Dara Shikoh (20 March 1615 – 30 August 1659), also transliterated as Dara Shukoh, was the eldest son and heir-apparent of the Mughal emperor Shah Jahan. Dara was designated with the title Padshahzada-i-Buzurg Martaba () and was favoured as a successor by his father and his elder sister, Princess Jahanara Begum. He had been given the title of 'Shah-e-Buland Iqbal' by Shah Jahan. In the war of succession which ensued after Shah Jahan's illness in 1657, Dara was defeated by his younger brother Prince Muhiuddin (later, the Emperor Aurangzeb). He was executed in 1659 on Aurangzeb's orders after a bitter struggle for the imperial throne.

Dara was open to Hindu thought; he authored the work The Confluence of the Two Seas, which argues for the harmony of Sufi philosophy in Islam and Vedanta philosophy in Hinduism. A great patron of the arts, he was also more inclined towards philosophy and mysticism rather than military pursuits. He is often contrasted with his younger brother, Aurangzeb. The course of the history of the Indian subcontinent, had Dara Shikoh prevailed over Aurangzeb, has been a matter of some conjecture among historians."India was at a crossroads in the mid-seventeenth century; it had the potential of moving forward with Dara Shikoh, or of turning back to medievalism with Aurangzeb"."Poor Dara Shikoh!....thy generous heart and enlightened mind had reigned over this vast empire, and made it, perchance, the garden it deserves to be made". William Sleeman (1844), E-text of Rambles and Recollections of an Indian Official p.272

Early life

Muhammad Dara Shikoh was born on 20 March 1615 in Ajmer, Rajasthan. He was the first son and third child of Prince Shahib-ud-din Muhammad Khurram and his second wife, Mumtaz Mahal. The prince was named by his father. 'Dara' means owner of wealth or star in Persian while the second part of the prince's name is commonly spelled in two ways: Shikoh (terror) or Shukoh (majesty or grandeur). Thus, Dara's full name can be translated as "Of the Terror of Darius" or "Of the Grandeur of Darius", respectively. Historian Ebba Koch favours 'Shukoh'.

Dara Shikoh had thirteen siblings of whom six survived to adulthood: Jahanara Begum, Shah Shuja, Roshanara Begum, Aurangzeb, Murad Bakhsh, and Gauhara Begum. He shared a close relationship with his sister, Jahanara. As part of his formal education, Dara studied the Quran, history, Persian poetry and calligraphy. He was also interested in Hindu thought, beliefs, and philosophy. Persian was Dara's native language, but he also learned Hindi, Arabic and later Sanskrit.

In October 1627, Dara's grandfather Emperor Jahangir died, and his father ascended the throne in January 1628 taking the regnal name 'Shah Jahan'. In 1633, Dara was appointed as the Vali-ahad (heir-apparent) to his father. He and his older sister Jahanara were Shah Jahan's favourite children.

Marriage

During the lifetime of his mother Mumtaz Mahal, Dara Shikoh was betrothed to his half-cousin, Princess Nadira Banu Begum, the daughter of his paternal uncle Sultan Parvez Mirza. He married her on 1 February 1633 at Agra amidst great celebrations, pomp and grandeur. By all accounts, Dara and Nadira were devoted to each other and Dara's love for Nadira was so profound that unlike the usual practice of polygyny prevalent at the time, he never contracted any other marriage. The imperial couple had seven children together; among them three sons, Sulaiman Shikoh, Mumtaz Shikoh, and Sipihr Shikoh, and a daughter, Jahanzeb Banu Begum, survived to play important roles in future events.

A great patron of the arts, Dara ordered for the compilation of some refined artwork into an album which is now famous by the name of 'Dara Shikoh Album'. This album was presented by Dara to his wife, Nadira Banu Begum, in 1641. It is one of the few Mughal albums that have their original miniatures, calligraphy, and original covers intact.

Dara had at least two concubines, Gul Safeh (also known as Rana Dil) and Udaipuri Mahal (a Georgian or Armenian slave girl). Udaipuri later became a part of Aurangzeb's harem after her master's defeat.

Military service

On 10 September 1642, Shah Jahan formally confirmed Dara Shikoh as his heir, granting him the title of Shahzada-e-Buland Iqbal ("Prince of High Fortune") and promoting him to command of 20,000-foot and 20,000 horse. In 1645, he was appointed as subahdar (governor) of Allahabad. He was promoted to a command of 30,000-foot and 20,000 horse on 18 April 1648, and was appointed Governor of the province of Gujarat on 3 July.

The struggle for succession

On 6 September 1657, the illness of emperor Shah Jahan triggered an armed power struggle among the four Mughal princes: Dara Shukoh, Shah Shuja, Aurangzeb, and Murad Baksh. Realistically, Dara Shikoh and Aurangzeb had the best chance of emerging victorious. Shah Shuja was the first to make his move, declaring himself Mughal Emperor in Bengal and marching towards Agra from the east. The brothers made various temporary alliances with each other and fought over the next two years. Dara Shukoh fought with Aurangzeb in two major battle: The Battle of Dharmat and the Battle of Samugarh.

Aurangzeb decisively defeated Dara Shukoh at Samugarh in 1658. Dara fled from the battle scene and soon left Shahjahanabad, leaving the capital city to Aurangzeb. An Afghan ally of Aurangzeb captured Dara Shukoh in 1659 and sent him to Shahjahanabad as Aurangzeb's prisoner.

Intellectual pursuits

Dara Shikoh is widely renownedThe Hindu see for example this article in The Hindu. as interested in the Hindu traditions of the Indian subcontinent. He was an erudite champion of mystical religious speculation and a poetic diviner of syncretic cultural interaction among people of all faiths. This made him a heretic in the eyes of his younger brother and a suspect eccentric in the view of many of the worldly power brokers swarming around the Mughal throne. Dara Shikoh was a follower of the Armenian Sufi-perennialist mystic Sarmad Kashani,Katz, N. (2000) 'The Identity of a Mystic: The Case of Sa'id Sarmad, a Jewish-Yogi-Sufi Courtier of the Mughals in: Numen 47: 142–160. as well as Lahore's famous Qadiri Sufi saint Mian Mir, whom he was introduced to by Mullah Shah Badakhshi (Mian Mir's spiritual disciple and successor). Mian Mir was so widely respected among all communities that he was invited to lay the foundation stone of the Golden Temple in Amritsar by the Sikhs.

Dara Shikoh subsequently developed a friendship with the seventh Sikh Guru, Guru Har Rai. Dara Shikoh devoted much effort towards finding a common mystical language between Islam and Hinduism. Towards this goal he completed the translation of fifty Upanishads from their original Sanskrit into Persian in 1657 so that they could be studied by Muslim scholars.Dr. Amartya Sen notes in his book The Argumentative Indian that it was Dara Shikoh's translation of the Upanishads that attracted William Jones, a Western scholar of Indian literature, to the Upanishads, having read them for the first time in a Persian translation by Dara Shikoh. His translation is often called Sirr-i-Akbar ("The Greatest Mystery"), where he states boldly, in the introduction, his speculative hypothesis that the work referred to in the Qur'an as the "Kitab al-maknun" or the hidden book, is none other than the Upanishads.Gyani Brahma Singh 'Brahma', Dara Shikoh – The Prince who turned Sufi in The Sikh Review"the reference in Al Qur’an to the hidden books – ummaukund-Kitab – was to the Upanishads, because they contain the essence of unity and they are the secrets which had to be kept hidden, the most ancient books." His most famous work, Majma-ul-Bahrain ("The Confluence of the Two Seas"), was also devoted to a revelation of the mystical and pluralistic affinities between Sufic and Vedantic speculation. The book was authored as a short treatise in Persian in 1654–55.

In 1006 A.H, the prince had commissioned a translation of Yoga Vasistha, after both Vasistha and Rama appeared in his dream. Translation was undertaken by Nizam al-Din Panipati and came to be known as the Jug-Basisht, which has since become popular in Persia among intellectuals interested in Indo-Persian culture. The Safavid-era mystic Mir Findiriski (d. 1641) commented on selected passages of Jug-Basisht.Juan R.I. Cole in Iran and the surrounding world by Nikki R. Keddie, Rudolph P. Matthee, 2002, pp. 22–23

The library established by Dara Shikoh still exists on the grounds of Ambedkar University, Kashmiri Gate, Delhi, and is now run as a museum by Archaeological Survey of India after being renovated.

Patron of arts

He was also a patron of fine arts, music and dancing, a trait frowned upon by his younger sibling Muhiuddin, later the Emperor Aurangzeb. The 'Dara Shikoh' is a collection of paintings and calligraphy assembled from the 1630s until his death. It was presented to his wife Nadira Banu in 1641–42 and remained with her until her death after which the album was taken into the royal library and the inscriptions connecting it with Dara Shikoh were deliberately erased; however not everything was vandalised and many calligraphy scripts and paintings still bear his mark.

Among the existing paintings from the Dara Shikoh Album, are two facing pages, compiled in the early 1630s just before his marriage, showing two ascetics in yogic postures, probably meant to be a pair of yogis, Vaishnava and Shaiva. These paintings are attributed to the artist Govardhan. The album also contains numerous pictures of Muslim ascetics and divines and the pictures obviously reflect Dara Shikoh's interest in religion and philosophy.

Dara Shikoh is also credited with the commissioning of several exquisite, still extant, examples of Mughal architecture – among them the tomb of his wife Nadira Begum in Lahore, the Shrine of Mian Mir also in Lahore, the Dara Shikoh Library in Delhi, the Akhund Mullah Shah Masjid in Srinagar in Kashmir and the Pari Mahal garden palace (also in Srinagar in Kashmir). Death and aftermath After the defeat, Dara Shikoh retreated from Agra to Delhi and thence to Lahore. His next destination was Multan and then Thatta (Sindh). From Sindh, he crossed the Rann of Kachchh and reached Kathiawar, where he met Shah Nawaz Khan, the governor of the province of Gujarat who opened the treasury to Dara Shikoh and helped him to recruit a new army.Eraly, The Mighal Throne : The Saga of India's Great Emperors, cited above, page 364. He occupied Surat and advanced towards Ajmer. Foiled in his hopes of persuading the fickle but powerful Rajput feudatory, Maharaja Jaswant Singh of Marwar, to support his cause, Dara Shikoh decided to make a stand and fight the relentless pursuers sent by Aurangzeb, but was once again comprehensively routed in the battle of Deorai (near Ajmer) on 11 March 1659. After this defeat he fled to Sindh and sought refuge under Malik Jeevan (Junaid Khan Barozai), an Afghan chieftain, whose life had on more than one occasion been saved by the Mughal prince from the wrath of Shah Jahan.Francois Bernier Travels in the Mogul Empire, AD 1656–1668. However, Junaid held Dara Shikoh by his wrist and seized him. Then he gave the news to Aurangzeb that he had captured Dara Shikoh. Aurangzeb sent his army to Malik Jeevan's place. Aurangzeb's army captured Dara Shikoh on 10 June 1659.