Edmund Braham

Edmund Braham (October 8, 1860 – November 1, 1921) was a pianist, composer, and publisher active in the United States after 1895.

Biography Born Edmund Phineas Abrahams in London to upper-class parents Israel and Phoebe Abrahams,Braham’s birth year is given as 1858 in the Illinois Death Index, but it was recorded as 1860 in the England Birth Index. England Census records (1861, 1871, 1881) confirm his family and status. Edmund changed his surname sometime before 1895, when he moved permanently to the United States.“Dramatic Matters,” Boston Post (August 2, 1895), p. 4. He was reputed to have toured widely before then, beginning as a child virtuoso.“The Minneapolis Journal March and Two-step,” The Minneapolis Journal (November 3, 1899), p6. From 1895 to 1897 he was based in New York, then moved to Minneapolis, returning to New York City in 1900.Minneapolis City Directories, 1898–1900); United States Federal Census, 1900. He lived there until 1915, although he continued touring; then he moved to Grand Forks, North Dakota, managing the sheet music department of O. Young's music store.“The City,” The Grand Forks Daily Herald (February 7, 1915), p. 5. A year later he settled in Chicago, where he was active as a publisher, first with Frances-Clifford and then, in 1921, establishing his own firm.“Late Edmund Braham Was Prolific Music Producer,” The Music Trades (December 17, 1921), p. 177.

Braham married and raised two children in England, coming to America after his wife died. About 1897 he married Nellie (Lily) Hargerty of Wisconsin, with whom he had six more children; his family moved to Minneapolis when he left Grand Forks, and his wife opened a cafe. Braham's death was sudden and unexpected, after a brief bout of pneumonia.“Edmund Braham,” The Billboard (November 12, 1921), p. 103; United States Federal Census, 1920.

Music

As a concert performer Braham specialized in improvisation, building entire concerts from themes suggested by the audience.“Mr. Edmund Braham’s Recital,” New York Herald (October 6, 1895), p. 4. His creative facility carried over to composition; he numbered his pieces, and ten months before his death he had reached op. 480.“Late Edmund Braham Was Prolific Music Producer,” The Music Trades (December 17, 1921), p. 177. Most were incidental piano pieces—marches, waltzes, two-steps—and a fair number appeared on piano rolls, some of which Braham himself recorded.James Taylor Dunn, “A Century of Song: Popular Music in Minnesota,” Minnesota History 44:4 (Winter, 1974), pp. 128, 133; Music Trade Review, 1910–1920, passim. In arrangements for band or orchestra many works had a second life; “The Avenger,” a march, was recorded by Arthur Pryor’s band, for example. Two songs from 1917 were especially successful, receiving multiple recordings: the 1917 Liberty Loan campaign song “Do Your Little ‘Bitty-Bit’ (Right Now!),” and a ballad, “To You, Dear, To You.”Discography of American Historical Recordings. The esteem in which Braham was held by the profession is evidenced by a formal and sympathetic obituary printed in The Billboard.“Edmund Braham,” The Billboard (November 12, 1921), p. 103.

References

Edmund Braham

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