Variations, Interlude and Finale on a Theme by Rameau

The Variations, Interlude and Finale on a Theme by Rameau (French: Variations, interlude et finale sur un thème de Rameau) were composed by Paul Dukas between 1899 and 1902. The work was first performed in Paris in 1903.

Structure

Menuet [Theme] Variation I. Tendrement Variation II. Assez vif, très rythmé Variation III. Sans hâte, délicatement Variation IV. Un peu animé, avec légèreté Variation V. Lent Variation VI. Modéré Variation VII. Assez vif Variation VIII. Très modéré Variation IX. Animé Variation X. Sans lenteur, bien marqué Variation XI. Sombre, assez lent Interlude Finale (Variation XII). Modérément animé – Vif

Reception In an analysis of the work in The Musical Quarterly in 1928, the critic Irving Schwerké wrote: In the first decade of the 20th century, following the immense success of his orchestral work The Sorcerer's Apprentice, Dukas completed two complex and technically demanding large-scale works for solo piano: the Piano Sonata, dedicated to Camille Saint-Saëns, and the Variations, Interlude and Finale on a Theme by Rameau (1902). In Dukas's piano works critics have discerned the influence of Beethoven, or, "Beethoven as he was interpreted to the French mind by César Franck".Lockspeiser, p. 92. Lockspeiser describes the Variations as "more developed and assured" than the Sonata: "Dukas infuses the conventional form with a new and powerful spirit." Both works were premiered by Édouard Risler, a celebrated pianist of the era.Lockspeiser, p. 90.

See also List of variations on a theme by another composer

Notes

References

Sources

Schwerké, Irving (July 1928). "Paul Dukas: a Brief Appreciation". The Musical Quarterly. Volume XIV. Groote, Inga Mai (2012). "Variation als Entwicklung. Dukas’ 'Variations, interlude et finale sur un thème de Rameau'". Musik-Konzepte vol. 156/157, p. 121–136.

External links