Literature of Northern Ireland includes literature written in Northern Ireland, and in that part of Ireland prior to 1922, as well as literature written by writers born in Northern Ireland who emigrated. It includes literature in English, Irish and Ulster Scots.
The impact of Irish nationalism that led to the partition of the island of Ireland in 1921 means that literature of the Republic of Ireland is not considered to be British – although the identity of literature from Northern Ireland, as part of the literature of the United Kingdom, may fall within the overlapping identities of Irish and British literature where "the naming of the territory has always been, in literary, geographical or historical contexts, a politically charged activity". Writing from Northern Ireland has been described as existing in a "double post-colonial condition"Ulster-Scots Writing, ed. Ferguson, Dublin 2008 being viewed as not British enough, not Irish enough, and (for writings in Scots) not Scottish enough to be included in consideration within the various national canons.
This part of the United Kingdom, called Northern Ireland, was created in 1922, following the partition of the island of Ireland. The majority of the population of Northern Ireland wanted to remain within the United Kingdom (see unionism and loyalism). Most of these were the Protestant descendants of settlers from Great Britain.
The identity of literature of Northern Ireland is as contested as the identity of Northern Ireland itself, but Northern Ireland writers have contributed to Irish, British and other literatures as well as reflecting the changing character of Northern Ireland society. As Tom Paulin put it, it should be possible "to found a national literature on this scutching vernacular".
Literature of this part of Ireland before 1922 Irish language literature was the predominant literature in the pre-Plantation period. The Ulster Cycle is pertinent to the history of literature in the territory of present-day Northern Ireland. Ulster Scots literature first followed models from Scotland, with the rhyming weavers, such as James Orr, developing an indigenous tradition of vernacular literature. Writers in the counties which now form Northern Ireland participated in the Gaelic Revival.
Literature in English Though the books of Forrest Reid (1875–1947) are not well known today, he has been labelled 'the first Ulster novelist of European stature', and comparisons have been drawn between his own coming of age novel of Protestant Belfast, Following Darkness (1912), and James Joyce's seminal novel of growing up in Catholic Dublin, A Portrait of the Artist as a Young Man (1916). Reid's fiction, which often uses submerged narratives to explore male beauty and love, can be placed within the historical context of the emergence of a more explicit expression of homosexuality in English literature in the 20th century.
Literature in Irish
"The Blackbird of Belfast Lough", a fragment of syllabic verse probably dating from the 9th century, has inspired reinterpretations and translations in modern times. The blackbird serves as symbol for the Seamus Heaney Centre for Poetry at Queen's University, Belfast.
The Annals of Ulster () cover years from AD 431 to AD 1540 and were compiled in the territory of what is now Northern Ireland: entries up to AD 1489 were compiled in the late 15th century by the scribe Ruaidhrí Ó Luinín, under his patron Cathal Óg Mac Maghnusa on the island of Belle Isle on Lough Erne.
The Ulster Cycle written in the 12th century, is a body of medieval Irish heroic legends and sagas of the traditional heroes of the Ulaid in what is now eastern Ulster and northern Leinster, particularly counties Armagh, Down and Louth. The stories are written in Old and Middle Irish, mostly in prose, interspersed with occasional verse passages. The language of the earliest stories is dateable to the 8th century, and events and characters are referred to in poems dating to the 7th.Garret Olmsted, "The Earliest Narrative Version of the Táin: Seventh-century poetic references to Táin bó Cúailnge", Emania 10, 1992, pp. 5–17
Literature in Latin The Book of Armagh is a 9th-century illuminated manuscript written mainly in Latin, containing early texts relating to Saint Patrick and some of the oldest surviving specimens of Old Irish. It is one of the earliest manuscripts produced by an insular church to contain a near complete copy of the New Testament. The manuscript was the work of a scribe named Ferdomnach of Armagh (died 845 or 846). Ferdomnach wrote the first part of the book in 807 or 808, for Patrick's heir (comarba) Torbach. It was one of the symbols of the office for the Archbishop of Armagh. The custodianship of the book was an important office that eventually became hereditary in the MacMoyre family. It remained in the hands of the MacMoyre family in the townland of Ballymoyer near Whitecross, County Armagh until the late 17th century. Its last hereditary keeper was Florence MacMoyer. By 1707 it was in the possession of the Brownlow family of Lurgan. It remained in the Brownlow family until 1853 when it was sold to the Irish antiquary, Dr William Reeves. In 1853, Reeves sold the Book to John George de la Poer Beresford, Archbishop of Armagh, who presented it to Trinity College Dublin,Atkinson, E.D., R.S.A.I. (1911). Dromore An Ulster Diocese, p.19.
Literature in Ulster Scots Scots, mainly Gaelic-speaking, had been settling in Ulster since the 15th century, but large numbers of Scots-speaking Lowlanders, some 200,000, arrived during the 17th century following the 1610 Plantation, with the peak reached during the 1690s.Montgomery & Gregg 1997: 585 In the core areas of Scots settlement, Scots outnumbered English settlers by five or six to one.Adams 1977: 57
Literature from shortly before the end of the unselfconscious tradition at the turn of the 19th and 20th centuries is almost identical with contemporary writing from Scotland. W G Lyttle, writing in Paddy McQuillan's Trip Tae Glesco, uses the typically Scots forms kent and begood, now replaced in Ulster by the more mainstream Anglic forms knew, knowed or knawed and begun. Many of the modest contemporary differences between Scots as spoken in Scotland and Ulster may be due to dialect levelling and influence from Mid Ulster English brought about through relatively recent demographic change rather than direct contact with Irish, retention of older features or separate development.
The earliest identified writing in Scots in Ulster dates from 1571: a letter from Agnes Campbell of County Tyrone to Elizabeth I on behalf of Turlough O'Neil, her husband. Although documents dating from the Plantation period show conservative Scots features, English forms started to predominate from the 1620s as Scots declined as a written medium.The Edinburgh Companion to Scots, ed. Corbett, McClure, Stuart-Smith, Edinburgh 2003,
In Ulster Scots-speaking areas there was traditionally a considerable demand for the work of Scottish poets, often in locally printed editions. Alexander Montgomerie's The Cherrie and the Slae in 1700, shortly over a decade later an edition of poems by Sir David Lindsay, nine printings of Allan Ramsay's The Gentle shepherd between 1743 and 1793, and an edition of Robert Burns' poetry in 1787, the same year as the Edinburgh edition, followed by reprints in 1789, 1793 and 1800. Among other Scottish poets published in Ulster were James Hogg and Robert Tannahill.
That was complemented by a poetry revival and nascent prose genre in Ulster, which started around 1720.The historical presence of Ulster-Scots in Ireland, Robinson, in The Languages of Ireland, ed. Cronin and Ó Cuilleanáin, Dublin 2003 The most prominent being the 'rhyming weaver' poetry, of which, some 60 to 70 volumes were published between 1750 and 1850, the peak being in the decades 1810 to 1840, although the first printed poetry (in the Habbie stanza form) by an Ulster Scots writer was published in a broadsheet in Strabane in 1735.Rhyming Weavers, Hewitt, 1974 These weaver poets looked to Scotland for their cultural and literary models and were not simple imitators but clearly inheritors of the same literary tradition following the same poetic and orthographic practices; it is not always immediately possible to distinguish traditional Scots writing from Scotland and Ulster. Among the rhyming weavers were James Campbell (1758–1818), James Orr (1770–1816), Thomas Beggs (1749–1847), David Herbison (1800–1880), Hugh Porter (1780–1839) and Andrew McKenzie (1780–1839).
Scots was also used in the narrative by novelists such as W. G. Lyttle (1844–1896) and Archibald McIlroy (1860–1915). By the middle of the 19th century, the Kailyard school of prose had become the dominant literary genre, overtaking poetry. This was a tradition shared with Scotland which continued into the early 20th century. Scots also regularly appeared in newspaper columns, especially in Antrim and Down, in the form of pseudonymous social commentary employing a folksy first-person style. The pseudonymous Bab M'Keen (probably successive members of the Weir family: John Weir, William Weir, and Jack Weir) provided comic commentaries in the Ballymena Observer and County Antrim Advertiser for over a hundred years from the 1880s.
A somewhat diminished tradition of vernacular poetry survived into the 20th century in the work of poets such as Adam Lynn, author of the 1911 collection Random Rhymes frae Cullybackey, John Stevenson (died 1932), writing as "Pat M'Carty".Ferguson (ed.) 2008, Ulster-Scots Writing, Dublin, p. 21
From 1922: Literature of Northern Ireland The year 1922 marked a significant change in the relationship between Britain and Ireland, with the setting up of the Irish Free State in the predominantly Catholic South, while the predominantly Protestant Northern Ireland remained part of the United Kingdom. The outbreak of The Troubles in the 1960s provided a theme for writers; some were engaged in the social and political background, others reacted against the tensions by looking at nature.
Literature in English
Helen Waddell is best known for bringing to light the history of the medieval goliards in her 1927 book The Wandering Scholars, and translating their Latin poetry in the companion volume Medieval Latin Lyrics. A second anthology, More Latin Lyrics, was compiled in the 1940s but not published until after her death. She also wrote plays.Roy Rosenstein, "Helen Waddell at Columbia: Maker of Medievalists," in: Cahier Calin: Makers of the Middle Ages. Essays in Honor of William Calin, ed. Richard Utz and Elizabeth Emery (Kalamazoo, MI: Studies in Medievalism, 2011), pp. 14–17. Her first play was The Spoiled Buddha, which was performed at the Opera House, Belfast, by the Ulster Literary Society. Her The Abbé Prévost was staged in 1935. Her historical novel Peter Abelard was published in 1933. It was critically well received and became a bestseller.Jennifer Fitzgerald, "'Truth's Martyr or Love's Martyr': Helen Waddell's Peter Abelard" in the Colby Quarterly, vol. 36, 2 June 2000, pp. 176–7.
Brian Moore ( 25 August 1921 – 11 January 1999) was a novelist and screenwriter from Northern Ireland who emigrated to Canada and later lived in the United States. He was acclaimed for the descriptions in his novels of life in Northern Ireland after the Second World War, in particular his explorations of the inter-communal divisions of The Troubles. He was awarded the James Tait Black Memorial Prize in 1975 and the inaugural Sunday Express Book of the Year award in 1987, and he was shortlisted for the Booker Prize three times (in 1976, 1987 and 1990). His Belfast-set novel Judith Hearne, remains among his most highly regarded.
Cal is a 1983 novel by Bernard MacLaverty, detailing the experiences of a young Irish Catholic involved with the IRA.