Colin McAlpin (9 April 1870 – 13 May 1942) was an English composer of songs, operas and ballet music, an organist and a writer of critical essays on music.

Life

Colin McAlpin was born in 1870, at 15 Gallowtree Gate, Leicester, England. He was the fourth child of a clothier John William McAlpin, and his German wife Marie Louise (née Gerdes). His elder siblings were Kenneth, Donal and Janet, and his younger brothers Alan and John.1871 & 1881 England and Wales Censuses

McAlpin published his first composition when he was only 15 and at Wellingborough School: a song called The Cuckoo published in the Midland Musical Journal. At the age of 16 he was admitted to the Royal Academy of Music to study harmony with Francis William Davenport and organ playing with Charles Steggall, and after three years he acquired silver medals in both areas of study. In 1892 Robin Hood, his first dramatic work, was performed at Wellingborough School and that year he was appointed organist and choirmaster at Kensington Presbyterian Church.

In 1897, King Arthur, an opera in three acts, commissioned by impresario Herbert Marshall, was performed by the Leicester Philharmonic Society under H. S. Ellis. In that year three of McAlpin's Ten Songs were performed in one of Granville Bantock's concerts for British composers: they were published by Cary & Son, the first of dozens of his pieces to be published by this company.

In 1899 McAlpin wrote the music for an Ode performed at the opening of the new buildings for Westminster College, Cambridge. It was a setting of the poem by one of the principal benefactorsThe other benefactor being her twin sister Margaret Dunlop Gibson Agnes Smith Lewis "Spring Up. O Well!^ (kater published in her book "Margaret Atheling and other Poems") for solo voice with chorus. The soloist was Olive Milne Rae.Westminster College, Cambridge: an account of the Opening of the College at Cambridge on 17 October 1899 with a History of the College from its foundation in 1844 to the present time" ed. A. Halliday Douglas, 1900

In his thirtieth year McAlpin was appointed organist and choirmaster of Trinity Presbyterian Church Clapham, where his sacred cantata The Prince of Peace had its first performance.

In 1903 King Arthur was performed at the Royalty Theatre, London. In the same year his opera in four acts, The Cross and the Crescent, first produced at Covent Garden by the Moody-Manners company, won him the Manners Prize of £250 for the best opera by a British composer,Hubbard and Krehbiel p. 348 and it was performed subsequently in Glasgow and Edinburgh. A one-act opera The Vow staged at the Theatre Royal, Nottingham won him the same prize twelve years later.

His writings include critical essays published in journals The Musical Times and The Musical Quarterly. His book Hermaia: a Study in Comparative Esthetics, which has been described by his biographer David J. Fisher as "a remarkable study of comparative aesthetics", has been recognised as culturally important.

In 1907 McAlpin had his portrait painted by Richard Jack RA, and a bronze bust was sculpted by W. B. Fagan FRBS.

In 1920 his cantata Excalibur was performed in London. From 1920 he was organist and choirmaster of Ealing Presbyterian Church until 1935 when he also he retired from organ teaching at the London College of Music.

He married an artist Susette Peach (1871–1950) in 1899, and they had one son Roderic McAlpin (1907–1965).

Colin McAlpin died at Dorking, Surrey, on 13 May 1942."Major events in the life of Colin McAlpin", by David J. Fisher, in the concert programme for a tribute performance of The Prince of Peace on 11 April 1987 at St Mary's Church, Knighton, Leicester

Compositions

Operas

Robin Hood, an opera, written at school, about 1885 King Arthur, an opera in three acts, with words by the composer. Leipzig and London: Bosworth & Co., 1897. Premiere: Leicester Philharmonic Choir.Howey & Reimer, p. 571 Fingal, an opera in four acts, with a cast of 9 The Cross and the Crescent, his prize-winning opera, produced by Charles Manners and first performed in 1903. Words from John Davidson's translation of Pour la Couronne, a tragedy by François Coppée.Reviewed in The Era, 22 December 1915 The Vow, an opera in one act, libretto upon the Biblical story of Jephtha's daughter.Mentioned in The Era, 22 December 1915 Premiere in Nottingham, 1915, produced by Charles Manners.Western Daily Press, 3 May 1915 Ingomar, an opera, performed at Theatre Royal, Drury Lane in 1910.The Straits Times, 2 February 1909

Cantatas The Prince of Peace. Sacred cantata for chorus and organ, with soprano, tenor and bass soli. Cary & Co.: LondonArthur Elson: "Modern Composers of Europe"British Library ref. F.1274.bb.(3.) First performance 17 December 1902 at Trinity Presbyterian Church, Clapham, London. Excalibur, in 2 Acts, for chorus SATB and orchestra. Unpublished. First performance 1920, produced by the Fairbairn Opera, at the Surrey Theatre.

Songs

Ode for the opening of Westminster College, Cambridge, 17 October 1899. For solo voice and chorus.Cambridge Daily News, 17 October 1899. The Lad with the Bonnet of Blue (Alice C. MacDonell), London: Cary & Co., 1899British Library ref. H.1799.i.(56.) The Doom of Knocklea (Alice C. MacDonell), unpublished Our Heroe's welcome (Alice C. MacDonell), unpublishedSung by Jessie MacLachlan at a London banquet given to Col. Hector MacDonald The Penitent (John Murray), London: Weekes & Co., 1902British Library ref. H.1187.cc.(43.) Like as a Father, Sacred Song, London: J. Williams, 1903British Library ref. H.1187.cc.(41.) Mary's Song: A Song of Bethlehem (Colin McAlpin), from The Prince of Peace, London: Cary & Co., 1903British Library ref. H.1187.cc.(42.) Ten Songs, London: Cary & Co., 1903Edgar Allan Poe Digital Collection, Harry Ransom Center, University of Texas at Austin.British Library ref. G.383.d.(6.), also Whaley, Royce & Co. Winnipeg, Toronto (1905)British Library ref. G.424.q.(10.) 1. The light of love (Hartley Coleridge) 2. She walks in beauty (Byron) 3. Elegy: Oh! snatched away in beauty's bloom (Byron) 4. A faded violet (Shelley) 5. Slumber song (Colin McAlpin) – "sung by Miss Ada Crossley" 6. Music, when soft voices die (Shelley) 7. A widow-bird (Shelley) 8. Thou wouldst be loved (Edgar Allan Poe) 9. A lament (Shelley) – two stanzas 10. There be none of Beauty's daughters (Byron) Three Songs, London: Cary & Co., 1904British Library ref. H.1799.ww.(28.) As of Yore Spring A Love Song Love's Vigil (W.W. Robinson), London: Boosey & Co., 1917British Library ref. H.1846.y.(40.) Kent, Ballad (J.H. Barnes, etc.), London: Francis, Day & Hunter, 1912 The Vow, song for baritone

Choral Songs The Cuckoo, choral song, pub. in the Midland Musical Journal, 1885

Piano Three Sketches, London: Willcocks & Co., 1893 Graceful Dance, London: Willcocks & Co., 1900 Fantastic Dance, London: Cary & Co., 1903

Organ The Organist's Library of Original Pieces for Organ, Harmonium or American Organ, Book 6. London: Cary & Co., 1898 1.March in D 2. Prayer 3. Meditation 4. Pastorale 5. Adagio in A 6. Rêverie 7. Theme in A 8. Melody 9. Minuet & Trio 10. Andante in F 11. Postlude Grand March, pub. in The Organist September 1902, The Lorenz Publishing Co., Dayton, Ohio The Organist's Library of Original Pieces for Organ, Harmonium or American Organ, Book 8. London: Cary & Co., 1903 1. Processional March 2. Meditation 3. Rest 4. Recessional March 5. Melody 6. Contemplation 7. Festal March 8. Interlude 9. Pastorale 10. Minuet 11. Postlude

Orchestral Ballet, "Pluto and Persephone", unpublished ms. (1921). Performed at the Bournemouth Winter Gardens.

Writings

Books "Hermaia: a Study in Comparative Esthetics", London: J. M. Dent & Sons, 1915.Review by L.H. in The Burlington Magazine for Connoisseurs, Vol.29, No.162 (Sep. 1916). pp. 259–260 Many reprints including

Articles "Germany: Her Music" The Musical Times, Vol. 57, No. 882. (1 August 1916), pp. 363–364 "Britain: Her Music" The Musical Times, Vol. 57, No. 884. (1 October 1916), pp. 445–447 "Carlyle and the Opera" The Musical Times, Vol. 58, No. 888. (1 February 1917), pp. 58–60 "The Reality of the Opera", Part I The Musical Times, Vol. 58, No. 891. (1 May 1917), pp. 201–203 "The Reality of the Opera", Part II The Musical Times, Vol. 58, No. 892. (1 June 1917), pp. 247–249 "Musical Criticism" The Musical Times, Vol. 58, No. 895, (1 September 1917), pp. 397–399 "Musical Appreciation: A Plea for Catholicity" The Musical Quarterly, Vol. 6, No. 3. (July 1920), pp. 403–416, OUP. "On Hearing Music" The Musical Quarterly, Vol. 8, No. 3. (July 1922), pp. 419–434, OUP. "Is Music the Language of the Emotions?" The Musical Quarterly, Vol. 11, No. 3. (July 1925), pp. 427–443, OUP. "Concerning Form in Music" The Musical Quarterly, Vol 15, No. 1 (1929), pp. 55–71, OUP. "Musical Modernism: Some Random Reflections" The Musical Quarterly, Vol 16, No. 1 (January 1930), pp. 1–20, New York: G. Schirmer Inc.

Bibliography Fisher, David J., Colin McAlpin: his music to 1903. Thesis (M.Mus.), University of Sheffield, Dept. of Music, 1989

Notes

References

Elson, Arthur. Modern Composers of Europe L.C. Page & Co., Boston, USA (1904) Howey, Ann F. and Reimer, Stephen R. A Bibliography of Modern Arthuriana (1500-2000) D. S. Brewer, Cambridge (2006) Hubbard, W.L. and H.E. Krehbiel. The American History and Encyclopedia of Music: Operas Part II, Squire-Cooley Co., Toledo, Ohio, USA (1924)

External links

Texts to vocal music by Colin McAlpin at the LiederNet Archive Art UK Painting of Colin McAlpin by Richard Jack in the collection of the Leicester Arts and Museums Service British Music Society Records – Catalogue BMS recording ENV001 Choral Music by Leicester Composers: The Cuckoo by Colin McAlpin BMS Newsletter Vol. 2 No.35 September 1987, Stephen Draper, "Colin McAlpin and The Prince of Peace"