Jean Barbault

Jean Barbault (c. 1718–1762) was a French painter, etcher and printmaker, who worked in Rome for most of his life. He is noted for paintings of local people, wearing traditional costumes or Oriental costumes and for his work documenting iconic Roman monuments and antiquities which were published in two volumes.

Life and career

Jean Barbault was born in Viarmes, France in around 1718Note that Barbault's date of birth is uncertain, Bryan's Dictionary of Painters and Engravers (A–K) (3rd ed., 1886) gives the date as 1705, but more recent sources give the later date of 1718. and was a student of Jean Restout II in Paris."Barbault, Jean (1718–1762)" Christie's London, 1999; Expositions: Jean Barbault (1718–1762)- Le théâtre de la vie italienne", Actualite des Arts Very little is known of his early life."Jean Barbault (1718-1762). Le théâtre de la vie italienne," The Art Tribune,17 June 2010, <Online: http://www.thearttribune.com/Jean-Barbault-1718-1762-Le-theatre.html>

In 1745 he failed to win the Prix de Rome, but travelled to Rome in 1747 at his own expense and survived by undertaking engraving work. He spent most of his career in Italy, where he lived from around 1747. There, he was admitted to the French Academy in Rome in 1750. He was a "disciple of Piranesi" and "was fascinated by Rome's sprawling Baroque thoroughfares".Dubin, N.L. and Robert, H., Futures & Ruins: Eighteenth-century Paris and the Art of Hubert Robert, Getty Publications, 2010, pp 118-119 In 1748, he made engravings for the Varie vedute di Roma antica e moderna published in Rome.

Many of his works are small paintings depicting individual figures, either Italian women, or his fellow artists. He notably executed a series of sketches and paintings of French artists who participated in the Turkish mascarade organized in 1748 to mark the Carnival of the French Academy in Rome. For the Carnival, Barbault himself dressed as an Officer of the Sultan's Guards.Museum of Fine Arts Boston, "Standard Bearer (M. Barbault)" Online: http://www.mfa.org/collections/object/standard-bearer-m-barbault-49226 Some twenty works made up the series, of which the painting, The Greek Sultana, originates. In these works, painters are represented wearing fantastical "Oriental" costumes which were very much in vogue during the mid-18th century."Strasbourg purchases a Jean Barbault and receives an Antonio Vaccaro," The Art Tribune, 26 July 2009 In this regard, Barbault became one of the earliest proponents of the representation of traditional costume, a custom that became fashionable and was emulated by many later French artists.Wrightsman, J., The Wrightsman Pictures, Metropolitan Museum of Art, 2005, p. 264

One of his larger works in oil on paper – almost four metres wide – depicts a group of artists taking part in a carnival procession entitled The Four Corners of the World (1751). It now forms part of the collection of the Musée des Beaux-Arts et d’Archéologie at Besançon. He also painted scenes of ruins in a style similar that of Servandoni.

Certain art historians believe that Barbault based the figure in the painting, Neapolitan Shepherd and Buffalo Leaving a Cave on himself. It is very similar in attitude and appearance to a figure that appears on the far right of The Four Corners of the World which is also believed to be based on a likeness of the artist.

As a painter, Barbault has never been well known, and has been described as a "minor talent."Levey, M., Painting and Sculpture in France, 1700-1789, Yale University Press, 1995 p.300 He is perhaps better known for his etchings, especially the two sets of prints he published, namely: Monuments de Rome ancienne and Rome Moderne, both published in folio form. He also made a few engravings, including The Martyrdom of St. Peter, after Subleyras, and The Arrival of Columbus in America, after Solimena.

He died in Rome in 1762, at the age of 43 leaving a widow and three children.Bryan, M., "Barbault, Jean," In: Graves, Robert Edmund, Bryan's Dictionary of Painters and Engravers, (A–K),(3rd ed.), London: George Bell & Sons, 1886

An exhibition of his work was held in Beauvais, touring to Angers, Valence and Dijon, in 1974–75; another, which included about half of his known paintings, was staged at the Musée des Beaux-Arts in Strasbourg in 2010.

Work Barbault not only produced individual paintings, engravings and sketches, but he also worked as an illustrator and published two folios of etchings documenting iconic Roman monuments and antiquities.

Publications Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore, Bouchard et Gravier, Rome, 1761 [Series of 128 engravings designed by Barbault with etchings by Jean Barbault, Carlo Nolli (1724–c. 1770) and Leonardo di Giovanni Pietro Bufalini (c. 1486–1552),Conlon, P.M., Le Siècle des Lumières: Bibliographie Chronologique, [Volume 13; 1761–1763], Librairie Droz, 1983, p. 377 doi:10.3931/e-rara-79835 (Digitized edition at E-rara). Les Plus Beaux Edifices de Rome Moderne, 1763 [Published posthumously] Dubin, N.L. and Robert, H., Futures & Ruins: Eighteenth-century Paris and the Art of Hubert Robert, Getty Publications, 2010, p. 118; Conlon, P.M., Le Siècle des Lumières: Bibliographie Chronologique, [Volume 13; 1761–1763], Librairie Droz, 1983, p. 377

Painting and etching The Painter Clément in Turkish Costume, 1748, red chalk, private collection The Greek Sultana, 1748 Temple Priest, 1748 Neapolitan Herder and a Cow leaving a Cave, circa 1750, oil on canvas, Musée des Beaux-Arts, Strasbourg Ruins with Pyramids, 1754 Peasant Woman of Frascati, 1762, oil on canvas La Vénitienne, date unknown Self-portrait, date unknown, Cini collection, Venice Two small paintings of Roman Ruins, Museum Cerralbo, Madrid.

Gallery

Jean Barbault

Bron en licentie