Fedor Ozep or Fyodor Otsep (, Fyodor Aleksandrovich Otsep; February 9, 1895 – June 20, 1949) was a Russian-American film director and screenwriter, born in Moscow. An important early writer on film and film theory, he served as dramaturge for the Mezhrabpomfilm-Rus company and wrote a number of films for directors such as V.I. Pudovkin and Yakov Protazanov before turning to directing in 1926.
Ozep was born into a Jewish merchant family in Moscow;Cultural History Through a National Socialist Lens: Essays on the Cinema of The Third ReichLimore Yagil Au nom de l'art, 1933-1945: Exils, solidarités et engagements his parents Khonon and Basya Otsep owned an umbrella factory. During the production of The Living Corpse in Germany, he decided to remain and worked throughout Europe during the 1930s, enjoying international acclaim for films including The Murderer Dimitri Karamazov and Amok. With the advent of World War II he moved to Hollywood but was unable to establish a career there, directing only one film. His last two films were made in Canada. He died of a heart attack in Los Angeles in 1949.
Filmography The Queen of Spades (1916, dir. Yakov Protazanov), screenwriter Metel (1918, dir. Nikolai Malikoff), screenwriter Polikushka (1922, dir. Alexander Sanin), screenwriter The Cigarette Girl from Mosselprom (1924, dir. Yuri Zhelyabuzhsky), screenwriter The Stationmaster (1925, dir. Ivan Moskvin, Yuri Zhelyabuzhsky), screenwriter Aelita (1924, dir. Yakov Protazanov), screenwriter Miss Mend (1926, dir. Fedor Ozep, Boris Barnet), director and screenwriter The Yellow Ticket (1928), director and screenwriter The Doll With Millions (1928, dir. Sergei Komarov), screenwriter The Living Corpse (1929), director and screenwriter The Murderer Dimitri Karamazov (1931), director and screenwriter There were two versions made at the same time, one in French and one in German, German language film co-director: Erich Engels Mirages de Paris (1933), director and screenwriter Großstadtnacht (1933), director and screenwriter Großstadtnacht and Mirages de Paris were two versions of the same film, made at the same time, one in French and one in German Amok (1934), director A Woman Alone (1936, dir. Eugene Frenke), screenwriter (1937), director and screenwriter Gibraltar (1938), director Princess Tarakanova (1938), director and screenwriter There were two versions made at the same time, one in French and one in Italian, Italian language film co-director: Mario Soldati Three Russian Girls (1943, dir. Fedor Ozep, Henry S. Kesler), director Cero en conducta (1945, dir. Fedor Ozep, José María Téllez), director The Music Master (Le Père Chopin) (1945), director Whispering City (1947), director La Forteresse (1947), director Whispering City and La Forteresse were two versions of the same film, made at the same time, one in English and one in French
References
External links
"The Erased Auteur: Rediscovering Fedor Ozep"