José Peñarroya Peñarroya (Forcall, Castellon, 1910 – Barcelona, 1975)Cuadrado (2000), pp. 975–977. was a Spanish cartoonist of the Bruguera School, creator of famous characters such as Don Pío (about a mild-mannered man and his demanding wife) or Gordito Relleno (about a fat and kindly man people always take advantage to). He also was, alongside Cifré, the "official" cover artist of many of the publications of the house, until well into the 1960s.Matías Guiu, Armando in Comic Story-2, magazine Bruguelandia nº 2, Editorial Bruguera, Barcelona, 1981, page 30. As a result, he is considered one of the "Big Five" of that editorial of the 1950s, along with Conti, Escobar, Giner (this, in realistic style) and Cifré.Matías Guiu, Armando in ¡Hola, amigos!, presentation of number five of Bruguelandia, Editorial Bruguera, Barcelona, 30/11/1981, p. 3.
Biography During the Spanish Civil War he was a combatant in the republican army.
After the war he left his job as an accountant for the study Estudios Chamartín, where he participated in the creation of several short films. In 1947 he began collaborating with Editorial Bruguera, for which he created Don Pío (1947), Calixto (1947), Gordito Relleno (1948) and Don Berrinche (1948, about a man who was always angry). He was involved in several magazines of the publisher, especially Pulgarcito and El DDT.
At this time, he worked with his friends Cifré and Escobar in a rented studio. They liked to catch red pine mushrooms in autumn and joke about it among themselves.Matías Guiu, Armando in Comic-Story 1, magazine Bruguelandia nº 1, Editorial Bruguera, Barcelona, 29/06/1981, page 28 and 29.
In 1957, together with these and other cartoonist of Bruguera, Carlos Conti and Eugenio Giner, he created an independent company that began publishing a new journal, Tío Vivo, keeping the typical schemes of Bruguera magazines. For this magazine, Peñarroya draw new characters, such as La familia Pi (very similar to his Don Pío) After the economic failure of Tío Vivo, he returned to Bruguera, for which continued creating characters, such as Floripondia Piripí (1958), Pepe, el hincha (1962, about a fanatic of a very unlucky soccer team), Pitagorín (1966, about a kind and gifted child) and Rudesindo el bucanero (1966). He also created new series for the magazine "Tele Chico".
Style Peñarroya graphic style evolved over the years toward greater statism, abandoning kinetic curves and symbols.Ramírez (12/1975), pp. 100-101. An author of a later generation, Joan March, described Peñarroya humor as more subtle, but also more poetic than other authors of Bruguera.March, Joan in Comic Story-4, magazine Bruguelandia, Editorial Bruguera, Barcelona, 26/10/1981, page 64.
Work YearsTitleKindPublisher1947Don Pío SeriesPulgarcito, Super Pulgarcito, etc.1947El mundo se ríe Collective series Pulgarcito1947Calixto SeriesPulgarcito1948Gordito Relleno SeriesPulgarcito1948Atleto, el Deportista SeriesPulgarcito1948Loquilandia Series with Cifré and Escobar El Campeón1948Don Berrinche SerieEl Campeón, Pulgarcito, El DDT, etc. 1949Don PíoMonographyBruguera: Magos del Lápiz 1950CalixtoMonographyBruguera: Magos de la Risa 1957La Familia Pí SeriesTío Vivo1957NeronínSeriesDon José1958Floripondia Piripí, se pirra por dar el sí SeriesSissi1962Pepe, el Hincha SeriesTío Vivo1963Boliche y ChapineteSeriesTele Chico1963Perucho y ChelesSeriesTele Chico1966Pitagorín SeriesPulgarcito1966Rudesindo, el Bucanero. Un tipo de cuerpo enteroSeriesEl Capitán Trueno Extra 1971DraculinoSeriesTerror Fantastic
References
External links Peñarroya in Lambiek comiclopedia