The Nazi book burnings were a campaign conducted by the German Student Union (, DSt) to ceremonially burn books in Nazi Germany and Austria in the 1930s. The books targeted for burning were those viewed as being subversive or as representing ideologies opposed to Nazism. These included books written by Jewish, half-Jewish, communist, socialist, anarchist, liberal, pacifist, and sexologist authors among others. The initial books burned were those of Karl Marx and Karl Kautsky, but the burned books came to include other authors, including the works of Albert Einstein, Helen Keller, H.G. Wells, and effectively any book incompatible with Nazi ideology. The first burning consisted mainly of LGBTQ books from the Institute of Sexual Research (Institut für Sexualwissenschaft) founded by the pioneering Jewish sexologist Magnus Hirschfeld as the first medical center devoted to the study of gender and sexuality. In a campaign of cultural genocide, books were also burned en masse by the Nazis in occupied territories as well, such as in Poland.Hench, John B. (2010) Books As Weapons, p. 31. Ithaca, NY: Cornell University Press.
Precursors In Dresden, on March 7 and 8, 1933, the Sturmabteilung raided a book store and a newspaper editorial office linked to the SPD. They burned magazines, newspapers, fiction, works by banned authors, as well as leaflets and files.
Student Campaign Announcement On April 8, 1933, the Main Office for Press and Propaganda of the German Student Union (DSt) proclaimed a nationwide "Action against the Un-German Spirit", which was to climax in a literary purge or "cleansing" ("Säuberung") by fire. According to historian Karl Dietrich Bracher:
[T]he exclusion of "Left", democratic, and Jewish literature took precedence over everything else. The black-lists ... ranged from Bebel, Bernstein, Preuss, and Rathenau through Einstein, Freud, Brecht, Brod, Döblin, Kaiser, the Mann brothers, Zweig, Plievier, Ossietzky, Remarque, Schnitzler, and Tucholsky, to Barlach, Bergengruen, Broch, Hoffmannsthal, Kästner, Kasack, Kesten, Kraus, Lasker-Schüler, Unruh, Werfel, Zuckmayer, and Hesse. The catalogue went back far enough to include literature from Heine and Marx to Kafka.
Local chapters were to supply the press with releases and commissioned articles, sponsor well-known Nazis to speak at public gatherings, and negotiate for radio broadcast time. The DSt had contacted an official from the Propaganda Ministry to request support for their campaign, including having Propaganda Minister Josef Goebbels be the main speaker at the event in Berlin. Because Goebbels had studied under several Jewish professors, and had, in the past, praised them despite his avowed antisemitism, he was afraid that speaking at the book burning would cause these past remarks to be dug up by his enemies. As a result, he did not formally accept the invitation to speak – despite his having been listed in the advance publicity – until the last moment.
On the same day, the Student Union published the "Twelve Theses", a title chosen to be evocative of two events in German history: Martin Luther's burning of a papal bull when he posted his Ninety-five Theses in 1517, and the burning of a handful of items, including 11 books, at the 1817 Wartburg Festival on the 300th anniversary of Luther's burning of the bull. This was, however, a false comparison, as the "book burnings" at those historic events were not acts of censorship, nor destructive of other people's property, but purely symbolic protests, destroying only one individual document of each title, for a grand total of 12 individual documents, without any attempt to suppress their content, whereas the Student Union burned tens of thousands of volumes, all they could find from a list comprising around 4000 titles.
The "Twelve Theses" called for a "pure" national language and culture. Placards publicized the theses, which attacked "Jewish intellectualism", asserted the need to "purify" German language and literature, and demanded that universities be centres of German nationalism. The students described the action as a “response to a worldwide Jewish smear campaign against Germany and an affirmation of traditional German values.”
The burnings start
On 6 May 1933, the Berlin chapter of the German Student Union made an organised attack on Magnus Hirschfeld's Institut für Sexualwissenschaft (Institute of Sex Research).
The institute's library included many thousands of volumes on sexuality and other matters relating to its work. The institute also had a substantial collection of objects, photographs and documents including research, biographies and patient records. Estimates of total size vary.. Revised edition published 1995, . The looted material was witnessed by the international press being loaded on to a truck and, on 10 May, it was taken to the Bebelplatz square at the State Opera (colloquially known as Opernplatz), and burned along with volumes from elsewhere.
A total of over 25,000 volumes of "un-German" books were burned, thereby ushering in an era of uncompromising state censorship. In many other university towns, nationalist students marched in torch lit parades against the "un-German" spirit. The scripted rituals of this night called for high Nazi officials, professors, rectors, and student leaders to address the participants and spectators. At the meeting places, students threw the pillaged, banned books into the bonfires with a great joyous ceremony that included live music, singing, "fire oaths," and incantations. In Berlin, some 40,000 people heard Joseph Goebbels deliver an address: "No to decadence and moral corruption!" Goebbels enjoined the crowd. "Yes to decency and morality in family and state! I consign to the flames the writings of Heinrich Mann, Ernst Glaeser, Erich Kästner."
In his speech – which was broadcast on the radio – Goebbels' referred to the authors whose books were being burned as "Intellectual filth" and "Jewish asphalt literati".
Not all book burnings took place on 10 May as the German Student Union had planned. Some were postponed a few days because of rain. Others, based on local chapter preference, took place on 21 June, the summer solstice, a traditional date of celebration. Nonetheless, in thirty four university towns across Germany the "Action against the Un-German Spirit" was a success, enlisting widespread newspaper coverage. And in some places, notably Berlin, radio broadcasts brought the speeches, songs, and ceremonial incantations "live" to countless German listeners.
All of these types of literature, as described by the Nazis, were to be banned:
The works of traitors, emigrants and authors from foreign countries who believe they can attack and denigrate the new Germany (H. G. Wells, Romain Rolland); The literature of Marxism, Communism and Bolshevism; Pacifist literature; Literature with liberal, democratic tendencies and attitudes, and writings supporting the Weimar Republic (Walther Rathenau, Heinrich Mann, Thomas Mann); All historical writings whose purpose is to denigrate the origin, the spirit and the culture of the German Volk, or to dissolve the racial and structural order of the Volk, or that denies the force and importance of leading historical figures in favor of egalitarianism and the masses, and which seeks to drag them through the mud (Emil Ludwig); Books that advocate "art" which is decadent, bloodless, or purely constructivist (George Grosz, Otto Dix, Bauhaus, Felix Mendelssohn); Writings on sexuality and sexual education which serve the egocentric pleasure of the individual and thus, completely destroy the principles of race and Volk (Magnus Hirschfeld); The decadent, destructive and Volk-damaging writings of "Asphalt and Civilization" literati: (Oskar Maria Graf, Heinrich Mann, Stefan Zweig, Jakob Wassermann, Franz Blei); Literature by Jewish authors, regardless of the field; Popular entertainment literature that depicts life and life's goals in a superficial, unrealistic and sickly sweet manner, based on a bourgeois or upper class view of life; Patriotic kitsch in literature. Pornography and explicit literature All books degrading German purity.
Many German students took part in the Nazi book burning campaign. They were known as Deutsche Studentenschaft, and when they ran out of books in their own libraries they turned to independent bookstores. Libraries were asked to stock their shelves with material that stood up to Hitler's standards, and destroy anything that did not.
Cultural genocide in occupied territories Among the Nazi crimes against the Polish nation was a campaign of cultural genocide that included the burning of millions of books, resulting in the destruction of an estimated 80% of all school libraries, and three-quarters of all scientific libraries in the country. The Nazis also seized many books from Jewish communities in Eastern Europe. They intended to keep and display a few rare and ancient books in a museum on Judaism after the Final Solution was successfully completed.Lyons, Martyn. Books: A Living History. Los Angeles: J. Paul Getty Museum, 2011. chapter 5 pp. 200–201
Persecuted authors
Among the other German-speaking authors whose books student leaders burned were:
Vicki Baum, Walter Benjamin, Ernst Bloch, Bertolt Brecht, Franz Boas, Albert Einstein, Friedrich Engels, Etta Federn, Lion Feuchtwanger, Marieluise Fleißer, Leonhard Frank, Sigmund Freud, Iwan Goll, Jaroslav Hašek, Werner Hegemann, Hermann Hesse, Ödön von Horvath, Heinrich Eduard Jacob, Franz Kafka, Georg Kaiser, Alfred Kerr, Egon Kisch, Siegfried Kracauer, Theodor Lessing, Alexander Lernet-Holenia, Karl Liebknecht, Georg Lukács, Rosa Luxemburg, Klaus Mann, Thomas Mann, Ludwig Marcuse, Karl Marx, Robert Musil, Carl von Ossietzky, Erwin Piscator, Alfred Polgar, Gertrud von Puttkamer, Erich Maria Remarque,Frei, Norbert (1993) National Socialist Rule in Germany: The Führer State 1933–1945. Translated by Simon B. Steyne. Oxford, Blackwell Publishers. p. 62 Ludwig Renn, Joachim Ringelnatz, Joseph Roth, Nelly Sachs, Felix Salten,Schulz, Kathryn (January 17, 2022) "'Bambi' Is Even Bleaker Than You Thought" The New Yorker Anna Seghers, Abraham Nahum Stencl, Carl Sternheim, Bertha von Suttner, Ernst Toller, Frank Wedekind, Franz Werfel, Grete Weiskopf, and Arnold Zweig.
Not only German-speaking authors were burned, but also American writers such as John Dos Passos, Ernest Hemingway, Helen Keller, Jack London, Upton Sinclair, and Margaret Sanger,Staff (Winter 2002/2003) "The Sanger–Hitler Equation" New York University: The Margaret Sanger Papers Project, Newsletter #32 as well as Russian authors including Isaac Babel, Ilya Ehrenburg, Maxim Gorki, Vladimir Lenin, Vladimir Majakovskij and Leon Trotsky.
The burning of the books represents a culmination of the persecution of those authors whose oral or written opinions were opposed to Nazi ideology. Many artists, writers and scientists were banned from working and publication. Their works could no longer be found in libraries or in the curricula of schools or universities. Some of them were driven to exile (such as Albert Einstein, Sigmund Freud, Magnus Hirschfeld, Walter Mehring, and Arnold Zweig); others were deprived of their citizenship (for example, Ernst Toller and Kurt Tucholsky) or forced into a self-imposed exile from society (e.g., Erich Kästner). For other writers the Nazi persecutions ended in death. Some of them died in concentration camps, due to the consequences of the conditions of imprisonment, or were executed (like Carl von Ossietzky, Erich Mühsam, Gertrud Kolmar, Jakob van Hoddis, Paul Kornfeld, Arno Nadel, Georg Hermann, Theodor Wolff, Adam Kuckhoff, Friedrich Reck-Malleczewen, and Rudolf Hilferding). Exiled authors despaired and died by suicide, for example: Walter Hasenclever, Ernst Weiss, Carl Einstein, Walter Benjamin, Ernst Toller, and Stefan Zweig.
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