By Jeeves, originally Jeeves, is a musical with music by Andrew Lloyd Webber, and lyrics and book by Alan Ayckbourn. It is based on the series of novels and short stories by P. G. Wodehouse that centre around the character of Bertie Wooster and his loyal valet, Jeeves.
Premiering on April 22, 1975, at Her Majesty's Theatre in London, the show flopped initially, running for only a month. After an extensive rewrite, the show was produced in 1996 in both London and America, and premiered on Broadway in 2001.
1975: Jeeves
Background and production Tim Rice conceived the idea of turning P. G. Wodehouse's Jeeves stories into a musical. Originally, he was to work with his then-partner, Andrew Lloyd Webber, but Rice backed out of the project.Andrew Lloyd Webber: His Life and Works – Walsh, Michael (1989, revised and expanded, 1997), P.82, Abrams: New York Eventually Lloyd Webber teamed up with famed British playwright Alan Ayckbourn, and the two of them began work with the personal blessing of Wodehouse. Ayckbourn utilised characters and plot lines from several Jeeves and Wooster stories, notably The Code of the Woosters. The action takes place at the East London Club for Unmanageable Boys, where Bertie Wooster is playing a banjo concert; his banjo keeps breaking down, so he is forced to tell stories to pass the time while Jeeves is sent off to fetch new strings. Bertie recounts how he managed to become engaged to three ladies simultaneously and how his valet Jeeves (through ingenious intervention) unravelled the complications.
Tryout performances were held at the Bristol Hippodrome between 20 March and 5 April 1975. According to the programme, the Bristol show was presented by David Land and Guy Bolton. Unfortunately, the loyalty to the Wodehouse material made for an epic length (four and three-quarter hours at the Bristol tryouts), and reducing the duration made for creative tensions.Andrew Lloyd Webber: His Life and Works – Walsh, Michael (1989, revised and expanded, 1997), P.84-85, Abrams: New York Rows broke out about the presence of an all-male singing sextet accompanying Bertie Wooster and the realization that the first woman did not appear on stage until thirty-five minutes had passed. Additional problems were caused by Ayckbourn's lack of interest in musical theatre as a genre: he was quoted at one point as saying, "I think musicals are pretty damn boring, but I hope this one is a bit different", and he ended up writing a book that could hypothetically stand on its own without songs.
Lloyd Webber wrote a period score that eschewed all traces of the pop inflections of his work on Joseph and the Amazing Technicolor Dreamcoat and Jesus Christ Superstar. The sound of trumpets, banjos and saxophones for this score were written by a group of arrangers: Keith Amos, Don Walker, Lloyd Webber himself and his future orchestrator, David Cullen.
The show opened in London on 22 April 1975 at Her Majesty's Theatre, starring David Hemmings as Bertie Wooster and Michael Aldridge as Jeeves. The role of Madeleine Bassett was performed by T.V. actress Gabrielle Drake. Other cast members included Debbie Bowen, Gordon Clyde, Angela Easterling, John Turner, Bill Wallis and David Wood. Actress Betty Marsden was cast as Aunt Dahlia, but the role and the accomplished actress were released before opening night.Andrew Lloyd Webber: His Life and Works – Walsh, Michael (1989, revised and expanded, 1997), P.85, Abrams: New York
The director Eric Thompson (father of actress Emma Thompson) was fired just before the opening, so Ayckbourn himself stepped in, aided by choreographer Christopher Bruce. The production received poor reviews and closed after little over a month and 38 performances, on 24 May. Several critics noted that the authors failed to develop the title character, Jeeves not even having a solo song.
The original cast album (MCA Cat. No. MCF 2726) was recorded and released, but it is extremely hard to find. Lloyd Webber, reportedly acting on the advice of American theatre director Harold Prince, withdrew the recording in order to be able to reuse some of the musical material in subsequent shows.
Roles and original cast The following is a list of the roles in the 1975 musical, with the original cast.
The list includes Betty Marsden, who was cast as Aunt Dahlia. The role was included in some of the Bristol performances, and Marsden's name was featured prominently in promotional materials, but the role was cut before the London production.
Musical numbers
The following songs were performed in the 1975 musical in London. The performers stated for the songs are taken from the Bristol Hippodrome programme.
Act 1 "Banjo Boy" – Bertie, The Drones "The Code Of The Woosters" – Bertie, The Drones "Literary Men" – Bertie, Gussie, Jeeves "Travel Hopefully" – Bertie, Jeeves, The Drones "The Code Of The Woosters" (reprise) – Bertie "Female Of The Species" – Stiffy "Today" – Bertie, Bingo, Company "When Love Arrives" – Bertie, Madeline "Today" (reprise) – Stiffy, Madeline, Honoria
Act 2 "Entr'acte" – The Drones "Jeeves Is Past His Peak" – Bertie, The Drones "Half A Moment" – Stiffy, Harold "S.P.O.D.E." – Spode, Company "Summer Day" – Bertie, Company "My Sort Of Man" – Honoria "Eulalie" – Bertie, Jeeves "'Tis 'Nature's Plan" – Company "Literary Men" (reprise) – Bertie, Bassett, Honoria, Spode "Banjo Boy" (reprise) – Bertie, The Drones
Madeline Bassett's name is written as "Madeleine" in the programme. "My Sort Of Man" was added sometime after the opening at Bristol to replace dialogue between Honoria and Bertie. Fourteen songs were recorded as part of the original cast recording, including an "Overture" (without vocals) and an "Entr'acte" (with vocals). The songs "Food of Love", sung by Aunt Dahlia, and "Song of Spode", sung first by Spode and again in a reprise by Aunt Dahlia, were cut before the London production and not recorded. Another song that was not recorded was "Literary Men" sung by Bertie, Jeeves & Gussie, the melody of which was later reused in Song and Dance – first as the finale "When You Want to Fall in Love" and later as a new song in the first act "Unexpected Song".
In the song "Eulalie", Jeeves advises Bertie to use the word Eulalie to subdue the villainous Spode. Unlike in the novels, the reason that this word affects Spode is not explained in the musical, which ends with the curtain closing as Jeeves is apparently about to explain all. A song similar to "Female Of The Species", sung by Stiffy, was originally planned to be incorporated in the 1996 revival, but was eventually replaced with "Love's Maze".
Some of the songs from the score managed to find a life after the original production: "Half a Moment" was later recorded by Lloyd Webber's second wife, Sarah Brightman, on the album The Songs That Got Away and the track "Summer Day" was re-written and appeared in new chordal disguise as "Another Suitcase in Another Hall" in Evita. A small section of "Half a Moment" was cut from the song and reused in Sunset Boulevard as part of the song "As if We Never Said Goodbye".
The melody of "Female of the Species" appeared earlier than its Jeeves incarnation, with lyrics written and sung by Tim Rice as "The Ballad of Robert and Peter" in 1973 (for private recording purposes).Andrew Lloyd Webber, Now & Forever,(CD boxed set)-liner notes, Polydor Ltd.2001. "Travel Hopefully" is a melody originally written as "Love Is Here" for the first ever Lloyd Webber/Rice project, The Likes of Us.
1996: By Jeeves
Background In 1996, Lloyd Webber and Ayckbourn decided to revisit the show, jettisoning most of the score and the entire original book. Retitled By Jeeves (so as to dispel all previous associations with the original production), the character of Roderick Spode and his fascistic intentions were eliminated from the plot. The character list was whittled down from 22 to 10, and the original orchestrations also underwent a reduction to a small band. Only four songs from the original show remained lyrically intact: "Banjo Boy", "Half a Moment", "Travel Hopefully", and "When Love Arrives", as well as the chorus for Code of the Woosters and a melody used in Wooster Will Entertain You. The other songs and musical interludes were mostly new or reworked compositions by Lloyd Webber.
Productions By Jeeves re-opened on 1 May 1996 at the Stephen Joseph Theatre-in-the-round in Scarborough, North Yorkshire, an English seaside resort. Audience reaction was generally enthusiastic so the show moved on 2 July 1996 to London for a 12-week season at the fairly intimate Duke of York's Theatre. The show turned out to be more popular than first thought, and the run was extended to February 1997 with the show moved to The Lyric Theatre in Shaftesbury Avenue."By Jeeves" partial listing thisistheatre.com
Steven Pacey played Bertie Wooster and Malcolm Sinclair played his valet Jeeves. The Musical Director was Kate Young. The 1996 cast recording has an unusual format, taking a track between every song where Bertie and Jeeves humorously summarise the plot."By Jeeves", 1996 London Revival Cast amazon.com Pacey was nominated for an Olivier Award for Best Actor in a Musical, and By Jeeves also received nominations for Outstanding New Production and Best Costume Designer.Olivier Awards, wins and nominations, for 1996 season albemarle-london.com A radio version, performed by the original London cast, was broadcast on 14 December 1996 on BBC Radio 2.
The show had its United States premiere on 12 November 1996, at the Goodspeed Opera House in East Haddam Connecticut. US actor John Scherer took the part of Bertie, and Richard Kline played Jeeves.Brantley, Ben."Bertie Wooster, You Sing? You Dear Dizzy Boy, You",New York Times review of "By Jeeves" at Goodspeed, November 12, 1996 Edward Keith Baker played Jeeves with Scherer as Bertie Wooster in the 1997 Geffen Playhouse production.
A pre-Broadway staging of the musical was presented at Pittsburgh Public Theater's O'Reilly Theater in February 2001. It ran through 4 March 2001. John Scherer portrayed Bertie Wooster and British actor Martin Jarvis portrayed Jeeves.
By Jeeves had a brief run on Broadway at the Helen Hayes Theater, from 28 October 2001 (in previews October 16) to 30 December 2001, for 73 performances. Directed by Ayckbourn, the cast featured Scherer (Bertie), James Kall (Gussie) and Martin Jarvis (Jeeves) (who received the Theatre World Award).By Jeeves | IBDB: The official source for Broadway Information Internet Broadway Database listing, "By Jeeves"
In the 2011 production of the musical at the Landor Theatre in Clapham, London, Kevin Trainor played Bertie Wooster, with Paul M. Meston as Jeeves.
The musical was produced in 2017 at the Old Laundry Theatre, Bowness-on-Windermere (UK), with Alan Ayckbourn as the director. Nadim Naaman portrayed Bertie Wooster and Bill Champion portrayed Jeeves.
Plot synopsis Act One A charity banjo concert is to be performed in a church by Bertie Wooster, an amiable gentleman who often finds himself involved in various misadventures from which he is saved by his intelligent valet Jeeves. A friendly vicar, the Rev. Harold "Stinker" Pinker, introduces his friend Bertie to the church audience (the actual audience). Stinker also introduces the volunteers who are helping with the charity concert, and the show's stage manager, Jeeves. Bertie is handed an instrlu and starts playing, but stops when he realises he is holding a frying pan ("A False Start"). Jeeves reports that the banjo was stolen (though it is implied that this was arranged by Jeeves, who does not want Bertie to play the banjo). Jeeves suggests that Bertie recount one of his adventures while they wait for a replacle banjo. The volunteers perform the roles of the other characters in the story.