London (with Lord Snowdon and Patrick Lichfield) 1985 – Royal Photographic Society, Bath, England (with Lord Snowdon and Patrick Lichfield) 1988 – Solo exhibition at the National Museum of Photography, Film and Television, Bradford, England 1996 – Bravura! Wigmore Hall, London (9 March – 10 April 1996)Exhibition leaflet for Bravura!. Wigmore Hall, London (9 March – 10 April 1996). 1996 – Music to the Eye. Inaugural exhibition at Nagaoka Lyric Hall, Japan (3 November – 23 December 1996)Exhibition leaflet for Music to the Eye. Nagaoka Lyric Hall, Japan (3 November – 23 December 1996). 2001 – Edinburgh International Festival, Scotland 2001 – Cheltenham Literary Festival, England 2001 – Baroco Gallery, Paris, France 2003 – Black & White Photography. The Van Ludwig Art Gallery, Dorking, England (17 May – 22 June 2003)Exhibition leaflet for Black & White Photography. The Van Ludwig Art Gallery, Dorking, England (17 May – 22 June 2003). 2005 – Permanent exhibition Wigmore Hall, London 2012 – Exposure!: Guangzhou Opera House (31 March-1 July 2012), China National Centre for the Performing Arts in Beijing (5-19 April 2012), China Hangzhou Grand Theatre (10 April-10 May 2012), China Cambridge Summer Music Festival (17-22 July 2012), England Royal Opera House at Thurrock (14-20 October 2012), England Tap Seac Gallery (1 November-9 December 2012), Macao 2013 – Music in Focus. Ealing Music and Film Valentine Festival (14-17 February 2013)

Collections In 1990, Barda founded the Performing Arts Library (PAL), to showcase his own collection and the work of other photographers specializing in the arts. This project evolved into ArenaPAL in 1997.

Barda's work is also held in the following public collections:

National Media Museum in Bradford, England Wigmore Hall, in London National Portrait Gallery in London

Publications

Books by Barda ASIN B00164U1LW.

Books with contributions by Barda

Selected exhibition catalogues

Filmography Trailer for Philippe Monnet's Clive Barda - Photographer (2012)

Honours Fellow of the Royal Society of Arts. OBE in the 2016 New Year Honours list, for services to photography. Honorary fellowship of the Musicians' Company, July 2016.

See also List of photographs by Clive Barda

References

External links

"Clive Barda - Classical Music Photographer" at ArenaPAL

From Domingo to Dudamel: Clive Barda's best photos - in pictures at theguardian.com Clive Barda – working photographer. at photomonitor.co.uk