Die Hamletmaschine is an opera composed by Wolfgang Rihm to a German-language libretto based on Heiner Müller's 1977 play of the same name. The libretto, subtitled Musiktheater in 5 Teilen (Music Drama in 5 parts), was written by the composer. The opera was written between 1983 and 1986 and premiered on 30 March 1987 at the Nationaltheater Mannheim.
Background Müller's play, on which the opera is based, paraphrases Shakespeare's Hamlet. In the play's first staged production, directed by Robert Wilson, the first words—"Ich war Hamlet." (I was Hamlet.)—were spoken after 20 minutes of silent action. Rihm composed his opera between 1983 and 1986 and presented parts of the score for the Rolf-Liebermann-Preis of Hamburg, which he won in 1986.Wolfgang Rihm Biografie , Karlsruher Rihm Center . Retrieved 23 July 2013.
Performance history Die Hamletmaschine premiered on 30 March 1987 at the Nationaltheater Mannheim in a production directed by Friedrich Meyer-Oertel and conducted by Peter Schneider. The role of Ophelia, written for a Wagnerian soprano, was sung by Gabriele Schnaut. The Hamlet character was portrayed at different stages in his life by three separate performers: the actors Kurt Müller and Rudolf Kowalski as Hamlet I and Hamlet II, and the baritone Johannes M. Kösters as Hamlet III.Universal Edition. Wolfgang Rihm, Die Hamletmaschine: Musiktheater in 5 Teilen. Retrieved 21 July 2013.
A live recording of the opera's premiere was released on CD in 1995 (Wergo #6195)AllMusic. Rihm: Die Hamletmaschine. Retrieved 21 July 2013.
Roles RoleVoice typePremiere cast, 30 March 1987Hamlet Imale actorKurt MüllerHamlet IImale actorRudolf KowalskiHamlet IIImale actorJohannes M. KöstersOpheliasopranoGabriele SchnautOphelia's doubles: MarxsopranoCarmen FuggissLeninsopranoUlrike SonntagMaomezzo-sopranoMartina Borst3 naked women, voices from the casket2 sopranos, mezzo-soprano4 laughing people2 female and 2 male actors3 screaming peoplemale actors
Structure I. Familienalbum (Family Album) II. Das Europa der Frau (Europe of the Woman) III. Scherzo IV. Pest in Buda, Schlacht um Grönland (Pestilence in Buda, Battle of Greenland) V. Wildharrend, In der furchtbaren Rüstung, Jahrtausende (Wildstraining, In the Fearsome Armaments, Millennia)WERGO. Wolfgang Rihm, v. Retrieved 21 July 2013.
Music The opera is scored for actors, singing and speaking voices, choir and orchestra.Die Hamletmaschine (Musiktheater in 5 Teilen) operone The work is described in the Concise Oxford Dictionary of Opera as following Stockhausen in that it seeks "a total theatre of sound and nonnarrative, ritualistic drama."Warrack, John and West, Ewan (eds.) (1996). "Rihm, Wolfgang", Concise Oxford Dictionary of Opera, p. 432. Oxford University Press. Sounds use the complete space of a hall by placing instrumentalists not only in the pit, but also on stage and in the audience. Sounds are mixed from live performance, electronic amplification and purely electronic sounds,Elzenheimer, Regine (2008). Pause. Schweigen. Stille: Dramaturgien der Abwesenheit im postdramatischen Musik-Theater, Königshausen & Neumann, pp. 192–199 . described as soundscapes.
Other musical settings Müller's play, which formed the basis for the libretto, has subsequently had two more musical settings—an opera by Ruth Zechlin for singers and small orchestra (1991) and an oratorio for choir, soloists and orchestra by Georges Aperghis (2000).Yunker, Johanna Frances (2013). "Father or Criminal: Ruth Zechlin's Post-Reunification Opera Die Reise", p. 3. AMS-SW Conference, Spring 2013, Our Lady of the Lake University, San Antonio. Retrieved 21 July 2013.
References
Further reading Neff, Severine (1990). "Die Hamletmaschine: Musiktheater in fünf Teilen (1983–1986) by Wolfgang Rihm". Notes, Second Series, Vol. 47, No. 1 (September 1990), pp. 215–217