Frank La Forge

Frank La Forge (October 22, 1879 – May 5, 1953) was an American pianist, vocal coach, teacher, composer and arranger of art songs.

Biography He was born on October 22, 1879, in Rockford, Illinois.

La Forge was a boy soprano.Villamil, p. 254 He first studied piano with his older sister, and went to Vienna in 1900 to study with Theodor Leschetizky. He recorded prolifically for the Victor Talking Machine Company, as both a soloist and accompanist starting in 1906. As a soloist, he recorded works by Chopin, Liszt and MacDowell. In performance he usually accompanied entirely from memory, considered an unusual feat for an accompanist. In his biography Pathways of Song, La Forge claimed that he had 'a repertoire of over five thousand memorized accompaniments embracing all schools'.Pathways of Song He toured Europe, Russia, and the United States as an accompanist to Marcella Sembrich. La Forge moved to New York City in 1920, where he became a music teacher, coach, and accompanist. He taught a number of important American singers, including Marian Anderson, Lawrence Tibbett, Marie Powers, Emma Otero and Richard Crooks. He served as accompanist for many vocal stars and instrumentalists of the day including Johanna Gadski, Ernestine Schumann-Heink and Margaret Matzenauer. His longstanding musical relationship with Metropolitan Opera soprano Lily Pons from 1937 until his death, saw the production of recital tours with flutist Frank Versaci, down the eastern seaboard and in British Columbia.

La Forge died at the piano, performing at a Musicians Club of New York dinner in Manhattan on May 5, 1953, for which he had been president since 1935.Villamil, p. 255

Musical works La Forge composed around 40 songs for voice and piano in the years between 1906 and 1940, as well as a few piano solos, choral works, and at least one solo for violin and piano. Some of the songs are sacred, and most were published individually by G. Schirmer, while a few have been reissued in various song anthologies and collections of American art songs from the same publisher. Many of his early songs were composed to German texts and modeled on the German Lied. Later songs were composed in the more accessible 'concert ballad' style, which was quite popular at the time. Many were written for specific singers to show off their individual talents.

The songs are known for their craftsmanship, full piano accompaniments, and tasteful musical style. His 1919 piece Song of the Open was highlighted by Upton as representative of American song from the era 1900-1930.Upton, p. 177

He was also a highly successful arranger of folksongs; Villamil mentions 'an excellent set of Mexican folk songs'. Perhaps more significant was his work as an important compiler of songs for students, in the collection of several volumes he created with Will Earhart, the Pathways of Song.

Published secular songs

published by G. Schirmer unless noted The Butterfly (Der Schmetterling) By the Lake Camp Meetin' Song (text by La Forge), Carl Fischer, 1952 Come Unto These Yellow Sands (Shakespeare), 1907 Contemplation The Coyote Expectancy (Erwartung) Far Away Hidden Wounds (Verborgene Wunden) Hills (Arthur Guiterman), G. Ricordi, 1925 How Much I Love You (Wie lieb ich dich hab') I Came with a Song (Elizabeth Ruggles), 1914 I Love But Thee! In Evening Stillness (In der Abendstille) In Pride of May Like the Rosebud (Avec une ruse), 1906 The Lovely Rose May's Coming (Frühlingseinzug) My Love and I Pastorale (John Milton), Galaxy Music, 1932 Reawakening (Widererwachen) Retreat (Schlupfwinkel) (Princess Gabriele Wrede; English translation), 1906 Serenade Song of the Open (Jessica H. Lowell), Ditson, 1919 Spooks (Spuk) Take, O Take Those Lips Away (Shakespeare) To a Messenger (An einem Boten) (Princess Gabriele Wrede; English translation), 1909 To a Violet To One Afar Vale Carissima Voodoo Spirits (Della Hayward), Carl Fischer, 1946 When Your Dear Hands Wherefore? (Wozu?)

Published sacred songs published by G. Schirmer unless noted And there were shepherds abiding in the fields, Carl Fischer, 1938 Before the Crucifix (Dinanzi al crocifisso) (Princess Gabriele Wrede; English version by Robert Huntington; Italian version by Paolo Rusca), 1912 Bless the Lord (Psalm 103), Carl Fischer, 1933 But the Hour Cometh Hast Thou Not Known Have Mercy Upon Me O God, Sacred Song For Voice and Piano, 1942 Make a Joyful Noise, Carl Fischer, 1938 O Sing Unto the Lord The Shephard Supplication (Minnie K. Breid), Flammer, 1918 Teach Me, O Lord, Carl Fischer, 1938 They that trust in the Lord, Galaxy, 1942

Published choral works First Psalm, SATB or TTBB a cappella

Published piano solos Etude for sostenuto pedal, for piano, Carl Fischer publisher, 1943 Gavotterecorded for Victor in 1908: http://victor.library.ucsb.edu/index.php/matrix/detail/200006795/B-4989-Gavotte Gavotte and Musette Improvisation Romance, 1911 Souvenir de Vienneunverified publication, but recorded for Victor in 1910-1911: http://victor.library.ucsb.edu/index.php/matrix/detail/200009842/B-9733-Souvenir_de_Vienne Valse de Concert, 1912recorded for Victor in 1925

Published instrumental solos Romance, violin and piano

Arrangements and editing Echo Song by Henry Bishop, transcribed for voice, flute and piano by La Forge, Schirmer, 1940 Fledermaus Fantasy, excerpts from Die Fledermaus by Johann Strauss II, transcribed for voice, flute and piano by La Forge, Schirmer, 1943 Little swallow (O légère hirondelle), waltz song from Mireille by Charles Gounod, transcribed for voice, flute and piano by La Forge, Schirmer, 1942 Love-Tide of Spring (La primavera d'or) by Alexander Glazunov, transcription for voice and piano, Schirmer, 1913 Menuet Varié (Minuet with variations), anonymous 18th-century French work, transcribed for voice, flute and piano by La Forge, Schirmer, 1940 Mexican Songs for voice and piano, arranged and translated by La Forge, G. Ricordi publisher: 1. Pregúntales á las Estrellas (O ask of the stars, beloved), Mexican folk-song, 1922 2. Crepuscúlo (Twilight), Mexican folk-song, 1922 3. El Céfiro (The Zephyr), Mexican folk-song, 1922 4. La Paloma (The Dove) by Sebastián Yradier, 1922 5. La Golondrina (The Swallow), Mexican folk-song, 1922 6. En Cuba (Cuban Song) by Eduardo Sánchez de Fuentes, 1923 7. Estrellita (Little Star) by Manuel Ponce, 1923 8. Yo paso la Vida (In Sorrow and Sighing) by Jose Islas, 1926 On the beautiful blue Danube by Johann Strauss II, transcribed for voice and piano by La Forge, G. Ricordi, 1928 Pathways of Song, compiled, arranged, translated and edited by Frank LaForge and Will Earhart, M. Witmark publisher, 1938 Tales from the Vienna Forest by Johann Strauss II, piano solo transcribed for voice and piano by La Forge, Schirmer, 1912caption title: "Transcribed for and sung by Mme. Marcella Sembrich"

Footnotes

References

External links http://www.lieder.net/lieder/l/laforge.html Texts of some songs by Frank La Forge https://www.youtube.com/watch?v=r9T1DUOwV-g Lily Pons performs a Frank La Forge Song Sheet music for "Valse de Concert", G. Schirmer, Inc., 1912. Frank La Forge recordings at the Discography of American Historical Recordings.