Shell ShockRobert-Jan Bartunek, "Shell Shock opera brings trauma of World War One to stage" on reuters.com is an opera by Nicholas Lens set to an English-language libretto by Nick Cave."Shell Shock: Nick Cave en Nicholas Lens schreven een opera" 20 October 2014 on humo.be The opera has been published by Mute Song, LondonWebsite publisher of Shell Shock http://mutesong.com/writers/nicholas-lens/ and the world premiere recordings have been distributed by Universal Music Group.
The protagonists in this opera are besides the terrifying Angels of Death ("We drink breath") mostly the silent victims of war like the mother, the orphans, the unknown soldier, the colonial soldier, the fallen, the missing, the deserter, the survivor etc. The characters mutate into different characters and help each other in telling their individual story.'Shell Shock de Nicholas Lens et Nick Cave' by Caroline Alexander http://www.webtheatre.fr/Shell-Shock-de-Nicholas-Lens-etin GDM, Il Giornale della Musica: 'SHELL SHOCK": DOLORE CHE DANZA'by Alma Torretta http://www.giornaledellamusica.it/rol/?id=4816Brussel News the Opera Shell Shock http://www.brusselnieuws.be/en/video/tvbrussel/opera-shell-shock-de-munt-it-refers-physical-trauma-felt-many-soldiers-when-they
With Shell Shock it is the first time that the artist Nick Cave writes the libretto for an opera.Els Van Steenberghe, "Opera Shell Shock: Adem drinken, bloed likken en pijn zien Els Van Steenberghe" 27 October 2014 on focus.knack.be Klassiek Centraal, 'Shell Shock' Lucrèce Maeckelbergh http://www.klassiek-centraal.be/?q=recensie/shell-shock The libretto has been described sometimes as highly explicit with in opera highly unusual text phrases like (in Canto of the Mother) 'Fuck God - Fuck the Flag'.'Shell Shock Overwhelming beauty' by Berta del Olivo http://www.mundoclasico.com/ed/documentos/doc-ver.aspx?id=e66125d6-5618-4e34-9cdb-f89fbde70013Roel Daenen in Agenda Magazine
First performances Shell Shock received its world premiere on 24 October 2014.Rosita Boisseau, "Shell Shock fait éprouver le traumatisme des tranchées", on lemonde.fr Guy Duplat, "Shell Shock, comment la guerre marque les corps"', on lalibre.be, 24 October 2014 Antonio Cuenca Ruiz, Shell Shock, in MMM (Munt Monnaie Magazine), Issue #26, September 2014 The work was commissioned and first produced by the Royal Opera House La MonnaieSource to paragraph ISSN 0779-9713 Antonio Cuenca Ruiz in MMMMagazine Sept-Nov. 2014 in Brussels. La Monnaie Symphony Orchestra and Chorus, with Konzertmeister Saténik Khourdoian, was conducted by Koen Kessels. For the first stage interpretation of this opera, the stage director and choreographer Sidi Larbi Cherkaoui, with set design and video by Eugenio Szwarcer, did use contemporary dancers of his own company Eastman, sometimes forming a heroic statue, but in general absorbing, underlining and accompanying the vocal soloist characters in their role to focus on the traumatic effects war has on individuals.BRF Kultur 'Shell Shock: bewegende Urauuührung by Hans Reul http://brf.be/kultur/musik/813362/
Live television broadcast, Arte The live version of the world premiere (2014), as well the live performances of the reprise in Paris (2018) have been broadcast on the French-German Arte television.
Live double CD recording, Universal A live double CD recording (Universal 481247-3) is distributed by Universal Music Group, the covers shows the painting 'The Unknown Soldier' by Clara-Lane Lens.
Paris Peace Conference, 2018 More than 4 years after the world premiere during the §international Weekend of War and Peace, Paris on November 10 and 11, 2018 Orchestre Philharmonique de Radio France with the Choir of the Silesian Opera performed the full opera again at Cité de la Musique (Philharmonie de Paris), conducted by Bassem Akiki.Website Cité de la Musique, Paris https://philharmoniedeparis.fr/fr/activite/spectacle/19070-shell-shock-requiem-war With live television broadcasting on Arte and France Musique.
Roles RoleVoice typePremiere cast, 24 October 2014(conductor: Koen Kessels)10 & 11 November 2018 (conductor: Bassem Akiki)The Mother, The Angel of Death, The Wifemezzo-sopranoSara FulgoniSara FulgoniThe Colonial Soldier, The Survivorbass/baritoneMark S. DossMark S. DossThe Unknown Soldier, The Soldier, The DesertertenorEd LyonSébastien DroyThe Missing, The Soldier, The Desertercounter tenorGerald ThompsonMagid El-BushraThe Nurse, The Angel of Deathcoloratura sopranoClaron McFaddenLaurence Servaes The Orphans, the Child-Soldiers, The ChildrenBoy sopranoGabriel Kuti, Gabriel Crozier, Theo LallyAman de Silva, Freddie Jemison / Caspar Burman, Kamran AdjepongThe People, The Mass, The Soldiers, The Deserters, chorus
Instrumentation These singers perform with an orchestra consisting of 3 flutes (one doubling on piccolo, one doubling on alto flute and bass flute), two oboes (one English horn), 3 clarinets (one bass clarinet), three bassoons (one bass bassoon), two horns, three trumpets (one flugelhorn), three trombones (one bass trombone), one tuba, timpani, three percussions, harp, piano and strings. The work also requires a four-part chorus.Program book D/2014/5974/8, Département Dramaturgie & Ligne éditoriale La Monnaie, Shell Shock 2014-2015 (2014)
Synopsis I. Canto of the Colonial Soldier: A un ritmo moderato marcia, reale cerimoniale / Anthem del soldato coloniale - Con solennità quasi religiosa / Con una tensione ansiosa quasi costante / Anthem del soldato coloniale - Con solennità quasi religiosa II. Canto of the Soldier: Rapidamente e ritmicamente - come una respirazione rapida / Marciale grazioso / Attacco di sorpresa! - come un turbine che passa / è di nuovo calmo III. Canto of the Nurse: Largo di tristezza e grande passione interiore IV. Canto of the Deserter: Minuetto macabro / Violenta marcia / Piu aggressivo / Molto violente e caotico /Al ritmo di una brutale marcia/ Movimento fragile / Movimento con passione incontrollabile / Movimento fragile V. Canto of the Survivor part 1: Largo movimento con passione manifesta VI. Canto of the Angels of Death: A un ritmo moderato marcia, reale cerimoniale VII. Canto of the Survivor part 2: Danza della tragedia / Largo movimento con passione manifesta VIII. Canto of the Fallen: Danza turbolenta e macabra / Lirico, con tristezza poetica / Con splendore regale IX. Canto of the Missing: Tempo comodo con una tensione latente / Meditativa, come se fosse stato intossicato dalla marijuana un pochino piu veloce (qualcosa dal nulla nulla) X. Canto of the Unknown Soldier: Senza misura (la durata e determinata dal Direttore d'Orchestra)/ Calmo, ma con una grande tensione latente / Piu grande / Con una falsa tranquillita con una grande tensione latente - Esaltate e grande XI. Canto of the Mother: Atmosfera narcotica/ Tranquillo e quieto, ma con tensione di fondo XII. Canto of the Orphans: Stato di trance / Un pochino più veloce (qualcosa dal nulla)
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