Ellen Moers (1928–1979) was an American academic and literary scholar. She is best known for her pioneering contribution to gynocriticism, Literary Women (1976).J. Childers ed., The Columbia Dictionary of Modern Literary and Cultural Criticism (1996) p. 129 and leading her to write Literary Women. In the latter she established the existence of a strong nineteenth-century tradition of (international) women writers—her identification within it of what she called 'female Gothic' proving especially influential.S. Wolstenholme, Gothic (Re)Visions (1993) p. 157
In the fast-moving world of feminist scholarship, her book would be challenged in the following decade as under-theorised and ethnocentric; but continued nonetheless to serve as a significant stepping-stone for future scholarship.Toril Moi, Sexual/textual Politics (2002) p. 53–4
Twin traditions Moers pointed to the ambiguous origins of The Dandy:Brummell to Beerbohm, in a merger of French and English traditions;S. Hawkins, The British Pop Dandy (2009) p. 2–6 to the paradox in the dandy's highly structured pose of inaction; and to the role of the female dandy.S. Markovitch, The Crisis of Action in Nineteenth-Century English Literature (2006) p. 162
In Two Dreisers she indicated Dreiser's twin role on the cusp between 19th-century realism and 20th-century realism, as well as his roots in the different religious traditions of Catholicism and Protestantism.P. Giles, American Catholic Arts and Fictions p. 151
See also Beau Brummell Anna Louise Germaine de Stael Sandra Gilbert
References
External links Finding aid to Ellen Moers papers records at Columbia University. Rare Book & Manuscript Library.