The Lindisfarne Gospels (London, British Library Cotton MS Nero D.IV) is an illuminated manuscript gospel book in the Latin language produced probably around the years 715–720 in the monastery at Lindisfarne, off the coast of Northumberland, which is now in the British Library in London."Lindisfarne Gospels" The British Library, in 2018 dates it "c. 715-720". The manuscript is considered one of the finest works in the unique style of Hiberno-Saxon or Insular art, combining Mediterranean, Anglo-Saxon and Celtic elements.
The Lindisfarne Gospels are presumed to be the work of a monk named Eadfrith, who became Bishop of Lindisfarne in 698 and died in 721.Lindisfarne Gospels British Library. Retrieved 2008-03-21 Current scholarship indicates a date around 715, and it is believed they were produced in honour of St. Cuthbert. However, some parts of the manuscript were left unfinished so it is likely that Eadfrith was still working on it when he died. It is also possible that he produced them prior to 698, in order to commemorate the elevation of Cuthbert's relics in that year, which is also thought to have been the occasion for which the St Cuthbert Gospel (also in the British Library) was produced. The Gospels are richly illustrated in the insular style and were originally encased in a fine leather treasure binding covered with jewels and metals made by Billfrith the Anchorite in the 8th century. During the Viking raids on Lindisfarne this jewelled cover was lost and a replacement was made in 1852.Let Gospels come home Sunderland Echo, 2006-09-22. Retrieved 2008-03-21 The text is written in insular script, and is the best documented and most complete insular manuscript of the period.
An Old English translation of the Gospels was made in the 10th century: a word-for-word gloss of the Latin Vulgate text, inserted between the lines by Aldred, Provost of Chester-le-Street. This is the oldest extant translation of the Gospels into the English language. The Gospels may have been taken from Durham Cathedral during the Dissolution of the Monasteries ordered by Henry VIII and were acquired in the early 17th century by Sir Robert Cotton from Robert Bowyer, Clerk of the Parliaments. Cotton's library came to the British Museum in the 18th century and went to the British Library in London when this was separated from the British Museum.Time line British Library. Retrieved 2008-03-21
History
Lindisfarne, also known as "Holy Island", is located off the coast of Northumberland in northern England (Chilvers 2004). In around 635 AD, the Irish missionary Aidan founded the Lindisfarne monastery on "a small outcrop of the land" on Lindisfarne.Backhouse 1981, 7. King Oswald of Northumbria sent Aidan from Iona to preach to and baptise the pagan Anglo-Saxons, following the conversion to Christianity of the Northumbrian monarchy in 627. By the time of Aidan's death in 651, the Christian faith was becoming well-established in the area.Backhouse 1981, 8. The Lindisfarne gospel book is associated with the Cult of St. Cuthbert. Cuthbert was an ascetic member of a monastic community in Lindisfarne, before his death in 687. The book was made as part of the preparations to translate Cuthbert's relics to a shrine in 698. Lindisfarne has a reputation as the probable place of genesis according to the Lindisfarne Gospels. Around 705 an anonymous monk of Lindisfarne wrote the Life of St Cuthbert. His bishop, Eadfrith, swiftly commissioned the most famous scholar of the age, Bede, to help shape the cult to a new purpose.
In the 10th century, about 250 years after the production of the book, Aldred, a priest of the monastery at Chester-le-Street, added an Old English translation between the lines of the Latin text. In his colophon he recorded the names of the four men who produced the Lindisfarne Gospels: Eadfrith, Bishop of Lindisfarne, was credited with writing the manuscript; Ethelwald, Bishop of the Lindisfarne islanders, was credited with binding it; Billfrith, an anchorite, was credited with ornamenting the manuscript; and finally, Aldred lists himself as the person who glossed it in Anglo-Saxon (Old English).Backhouse 1981, 12.
Some scholars have argued that Eadfrith and Ethelwald did not produce the manuscript but commissioned someone else to do so.Backhouse 1981, 13. However, Janet Backhouse argues for the validity of the statement by pointing out that "there is no reason to doubt [Aldred's] statement" because he was "recording a well-established tradition". Eadfrith and Ethelwald were both bishops at the monastery of Lindisfarne where the manuscript was produced. As Alan Thacker notes, the Lindisfarne Gospels are "undoubtedly the work of a single hand", and Eadfrith remains regarded as "the scribe and painter of the Lindisfarne Gospels".Thacker 2004.
Commission The Lindisfarne Gospels is a Christian manuscript, containing the four gospels recounting the life and teachings of Jesus Christ. The manuscript was used for ceremonial purposes to promote and celebrate the Christian religion and the word of God. Because the body of Cuthbert was buried there, Lindisfarne became an important pilgrimage destination in the 7th and 8th centuries, and the Lindisfarne Gospels would have contributed to the cult of St Cuthbert. The gospels used techniques reminiscent of elite metalwork to impress a Northumbrian audience, most of whom could not read, and certainly not understand the Latin text.
According to Aldred's colophon, the Lindisfarne Gospels were made in honour of God and Saint Cuthbert, a Bishop of the Lindisfarne monastery who was becoming "Northern England's most popular Saint".Backhouse 1981, 7; Chilvers 2004. Scholars think that the manuscript was written sometime between Cuthbert's death in 687 and Eadfrith's death in 721.BBC Tyne 2012 There is a significant amount of information known about Cuthbert thanks to two accounts of his life that were written shortly after his death, the first by an anonymous monk from Lindisfarne, and the second by Bede, a famous monk, historian, and theologian.
Cuthbert entered into the monastery of Melrose, now in lowland Scotland but then in Northumbria, in the late 7th century, and after being ordained a priest he began to travel throughout Northumbria, "rapidly acquiring a reputation for holiness and for the possession of miraculous powers".Backhouse 1981, 8–9. The Synod of Whitby in 664 pitted the Hiberno-Celtic church against the Roman church regarding the calculation of the date of Easter. The dispute was adjudged by King Oswiu of Northumbria in favour of the Roman church, but many of the leading monks at Lindisfarne then returned to Iona and Ireland, leaving only a residue of monks affiliated to the Roman church at Lindisfarne. Due to increasingly slack religious practice in Lindisfarne, Cuthbert was sent to Lindisfarne to reform the religious community.Backhouse 1981, 9. In Lindisfarne Cuthbert began to adopt a solitary lifestyle, eventually moving to Inner Farne Island, where he built a hermitage. Cuthbert agreed to become bishop at the request of King Ecgfrith in 684, but within about two years he returned to his hermitage in Farne as he felt death approaching. Cuthbert died on 20 March 687 and was buried in Lindisfarne. As a venerated saint, his tomb attracted many pilgrims to Lindisfarne.Backhouse 1981, 9–10.
Techniques
The Lindisfarne Gospels manuscript was produced in a scriptorium in the monastery of Lindisfarne. It took approximately 5 to 10 years to create. Its pages are vellum, and evidence from the manuscript reveals that the vellum was made using roughly 150 calf skins.Backhouse 1981, 27. The book is 516 pages long. The text is written "in a dense, dark brown ink, often almost black, which contains particles of carbon from soot or lamp black".Backhouse 1981, 28. The pens used for the manuscript could have been cut from either quills or reeds, and there is also evidence to suggest that the trace marks (seen under oblique light) were made by an early equivalent of a modern pencil.Backhouse 1981, 28–31. Lavish jewellery, now lost, was added to the binding of the manuscript later in the 8th century.Backhouse 1981, 32. Eadfrith manufactured 90 of his own colours with "only six local minerals and vegetable extracts".
There is a huge range of individual pigments used in the manuscript. The colours are derived from animal, vegetable and mineral sources.Backhouse 2004. Gold is used in only a couple of small details. While some colours were obtained from local sources, others were imported from the Mediterranean. The blue was long thought to be ultramarine from Afghanistan, but analysis with Raman microscopy in the 2000s revealed it to be indigo. The medium used to bind the colours was primarily egg white, with fish glue perhaps used in a few places. Backhouse emphasizes that "all Eadfrith's colours are applied with great skill and accuracy, but ... we have no means of knowing exactly what implements he used".
Professor Brown added that Eadfrith "knew about lapis lazuli [a semi-precious stone with a blue tint] from the Himalayas but could not get hold of it, so made his own [substitute]".
The pages were arranged into gatherings of eight. Once the sheets had been folded together, the highest-numbered page was carefully marked out by pricking with a stylus or a small knife. Holes were pricked through each gathering of eight leaves, and then individual pages were separately ruled for writing with a sharp, dry, and discrete point.
The Lindisfarne Gospels are impeccably designed, and as Backhouse points out, vellum would have been too expensive for "practice runs" for the pages, and so preliminary designs may have been done on wax tablets (hollowed-out wood or bone with a layer of wax).Backhouse 1981, 31. These would have been an inexpensive medium for a first draft; once a sketch had been transferred to the manuscript, the wax could be remelted and a new design or outline inscribed.
History As a result of Viking raids, the monastic community left Lindisfarne around 875, taking with them Cuthbert's body, relics, and books, including the Lindisfarne Gospels and the St Cuthbert Gospel. It is estimated that after around seven years the Lindisfarne community settled in the Priory at Chester-le-Street in Durham, where they stayed until 995 (and where Aldred would have done his interlinear translation of the text).Backhouse, 2004 After Henry VIII ordered the Dissolution of the Monasteries in 1539, the manuscript was separated from the priory. In the early 17th century the Gospels were owned by Sir Robert Cotton (1571–1631), and in 1753 they became part of the founding collections of the British Museum.Chilvers 2004
Condition The Lindisfarne Gospels are in remarkable condition and the text is complete and undamaged.Backhouse 1981, 66 However, the original binding of the manuscript was destroyed. In March 1852 a new binding was commissioned by bishop Edward Maltby; Smith, Nicholson and Co. (silversmiths) made the binding with the intention of recreating motifs in Eadfrith's work.Backhouse 1981, 90
Formal and stylistic elements of the manuscript
In The Illuminated Manuscript, Backhouse states that "The Lindisfarne Gospels is one of the first and greatest masterpieces of medieval European book painting".Backhouse 1979, 10 The Lindisfarne Gospels is described as Insular or Hiberno-Saxon art, a general term for manuscripts produced in the British Isles between 500 and 900 AD.
As a part of Anglo-Saxon art the manuscript reveals a love of riddles and surprise, shown through the pattern and interlace in the meticulously designed pages. Many of the patterns used for the Lindisfarne Gospels date back before the Christian period.Backhouse 1981, 47 There is a strong presence of Celtic, Germanic, and Irish art styles. The spiral style and "knot work" evident in the formation of the designed pages are influenced by Celtic art.