Jill Gray Savarase (born 1969) is an American actress best known for her role of "Faith" in the cult film Metamorphosis: Beyond the Screen Door,Metamorphosis reborn reaches cult status: http://www.indiegogo.com/KAFKAS-METAMORPHOSIS the first American feature film adaptation of Franz Kafka's short story The Metamorphosis.
Gray Savarese grew up in Pickerington, Ohio. After a career as an actress and fortune teller, she attended Yale University through a program for non-traditional studentsWolff, Alexis. , Yale Daily News, 19 April 2001. and completed her bachelor's degree in linguistics in 2003. She founded a business designing and selling women's handbags, which she sold in 2004.MouseTrap Films http://www.mousetrapfilms.com/About.html Additionally, she opened up an agency for American Sign Language interpreters.Tan, Caroline. "Hearing impaired face unique obstacles" , Yale Daily News, 20 January 2011. In this capacity, she interpreted for such notable people as Bill Clinton, Tony Blair, and Sonia Sotomayor.
Gray Savarese is vice president of a film distribution company.MouseTrap Films http://www.mousetrapfilms.com/About.html She is also a film producer and her production company Gray Savarese FilmsChalat Noaker, Nan. "Sundance short "Catching Up," tackles tough subject", Park Record, 23 January 2016. has produced several films, including , which premiered at the Sundance Film Festival.Rinderle, Tom. "Pickerington native lands film at Sundance Film Festival", Columbus Dispatch, 27 January 2016."Yale affiliates shine at the annual Sundance Film Festival", Yale News, 27 January 2016.
Gray Savarese was producer"Tango Shalom", Miami New Times, 2021. on the feature film the production of which was blessed by Pope Francis and quoted in the Vatican newspaper, L'Osservatore Romano, "I was pleased to learn of the film, Tango Shalom, which is intended to foster the values of fraternal solidarity and peace on a global level... Upon all involved in the production of the film, I invoke abundant divine blessings"."Tango Shalom", L'Osservatore Romano, 2016.
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