Michel Draguet (born 23 January 1964) is a Belgian art historian, professor at the Université libre de Bruxelles, and previously the director and CEO of the Royal Museums of Fine Arts of Belgium since May 2005. Draguet is a member of the board of the federal administration for science: the Belgian Science Policy Office (BELSPO).
Presentation Michel Draguet oversaw the Museum of Oldmasters, the Fin-de-siècle Museum, the Museum of Modern Art, the Magritte Museum and two private artistic houses: the Antoine Wiertz Workplace and the Meunier House.
In 2015, with 767.355 visitors, The Royal Fine Arts Museum of Belgium was considered as the 82nd museum in the world (Top 100 Art Museum Attendance).
Following the bombing attack in Brussels in March 2016, the museum lost 40% of its attendance. Since 2016, the institution rebuilt its position. In 2017, The Royal Fine Arts Museum of Belgium is the leading cultural institution in Belgium with 649.337 visitors.
Michel Draguet joined the Royal Museums of Fine Arts of Belgium in May 2005 from his position of Professor of Art History of the 19th and the 20th Centuries at Université libre de Bruxelles where he has been serving since 1990.
Between August 2010 and February 2014, Michel Draguet was also designated by the Minister in Charge of Federal Science Policy as Acting Director of the Royal Museums of Art and History.. Defending federal art collections against dismantling, Michel Draguet was at the core of a debate. Nevertheless, Michel Draguet got a positive evaluation in April 2017 and started a new six years mandate running until 2023. In 2023, Draguet stepped down after staff raised allegations that he had cultivated a toxic work environment, marked by harassment, sexism, racism, and other issues.The Director of Brussels’s Royal Museums of Fine Arts Has Resigned Amid Toxic Workplace Allegations—But Already Has a New Job. Artnet. April 25, 2023
Michel Draguet is a member of the class of Arts of the Royal Academies for Science and the Arts of Belgium, elected on 6 January 2005.
Work Michel Draguet studied Art History at Université libre de Bruxelles from 1983 to 1987. In 1987, he gets his master's degree in Art History and Archeology with a dissertation related to "The Concept of Space in the roots of Abstract Art : Kandinsky, Mondran, Malévitch". This dissertation won the Masui Prise in 1988.From 1989 to 1993, Michel Draguet was a Research Fellow at the Belgian National Fund for Scientific Research (FNRS).
In 1990, Michel Draguet gets his PhD (Origins of Abstract Art from Kandinsky to Malévitch (1911—1918)) with the Greatest distinction. From 1993 to 1995, Michel Draguet is a Postdoctoral Researcher at the Belgian National Fund for Scientific Research (FNRS).
From the beginning of his studies till 1990, he worked closely with Philippe Robert-Jones, Chief Curator of the Royal Museums of Fine Arts of Belgium, initially as an assistant and, from 1990, as a colleague.
With Philippe Roberts-Jones, Michel Draguet published books and cataloguesPhilippe Roberts-Jones, Bruxelles fin de siècle, Paris, Flammarion, 1994, 280 pages, 300 illustrations. Dutch issue Gent-Antwerp, Snoeck-Pandora, 1994 and managed exhibitions dedicated to Abstract Art in Belgium and to a famous Belgian sculptor André Willequet.
From 1995 until 2000, Michel Draguet became Research Associate and, from 2000 till 2001, Senior Research Associate at the Belgian National Fund for Scientific Research (FNRS). Since 1990, Michel Draguet is Lecturer of History of Modern Art at Université Libre de Bruxelles. He became professor in History of Modern Art (19th-20thCenturies) in 2004 and since 2005 Associate Professor. He is still in charge of the Research Center René Magritte (CEREM) and of the International Bernheim Chair.
In 2005, Michel Draguet is designated as Chief Curator of the Royal Museums of Fine Arts of Belgium for a first mandate of 6 years. He get a second mandate in 2011 and a third one in 2017.
Between 2010 and 2014, Michel Draguet is designated General Director ad-interim of the Royal Museums of Art and History of Belgium.
Between 1992 and 2004, he also free-lanced as Press Correspondent of Le Journal des arts (Paris).
University and research As specialist of the Fin-de-siècle, Michel Draguet published several studies books dedicated to :
Fernand Khnopff, L'ambigu poétique in 1996 (Arthur Merghelynck Prize from the Royal Academy of Belgium) Fernand Khnopff: Portrait of Jeanne Kefer in 2004 for the J. Paul Getty Museum in Los Angeles James Ensor ou La fantasmagorie, Gallimard, 1999. Félicien Rops, Bellinzone, Quaderni di Villa dei Cedri, 1992.
His studies about symbolism are now international reference (Le Symbolisme en Belgique, Anvers, Fonds Mercator, 2005. Second Edition, 2010) and conducted him to organize several exhibitions :
La peinture symboliste en Belgique in JapanLa peinture symboliste en Belgique, Tokyo, White PR, 2005 Fernand Khnopff at le Petit Palais in France Der Kuss der Sphinx in Austria La Belgique dévoilée de l'Impressionnisme à l'Expressionnisme in Switzerland.
As author and curator, Michel Draguet's researches are essentially focused on art of the 20th century with two main topics : Magritte and the Surrealism and CoBrA and the abstract heritage in Modern Art.
In 2003, Michel Draguet created the Centre de Recherche René Magritte at Université libre de Bruxelles (ULB).
Curator and Co-curator of several Magritte exhibition :
Magritte. L’impero delle luci, Como, Villa Olmo, 2006 Magritte. Il Mistero della natura, Milan, Palazzo Reale, 2008-2009 Magritte, Œuvres sur papier, Paris, Dina Verny Museum, 2006 Magritte, Œuvres sur papier, Rotterdam, Boymans Van Beuningen Museum, 2006-2007 Magritte and Contemporary Art : The Treachery of Images, with Stephanie Barron, Los Angeles, Los Angeles County Museum of Art (LACMA), 2006-2007 Magritte. Empire of Dreams, Seoul & Beijing National Museum of Contemporary Art (NAMOC), 2006-2007 René Magritte, Tokyo, National Center for the Arts, 2015 René Magritte, Kyoto, Municipal Museum of Arts, 2015 Magritte, Broodthaers and Contemporary Art, Brussels, Royal Museums of Fine Arts of Belgium, 2017-2018
In 2009, he created, with the support of the Magritte Foundation and GDF-Suez, the Magritte Museum as part of the Royal Museums of Fine Arts of Belgium. With an average annual attendance of 350.000 visitors, the Magritte Museum is a flagship for Brussels.
As concerns CoBrA, Michel Draguet was curator of the Christian Dotremont retrospective in 2004 (Christian Dotremont. Les Développements de l’œil, Mons, Museum of Fine Arts, 2004), co-curator of the CoBrA show and the Alechinsky retrospective at the Royal Museums of Fine Arts of Belgium. For the purpose of this exhibition, he published an extensive study about the work of Alechinsky : Alechinsky de A à Y. In 2016, he organized the first large retrospective of Alechinsky held in Japan.
Draguet is also the author and curator of shows dedicated to contemporary artists like Thierry de Cordier, Hiroshi Sugimoto or Andres Serrano.
He also published studies about Chinese contemporary artist and Nobel Prize 2000 Gao Xingjian (Gao Xingjian. Le goût de l’encre, Paris, Hazan, 2002. Second Edition, 2015) in correlation with exhibition in Mons and Ixelles.
In 1998, his book Chronology of the XX Century Art (Paris, Flammarion (Tout l’art-Encyclopédies), 1997. Second Edition, 2003) won the Wernaers Prize from the Belgian National Fund for Scientific Research (FNRS).
As author, Michel Draguet, published a total of 27 books (the latest one dedicated to Nagas (Naga : Awe Inspiring Beauty, Brussels, Fonds Mercator, 2018)) and more than 107 articles or contributions to catalogues. He curated 45 exhibitions in Belgium, Netherlands, France, Greece, Italy, Korea, China, Japan and the US.
He published a large number of exhibition catalogues and a wide spectrum of other writings on modern and contemporary art, on museum management, and lectured extensively on these subjects as well.
Royal Museums of Fine Arts of Belgium
The Museums’ collections trace the history of the visual arts – painting, sculpture and drawing – from the 15th to the 21st centuries. They preserve the works of the Flemish Primitives, of Pieter Bruegel, Peter Paul Rubens, Jacques Jordaens, Jacques Louis David, Auguste Rodin, James Ensor, Paul Gauguin, Fernand Khnopff, Henry Moore, Paul Delvaux, René Magritte, Marcel Broodthaers, Jan Fabre and many others. This jewel among Belgium's cultural institutions comprises several entities: the Musée Old Masters Museum, the Musée Modern Museum, the Musée Wiertz Museum and the Musée Meunier Museum, the Musée Magritte Museum and the Musée Fin-de-Siècle Museum.
Michel Draguet repositioned the Royal Museums of Fine Arts of Belgium nationally as well as internationally through a redeployment of the collection focused on the specificity of Belgian creation as well as on the particularity of Belgian reception of European creation.
In 2009, he created the Magritte Museum with, for the first time in Belgium, a private-public partnership (with GDF-Suez) on competencies. The selection of works exhibited in the Royal Museums of Fine Arts of Belgium is constantly expanding with a changing selection of external loans. With the support of Belgian and foreign museums as well as private collectors, works are being made available that have previously never been exhibited. The visitor can thus discover many treasures that are still in private possession. Since its creation, this museum, measuring 2500 m2, has welcomed more than two million visitors and thus contributed to the economic and cultural development of the Belgian capital. The Magritte Museum has already received 8 nominations and prizes. Every year more than 300,000 visitors come here from all over the world to discover the life and the works of René Magritte.
In 2013, Michel Draguet inaugurated the Fin-de-siècle Museum as first chapter of a new conception of a museum of Modern Art. Famous visual artists like Constantin Meunier, James Ensor, Henri Evenepoel, Fernand Khnopff, Léon Spilliaert and Georges Minne testify to the effervescent activity of this period, reflected also in all other creative fields: literature, opera, music, architecture, photography and poetry (Maurice Maeterlinck, Emile Verhaeren, Octave Maus, Victor Horta, Henry Van de Velde, Maurice Kufferath, Guillaume Lekeu and others). Art Nouveau architecture is evoked by means of a 3D reconstruction of six buildings Art Nouveau. This was the first introduction of new technologies inside de Museum. Located at the heart of Brussels, where between 1884 and 1914 the exhibitions of Les XX and La Libre Esthétique made the city one of the artistic capitals of the late 19th century, this museum is distinguished by its multidisciplinary nature, through a partnership formed with the Royal Library, the Théâtre Royal de la Monnaie, the Royal Museums of Art and History, Cinematek, the Bibliotheca Wittockiana, the King Baudouin Foundation and the Brussels Capital Region for housing the Gillion Crowet collection, which is one of the museum's highlights. The Fin-de-Siècle Museum, which was applauded internationally when it opened, welcomed 170,000 visitors during its first operating year.
Michel Draguet also initiate a highly popular yet challenging exhibition program from ancient masters to contemporary art mounting up to eight major shows per year. The quality and quantity of this program has been supported by a renewing strategy to the public in its diversity. In this way, Draguet initiate "Museum on measure": a program dedicated to fragilized public supported by charity. In parallel, the educational services have developed a range of new activities and the social programs have been extended. This is a result of the increase in partnerships between the public and private sectors .