Dmitri Shostakovich typically catalogued his compositions and occasionally his arrangements of other composers' music with opus numbers. He began this practice with the early Scherzo in F-sharp minor and continued until the end of his life. Nevertheless, most of his juvenilia, unfinished works from his artistic maturity (such as the operas Orango and The Gamblers), and numerous completed works were left unnumbered. There were also instances when Shostakovich took an opus number assigned to one work, then gave it to another, or was undecided about the numbering of a finished composition. Further complicating the matter was an error he committed in compiling his own music in the 1930s. This led to his soundtracks for The Youth of Maxim and Girl Friends sharing the same opus number.
By genre
Symphonies Op. 10: Symphony No. 1 in F minor (1923–1925) Op. 14: Symphony No. 2 in B major, To October, for mixed chorus and orchestra (1927) Op. 20: Symphony No. 3 in E major, The First of May, for mixed chorus and orchestra (1929) Op. 43: Symphony No. 4 in C minor (1935–1936) Op. 47: Symphony No. 5 in D minor (1937) Op. 54: Symphony No. 6 in B minor (1939) Op. 60: Symphony No. 7 in C major (1941) Op. 65: Symphony No. 8 in C minor (1943) Op. 70: Symphony No. 9 in E major (1945) Op. 93: Symphony No. 10 in E minor (1953) Op. 103: Symphony No. 11 in G minor, The Year 1905 (1957) Op. 112: Symphony No. 12 in D minor, The Year 1917 (1961) Op. 113: Symphony No. 13 in B minor, for bass, bass chorus, and orchestra (1962) Op. 135: Symphony No. 14, for soprano, bass, string orchestra, and percussion (1969) Op. 141: Symphony No. 15 in A major (1971)
Concertos Op. 35: Piano Concerto No. 1 in C minor (1933); also known as the Concerto in C minor for Piano, Trumpet, and String Orchestra Op. 77: Violin Concerto No. 1 in A minor (1947–1948) Op. 102: Piano Concerto No. 2 in F major (1957) Op. 107: Cello Concerto No. 1 in E major (1959) Op. 126: Cello Concerto No. 2 in G major (1966) Op. 129: Violin Concerto No. 2 in C minor (1967)
Suites Op. 15a: Suite from The Nose, for tenor, baritone, and orchestra (1927–1928) Op. 22a: Suite from The Age of Gold, for orchestra (1929–1930) Op. 27a: Suite from The Bolt, for orchestra (1931) Op. 30a: Suite from Golden Mountains, for orchestra (1931) Op. 32a: Suite from Hamlet, for small orchestra (1932) Op. 36a: Suite from The Tale of the Priest and of His Workman Balda (1935) Op. 38a: Suite for Jazz Orchestra No. 1 (1934) Op. 39a: Suite from The Limpid Stream, for orchestra (1934–1935) Op. 50a: Suite from The Maxim Trilogy for chorus and orchestra (1938) Op. 50b: Suite for Jazz Orchestra No. 2 (3 movements) (1938) Op. 64a: Suite from Zoya, for chorus and orchestra (1944, arranged by ) Op. 75a: Suite from The Young Guard (1951, arranged by Levon Atovmyan) Op. 76a: Suite from Pirogov, for orchestra (1947, arranged by Levon Atovmyan) Op. 78a: Suite from Michurin, for chorus and orchestra (1964, arranged by Levon Atovmyan) Op. 80a: Suite from Meeting on the Elbe, for voices and orchestra (1948) Op. 82a: Suite from The Fall of Berlin, for chorus and orchestra (1949, arranged by Levon Atovmyan) Ballet Suite No. 1, for orchestra (1949, arranged by Levon Atovmyan) Ballet Suite No. 2, for orchestra (1951, arranged by Levon Atovmyan) Ballet Suite No. 3, for orchestra (1953, arranged by Levon Atovmyan) Ballet Suite No. 4, for orchestra (1953, arranged by Levon Atovmyan) Op. 85a: Suite from Belinsky, for chorus and orchestra (1960, arranged by Levon Atovmyan) Op. 89a: Suite from The Unforgettable Year 1919, for orchestra (1953, arranged by Levon Atovmyan) Op. 97a: Suite from The Gadfly, for orchestra (1955, arranged by Levon Atovmyan) Op. 99a: Suite from The First Echelon, for chorus and orchestra (1956) Suite for Variety Orchestra (8 movements) (post-1956) Op. 111a: Suite from Five Days, Five Nights, for orchestra (1961) Op. 114a: Suite of Five Fragments from the opera Katarina Izmailova, for orchestra (1963) Op. 116a: Suite from Hamlet, for orchestra (1964, arranged by Levon Atovmyan) Op. 120a: Suite from A Year Is Like a Lifetime, for orchestra (1965)
Miscellaneous symphonic works Op. 1: Scherzo in F minor, for orchestra (1919) Op. 3: Theme and Variations in B major, for orchestra (1921–1922) Op. 7: Scherzo in E major, for orchestra (1923–1924) Op. 23: Overture and Finale to Erwin Dressel's opera Armer Columbus, for orchestra (1929) The Green Company, overture for orchestra (1931) Op. 42: Five Fragments, for small orchestra (1935) Solemn March, for military band/wind orchestra (1942) Three Pieces, for orchestra (1947–1948) Op. 96: Festive Overture in A major, for orchestra (1954) Op. 111b: Novorossiisk Chimes, the Flame of Eternal Glory, for orchestra (1960) Op. 115: Overture on Russian and Kirghiz Folk Themes, for orchestra (1963) Op. 130: Funeral-Triumphal Prelude, for orchestra (1967) Op. 131: October, symphonic poem in C minor for orchestra (1967) Op. 139: "March of the Soviet Militia", for military band/wind orchestra (1970) "Intervision", for orchestra (1971)
String quartets Two Pieces for string quartet (1931) (arranged from Lady Macbeth of the Mtsensk District and from The Golden Age) Op. 49: String Quartet No. 1 in C major (1938) Op. 68: String Quartet No. 2 in A major (1944) Op. 73: String Quartet No. 3 in F major (1946) Op. 83: String Quartet No. 4 in D major (1949) Op. 92: String Quartet No. 5 in B major (1952) Op. 101: String Quartet No. 6 in G major (1956) Op. 108: String Quartet No. 7 in F minor (1960) Op. 110: String Quartet No. 8 in C minor (1960) Quartet Movement in E major (surviving movement of an early version of the String Quartet No. 9; circa 1960) Op. 117: String Quartet No. 9 in E major (1964) Op. 118: String Quartet No. 10 in A major (1964) Op. 122: String Quartet No. 11 in F minor (1966) Op. 133: String Quartet No. 12 in D major (1968) Op. 138: String Quartet No. 13 in B minor (1970) Op. 142: String Quartet No. 14 in F major (1972–1973) Op. 144: String Quartet No. 15 in E minor (1974) String Quartet No. 16 in B major (unrealized)
Other chamber/instrumental works Op. 8: Piano Trio No. 1 in C minor (1923) Op. 9: Three Pieces, for cello and piano (1923–1924, lost; a fourth piece may have been destroyed by the composer) Op. 11: Two Pieces, for string octet (1924–1925)Heyer, 2012. p.22 Impromptu, for viola and piano (1931) Op. 40: Cello Sonata in D minor (1934) Op. 40a: Moderato, for cello and piano (1934) Op. 57: Piano Quintet in G minor (1940) Op. 58i: Polka in F minor, for two harps (1941) Op. 67: Piano Trio No. 2 in E minor (1944) Op. 134: Violin Sonata (1968) Op. 147: Viola Sonata (1975)
Piano Funeral March in Memory of the Victims of the Revolution (1918) Op. 2: Eight Preludes (1919–1920) Minuet, Prelude, and Intermezzo (1917 or 1919–1920) Op. 5: Three Fantastic Dances (1922) Op. 6: Suite in F minor for two pianos (1922) Op. 12: Sonata No. 1 (1926) Op. 13: Aphorisms (1927) Op. 34: 24 Preludes (1932–1933) Four Fugues (1934) Op. 61: Sonata No. 2 in B minor (1943) Op. 69: Children's Notebook (1944–1945) Murzilka (1944–1945) Merry March for two pianos (1949) Op. 87: 24 Preludes and Fugues (1950–1951) Dances of the Dolls (1952) Op. 94: Concertino in A minor for two pianos (1953) Tarantella for two pianos (1954) Variations VIII, IX, and XI for the Eleven Variations on a Theme by Glinka (1957)
Operas The Gypsies, opera after Pushkin (1919–1920; partially destroyed) Op. 15: The Nose, satirical opera in three acts (and an epilogue) after Gogol (1927–1928); also a suite for orchestra (see Op. 15a) Op. 29: Lady Macbeth of the Mtsensk District, opera in four acts after Leskov (1930–1934); later revised as Katerina Ismailova (see Op. 114); also a suite for orchestra (see Op. 29a) The Big Lightning, comic opera (1932–1933; unfinished) Orango, satirical opera in three acts (and a prologue) (1932; unfinished) The Twelve Chairs, operetta (1939; unfinished sketches) Katyusha Maslova, opera after Tolstoy's novel Resurrection (1940–1941; unfinished sketches) The Gamblers, opera after Gogol (1941–1942; unfinished); completion in two acts by Krzysztof Meyer in 1978 Op. 105: Moscow, Cheryomushki, operetta in three acts (1957–1958); also a film version (see Op. 105a) Op. 114: Katerina Ismailova, opera in four acts after Leskov (1956–1963); revision of Lady Macbeth of the Mtsensk District (see Op. 29); also a suite of five entr'actes (see Op. 114a) and a film version
Ballets Op. 22: The Golden Age, three acts (1929–1930) Op. 27: The Bolt, three acts (1930–1931) Op. 39: The Limpid Stream (also translated as The Bright Stream), three acts (1934–1935; some numbers recycled from Op. 27) The Lady and the Hooligan, one act (7 scenes) (1962; compiled and arranged from the scores of Ops. 27, 39, 40, 50a, 95, and 97 by Levon Atovmyan) The Dreamers, four acts (1975; compiled from the scores of Ops. 22 and 27 by the composer and Sergei Sapozhnikov)
Film scores Op. 18: Music to the silent film The New Babylon for small orchestra (1929) Op. 26: Music to the film Alone (1930–1931) Op. 30: Music to the film Golden Mountains (1931) Op. 33: Music to the film Counterplan (1932) Op. 36: Music to the animated film The Tale of the Priest and of His Workman Balda for chamber orchestra (1933–1934) Op. 38: Music to the film Love and Hate () (1934) Op. 41: Music to the film Girl Friends (1934–1935) Op. 41a: Music to the film The Youth of Maxim (1934–1935) Op. 45: Music to the film The Return of Maxim (1936–1937) Op. 48: Music to the film Volochayev Days (1936–1937) Op. 50: Music to the film The Vyborg Side (1938) Op. 51: Music to the film Friends (1938) Op. 52: Music to the film The Great Citizen, first part (1938) Op. 53: Music to the film The Man with the Gun (1938) Op. 55: Music to the film The Great Citizen, second part (1939) Op. 56: Music to the animated film The Silly Little Mouse (1939) Op. 59: Music to the film The Adventures of Korzinkina (1940) Op. 64: Music to the film Zoya (1944) Op. 71: Music to the film Simple People (1945) Op. 75: Music to the film The Young Guard (1947–1948) Op. 76: Music to the film Pirogov (1947) Op. 78: Music to the film Michurin (1948) Op. 80: Music to the film Meeting on the Elbe for voices and piano (1948) Op. 82: Music to the film The Fall of Berlin (1949) Op. 85: Music to the film Belinsky for orchestra and chorus (1950) Op. 89: Music to the film The Unforgettable Year 1919 (1951) Op. 95: Music to the film Song of the Great Rivers (1954) Op. 97: Music to the film The Gadfly (1955) Op. 99: Music to the film The First Echelon (1955–1956) Op. 105a: Music to the film Moscow, Cheryomushki (1962) Op. 111: Music to the film Five Days, Five Nights (1960) Op. 114b: Music to the film Katerina Izmailova (1966) Op. 116: Music to the film Hamlet after Shakespeare for orchestra (1963–1964) Op. 120: Music to the film A Year is Like a Lifetime for orchestra (1965) Op. 132: Music to the film Sofiya Perovskaya (1967) Op. 137: Music to the film King Lear after Shakespeare (1970) Music to the film Gogoliad after Gogol (1973; unfinished)
Incidental music Op. 19: Music to the comedy The Bedbug by Mayakovsky (1929) Op. 24: Music to the play The Gunshot by Bezymensky (1929) Op. 25: Music to the play Virgin Soil by Gorbenko and L'vov (1930) Op. 28: Music to the play Rule, Britannia! by Adrian Piotrovsky (1931) Op. 31: Music to the stage revue Hypothetically Murdered by Vasili Voyevodin and E. Riss (1931) Op. 32: Music to the play Hamlet by Shakespeare (1931–1932) Op. 37: Music to the play The Human Comedy after Balzac for small orchestra (1933–1934) Op. 44: Music to the play Hail, Spain by Afinogenov (1936) Op. 58a: Music to the play King Lear by Shakespeare (1940) Op. 63: Music to the spectacle Native Country, suite Native Leningrad (1942)