List of ANAGPIC meetings

This is a list of the annual meeting locations, themes, and student papers from the Association of North American Graduate Programs in the Conservation of Cultural Property (ANAGPIC).

1974, The Corning Museum of Glass November 11–15, 1974 Conservation Seminar on Glass and Library Materials 1976, Art Conservation Department, Winterthur-University of Delaware April 19–21, 1976 Outdoor Metal Sculpture and Conservation of Textiles 1977, Art Conservation Department, Queen's University at Kingston May 9–11, 1977 Ethnographic Conservation 1978, Cooperstown Graduate Program, State University College at Oneonta April 10–12, 1978 Problems in the Preservation of Paper 1979, Center for Conservation and Technical Studies, Harvard University April 30-May 2, 1979 Interaction Between Curator and Conservator 1980, Art Conservation Department, Winterthur-University of Delaware April 28–29, 1980 History of Artists' Techniques 1981, Conservation Center, Institute of Fine Arts, New York University March 26–27, 1981 The Construction of the House: An Overture 1982, Art Conservation Department, Queen's University May 5–7, 1982 Paper and Archival Conservation in Canada and The Federal and Provincial Presence in Canadian Conservation 1983, Art Conservation Department, Buffalo State College May 1–3, 1983 Careers in Conservation 1984, Center for Conservation and Technical Studies, Harvard University May 2–4, 1984 History and Future Directions of Conservation Training in North America 1985, Art Conservation Department, Winterthur-University of Delaware May 2–3, 1985 The Conservation of Contemporary Art 1986, Conservation Center, Institute of Fine Arts New York University with the Conservation Education Program, School of Library Service, Columbia University April 30-May 2, 1986 Environment and Collections: Extrinsic Conservation Strategies 1987, Art Conservation Program, Queen's University at Kingston May 6–8, 1987 Conservation Management 1988, Art Conservation Department, Buffalo State College May 4–6, 1988 Coping with Disaster: The Conservator's Role 1989, Center for Conservation and Technical Studies, Harvard University April 28–29, 1989 Ethics in Conservation 1990, Art Conservation Department, Winterthur-University of Delaware April 26–28, 1990 Beyond Fine Art: The Preservation of Large and Varied Collections 1991, Conservation Center, Institute of Fine Arts, New York University April 25–27, 1991 The Price of Preservation: Our Access to Egypt's Past 1992, Art Conservation Program, Queen's University at Kingston May 7–9, 1992 First Peoples' Art and Artifacts: Heritage and Conservation Issues 1993, Art Conservation Department, Buffalo State College April 15–17, 1993 The Conservation of the Photographic Image 1994, Furniture Conservation Training Program, Smithsonian Center for Materials Research and Education April 21–23, 1994 Using and Preserving Research Collections 1995, Art Conservation Department, Winterthur-University of Delaware April 20–22, 1995 Preventive Conservation and Exhibits: Management Strategies 1996, Straus Center for Conservation, Harvard University April 18–20, 1996 Conservation Laboratory Design and Renovation 1997, Conservation Center, Institute of Fine Arts, New York University April 24–26, 1997 Preserving the Library 1998, Art Conservation Program, Queen's University at Kingston May 1–2, 1998 Research the Object: The Evidence 1999, Art Conservation Department, Buffalo State College April 22–24, 1999 The Past as Prologue: Conservation Tomorrow 2000, Smithsonian's Museum Conservation Institute April 27–29, 2000 The student papersANAGPIC 2000 below were presented on April 28, 2000 at the S. Dillon Ripley Center of the Smithsonian Institution. Jon Brandon, Smithsonian Center, The Specialized Framing Technology in the Undercarriage of Preindustrial American Windsor Chairs Betsy Geiser, Buffalo State College, Barbie's Great-Great Grandmother: A Study of the Manufacture and Materials of Queen Anne Style Dolls Scott Gerson, Heather Hendry, and Bonnie MacLean, Queen's University, 10,000 Fragments: Piecing Together a 19th-Century Wall Map Meghan Goldman, New York University, Examination of Early Andy Warhol Hand-Colored Lithographs Dulce Maria Grimaldi, Queen's University, New Research on the Technique of the Mural Paintings at Templo Mayor Archaeological Site of the Aztecs Jennifer Hain, University of Texas at Austin, Collections Conservation in a Natural History Museum Library: Preserving Oversized Journals Tara Kennedy, University of Texas at Austin, Spectrofluorometric Examination of Ball Point Inks - A Preliminary Analytical Study Molly McNamara, Harvard University, Technical Examination of Ancient Greek Helmets in the Harvard University of Art Museums Holly Salmon, Winterthur-University of Delaware, Samurai Kote: Research and Treatment of Flood Damaged Armor Sleeves Sandra Sardjono, New York University, Detection of Hidden Infestation by Fourier Transform Infrared Spectroscopy (FTIR) Sara Shpargel, Buffalo State College, Photo Buttons on the Mend Ellen D. Tully, Winterthur-University of Delaware, Your Objects Don't Dance and Your Paintings Don't Rock and Roll: Storage Solutions for Earthquake Prone Areas Friederike Zimmern, Harvard University, Kandinsky's Winter Landscape: A Question of Authenticity 2001, Art Conservation Department, Winterthur-University of Delaware April 19–21, 2001 2002, Straus Center for Conservation and Technical Studies, Harvard University April 18–20, 2002 The student papers below were presented on April 18–20, 2002 at the Straus Center for Conservation and Technical Studies, Harvard University.Association of North American Graduate Programs in Conservation., & Harvard University. (2002). Twenty-eighth annual ANAGPIC student conference: April 18-20, 2002. Cambridge, Mass: Straus Center for Conservation, Harvard University Art Museums. Tatiana Bareis, Winterthur-University of Delaware, Maxfield Parrish’s Mural for Granogue: An Exploration of the History, Materials, Technique, and Conservation Kate Smith Maurer, Harvard University, A Study of George Inness’s Underdrawing Geneviève Saulnier, Queen’s University, Cleaning Unvarnished Acrylic Emulsion Films Using Dry Cleaning Methods Nora Lockshin, University of Texas at Austin, Schnitzelbank – A Case Study of Deteriorating Cellulose Acetate in Books Kristi Dahm, New York University, A Technical Study of Seven 15th Century Italian Metalpoint Drawings: Techniques for Metalpoint Identification and Implications for Attribution Studies Sarah Reidell, University of Texas at Austin, Testing Texas History: The José Enrique de la Peña Diary Amy Jones, Harvard University, Establishing the Restoration History of Harvard’s Marble Statue of a Young Boy Running Éowynn Kerr, Buffalo State College, The Not So Secret Formulas of Jacques Maroger: An Inve4stigation of the Manufacture and use of Maroger Mediums Cheryl Podsiki, Queen’s University and Iris Koch, Ellen Lee, Chris Ollsen, Kenneth Reimer, Environmental Sciences Group, Royal Military College of Canada, Kingston, Ontario, Canada, Pesticide Contaminated Artifacts and the Conservator Sarah Barack and Beth Edelstein, New York University, Conservation of Decorative Plasterwork at the Merchant’s House Museum, New York City Judy L. Dion, Winterthur-University of Delaware, The Treatment, Examination, and History of a 19th Century Painted Leather Fire Bucket from Portsmouth, New Hampshire Emily O'Brien, Buffalo State College, The Examination and treatment of a Painted Gilt Leather Folding Screen 2003, Conservation Center, Institute of Fine Arts, New York University April 24–26, 2003 2004, Art Conservation Department, Queen's University at Kingston 2005, Art Conservation Department, Buffalo State College The student papers below were presented.ANAGPIC Student Papers, 2005 Brian Baade and Natasha Loeblich, Winterthur-University of Delaware, Collaborative Efforts for Paint Analysis: Two Opportunities for Technical Examination of Major Works in Tandem With Outside Institutions Katherine Beaty, Buffalo State College, 21st- Century Remedies to 19th- Century Repairs of an 18th- Century Turkish Koran Kim Cullen Cobb, Queen’s University, Charred Wood Consolidated with Thermoplastic Resins Susan Costello, Harvard University, An Investigation of Early Chinese Bronze Mirrors at The Harvard University Art Museums Corey D’Augustine, New York University, Drill Team: Vaseline, Hair, and Paperclips Bart Devolder, Harvard University, Two 15th- c. Italian Paintings on Fine-Weave Supports and Their Relationship to Netherlandish Canvas Painting Angela Elliott, Buffalo State College, A Comparative Study of Basket Cleaning Methods Including Nd:YAG Lasers Maria Gonzalez, University of Texas at Austin, Revealing Networks: A Case Study of Disaster Response and Recuperation Dana Melchar, Winterthur-University of Delaware, Investigation of a High Chest and Dressing Table, en suite Holly Robertson, University of Texas at Austin, An Exploration of Non-adhesive Binding Structures Found in the Archives at Vilassar de Dalt David Turnbull, Queen’s University, Fishing for Answers: Dorothy Cameron’s “The Lost Goddess” Gawain Weaver, New York University, Capital Portraits: Conservation of the Topley Studio Index 2006, Art Conservation Department, Winterthur-University of Delaware The student papers below were presented.ANAGPIC Student Papers, 2006 Tish Brewer, University of Texas at Austin, The Nature of Forgeries: Iron Gall Ink and Paper Aging in Relation to Forged Historical Documents - An Independent Study Rebecca Capua, New York University, Materials and Techniques of George Grosz: American Watercolors Catherine Coueignoux, Winterthur-University of Delaware, An Exploration of Surface: Deciphering the History and Meaning of the Winterthur Peter Stretch Clock's Finish Amy Crist, Buffalo State College, An Investigation of the Characteristics, Compositions, and Identification Methods of Wax Crayons and Colored Pencils, Including a Case Study of a Drawing by Roberto Matta Matt Cushman, Winterthur-University of Delaware, A New Method for the Treatment of Iron-Stained Architectural Marble: in situ reduction of iron(III) using photovoltaic polymers and the introduction of a new chelating agent for conservation Lindsay Haynes, Queen's University, An Investigation into the Materials, Structure and Degradation Behavior of Portraits by William Sawyer Jo-Fan Huang, Harvard University, A Technical Examination of 7 Thai Manuscripts in the 18th, 19th, and 20th Centuries Sandra Kelberlau, Harvard University, How One Landscape-Painter Paints: The Technique of Sanford Robinson Gifford Mary Oey, New York University, Some Problems in Musical Instrument Conservation in Museum Collections Sara Ribbans, Queen's University, Past Practices Causing Modern Problems: The Conservation of Three Jules Cheret Posters Dana K. Senge, Buffalo State College, Analysis and Treatment of a Chinese Ceramic Mortuary Figure Jim Thurn, University of Texas at Austin, Research on Methods to Remove Mold from Cellulose Acetate Audiotape 2007, Straus Center for Conservation and Technical Studies, Harvard University The student papers below were presented.ANAGPIC Student Papers, 2007 Snowden Becker, University of Texas at Austin, See No Evil, Hear No Evil: Audiovisual Evidence, Forensics, and Preservation in Law Enforcement Morwenna Blewett, Harvard University, A Puzzle to the Critics: The Technical Analysis and Treatment of a 16th Century Panel Painting of Possible French Origin Marie-Catherine Cyr, Queen's University, Conservation Issues: The Case of Time-Based Media Installations Alisa Eagleston, New York University, The Conservation of a Baining Headdress Anne R. Grady, Buffalo State College, Technical Examination and Treatment of an African Sword Amber Kerr-Allison, Winterthur-University of Delaware, Outdoor Public Murals: Materials, Advocacy and Conservation