Luxe, Calme et Volupté () is a 1904 oil painting by the French artist Henri Matisse. Both foundational in the oeuvre of Matisse and a pivotal work in the history of art, Luxe, Calme et Volupté is considered the starting point of Fauvism. This painting is a dynamic and vibrant work created early on in his career as a painter. It displays an evolution of the Neo-Impressionist style mixed with a new conceptual meaning based in fantasy and leisure that had not been seen in works before.

Background Prior to the beginning of his Fauvist period Matisse had been formally educated in the arts and started his career copying works from old masters. His first original works resembled those from his education. After he left school, influence from Impressionism developed into his work and gradually led him to the Post-Impressionist movement where this style stuck with him until it evolved into Fauvism. Matisse frequently purchased works from artists such as Cézanne, Van Gogh, and Gauguin during his time before Fauvism that influenced his painting and the development of his style over time.

Luxe, Calme et Volupté was painted by Matisse in 1904, after a summer spent working in St. Tropez on the French Riviera alongside the Neo-Impressionist painters Paul Signac and Henri-Edmond Cross.UCLA Art Council et al. 1966, p. 11 Signac purchased the work, which was exhibited in 1905 at the Salon des Indépendants.

The painting's title comes from the poem L'Invitation au voyage, from Charles Baudelaire's volume Les Fleurs du mal (The Flowers of Evil):

Style The painting is Matisse's most important work in which he used the Divisionist technique advocated by Signac. Divisionism is created by individual dots of colors placed strategically on the canvas in order to appear blended from a distance; Matisse's variant of this style is created by numerous short dashes of color to develop the forms that are seen in the image. He first adopted the style after reading Signac's essay "D'Eugène Delacroix au Néo-impressionisme" in 1898.

The simplification of form and details is a trademark of Fauvist landscapes in which artists intentionally created artificial structures that distorted the reality of images. Many of these same qualities can be found in Matisse's other works. Other Fauvist painters worked on large scale landscapes that did not focus as much on figures within the composition as with Matisse's works.

Interpretations Scholars suggest that interpreting the paintings requires the viewer to acknowledge its resistance to interpretation. Matisse's previous works were all firmly rooted in the visual aspects of Post-Impression leading scholars to question how his work had taken such a drastic turn into a depiction of fantasy. David Carrier writes that the painting is ambiguous and lacks reference to any of its supposed sources of inspiration. Despite the literary source for the work's title, Luxe, Calme, et Volupté, it is not related to the narrative or poem in any way.

History 1905, in the collection of Paul Signac, purchased from Matisse Collection Ginette Signac, daughter of the artist 1982, accepted by the French state for Les Musées Nationaux (11/02/1982) 1982 to 1985, attributed to the Musée National d'Art Moderne, Paris 1985, moved to Musée d'Orsay

Exhibitions Salon de la Société des artistes indépendants. 21st exhibition, Paris, France, 1905 Henri Matisse, chapelle, peintures, dessins, sculptures, Paris, France, 1950 Le Fauvisme, Paris, France, 1951 Henri Matisse, New York, USA, 1951 Henri Matisse, Cleveland, USA, 1952 Henri Matisse, Chicago, USA, 1952 Henri Matisse, San Francisco, USA, 1952 Salon d'automne, Paris, France, 1955 Henri Matisse, retrospective exhibition, Paris, 1956 Cent chefs-d'oeuvre de l'art français, 1750–1950, Paris, 1957 Les sources du XXème siècle - les arts en Europe de 1884 à 1914, Paris, 1960 Les Fauves, Paris, 1962 Le Fauvisme français et les débuts de l'Expressionnisme allemand, Paris, 1966 Le Fauvisme français et les débuts de l'Expressionisme allemand, Munich, Germany, 1966 Neo-Impressionism, New York, 1968 Baudelaire, Paris, 1968 Henri Matisse. Exposition du centenaire, Paris, 1970 Henri Matisse, Zurich, Switzerland, 1982 Henri Matisse, Düsseldorf, Germany, 1983 De Manet à Matisse, 7 ans d'enrichissement au musée d'Orsay, Paris, 1990 Le Fauvisme ou "l'épreuve du feu", éruption de la modernité en Europe, Paris, 1999 1900, Paris, 2000 Méditerranée - De Courbet à Matisse, Paris, 2000 Le néo-impressionnisme de Seurat à Paul Klee, Paris, 2005

Bibliography Schneider, P., Matisse, Paris, 1984 Mathieu, Caroline, Guide du Musée d'Orsay, Paris, 1986 Laclotte, Michel, Le Musée d'Orsay, Paris, 1986 Compin, Isabelle - Lacambre, Geneviève - Roquebert, Anne, Musée d'Orsay. Catalogue sommaire illustré des peintures, Paris, 1990 Lobstein Dominique, 48/14 La revue du Musée d'Orsay, no. 20, Paris, 2005 Lobstein Dominique, Les Salons au XIXe siècle. Paris, capitale des arts, Paris, 2006 Cogeval Guy, Le Musée d'Orsay à 360 degrés, Paris, 2013 Monod-Fontaine, Isabelle, Matisse. La figura, Ferrare, 2014

See also List of works by Henri Matisse

Notes

References

UCLA Art Council, Leymarie, J., Read, H. E., & Lieberman, W. S. (1966). Henri Matisse retrospective 1966. Los Angeles: UCLA Art Gallery.

External links Henri Matisse, Luxe, Calme et Volupté, Centre Pompidou, Paris