Sir Granville Ransome Bantock (7 August 186816 October 1946) was a British composer of classical music.
Biography
Granville Ransome Bantock was born on 7 August 1868 in London. His father was an eminent Scottish surgeon.Hadden, J. Cuthbert, 1913, Modern Musicians, Boston: Le Roy Phillips; London & Edinburgh: T. N. Foulis, pp.42–46 His younger brother was the dramatist and film director Leedham Bantock. Granville Bantock was intended by his parents for the Indian Civil ServiceAnderson, Keith (2001). Granville Bantock (1868–1946): Old English Suite; Russian Scenes; Hebridean Symphony (sleevenotes), Naxos. Retrieved 16 July 2011. but he suffered poor health and initially turned to chemical engineering. At the age of 20, when he began studying composers' manuscripts, at South Kensington Museum Library, he was drawn into the musical world.
His first teacher was Gordon Saunders at Trinity College of Music. In 1888,Modern Musicians by J. Cuthbert Hadden (First published by T.N.Foulis in 1913) – Granville Bantock p42 (September 1918 Foulis Reprint) he entered the Royal Academy of Music where he studied harmony and composition with Frederick CorderBudd, Vincent (2004, rev 2009). Bantock, Sir Granville Ransome (1868–1946). Oxford Dictionary of National Biography, Oxford University Press. Retrieved 15 July 2011. winning the Macfarren Prize in the first year it was awarded.
Early conducting engagements took him around the world with a musical comedy troupe. With his brother Leedham Bantock he wrote a couple of music hall songs which met with some success. He founded a music magazine, The New Quarterly Music Review, but this lasted only a few years. In 1897, he became conductor at the New Brighton Tower concerts, where he promoted the works of Joseph Holbrooke, Frederic Hymen Cowen, Charles Steggall, Edward German, Hubert Parry, Charles Villiers Stanford, Corder and others, frequently devoting whole concerts to a single composer. He was also conductor of the Liverpool Orchestral Society with which he premiered Delius's Brigg Fair on 18 January 1908. He became the principal of the Birmingham and Midland Institute school of music in 1900. He was a close friend of fellow composer Havergal Brian. He was Peyton Professor of Music at the University of Birmingham from 1908 to 1934 (in which post he succeeded Sir Edward Elgar).A Reason for Resignation . The University of Birmingham Newsletter, Issue 21 Vol 2 February 2003. Retrieved 16 July 2011. In 1934, he was elected Chairman of the Corporation of Trinity College of Music in London. He was knighted in 1930. His students included Anthony Bernard, Lilian Elkington, Eric Fogg, Dorothy Howell, and Maria Matos Priolli.
Bantock was influential in the founding of the City of Birmingham orchestra (later the City of Birmingham Symphony Orchestra), whose first performance in September 1920 was of his overture Saul. His Hebridean Symphony was recorded by the CBO on 28 January 1925 at Riley Hall, Constitution Hill, Birmingham. This acoustic version, conducted by Adrian Boult, was never released.
His music was influenced by folk song of the Hebrides (as in his 1915 Hebridean Symphony) and the works of Richard Wagner. Many of his works have an "exotic" element, including the choral epic Omar Khayyám (1906–09).Foreman, Lewis (2007), Bantock: Omar Khayyám (PDF), Chandos Records. Retrieved 27 June 2011. Among his other better-known works are the overture The Pierrot of the Minute (1908) and the Pagan Symphony (1928). Many of his works have been commercially recorded since the early 1990s.
From 1926 to 1933 Bantock's Birmingham home was Metchley Lodge (now Metchley Abbey; despite the name, the building has no religious connection), which a Birmingham Civic Society blue plaque on the building records.
Shortly after the composer's death in London, in 1946, a Bantock Society was established. Its first president was Jean Sibelius, whose music Bantock championed during the early years of the century. Sibelius dedicated his Third Symphony to Bantock.
Edward Elgar dedicated the second of his Pomp and Circumstance Marches to Bantock.
In 1898 he married Helena von Schweitzer (1868–1961) who acted as a librettist for him. Granville Bantock was also the father-in-law of the composer Margaret More (1903–1966) via her marriage to Granville's son, Raymond Bantock. Their son, Granville Bantock's grandson, is Gavin Bantock, a poet.
Bibliography Four biographies have been published on Granville Bantock. The first was authored by his long-time friend and 'secretary', 'Colonel' H. O. Anderton for the Living Masters of Music series in 1915. A brief pamphlet (with a portrait) by King Palmer, part of the Paxton Miniature Biographies series, appeared in 1947. A 'personal portrait' of Bantock by his daughter was published by Dent in 1972. It is an engaging read and contains a number of photographs. An Introduction to the Life and Work of Sir Granville Bantock by Vincent Budd, was published in 2000 by Gnosis Press. It is also illustrated and contains a discographical guide. A larger volume is in progress. In addition to these there is a doctoral thesis by Trevor Bray - Granville Bantock: his life and music - submitted in 1972 to Cambridge University. An extract was published by the Triad Press the following year.Bray, Trevor. Bantock: Music in the Midlands before the First World War, Triad Press, Rickmansworth, 1973
In 2020 J.C. Dressler published Granville Bantock (1868–1946): a Guide to Research (Clemson University Press/Liverpool University Press). This collects together all the primary and secondary sources, including an extensive worklist and discography.
Discography A broad selection of Bantock's orchestral output, including all the symphonies, has been recorded in an edition by the Hyperion label in performances with the Royal Philharmonic Orchestra conducted by Vernon Handley, now available also as a box set. Handley also recorded a largely complete performance of Omar Khayyám with the BBC Symphony Orchestra and Chorus on the Chandos label. However, the only complete recording is available on the Lyrita Recorded Edition label. An alternative recording of the Hebridean Symphony (together with the Old English Suite and Russian Scenes) is available on the Naxos label, with the Czechoslovak Philharmonic Orchestra (Košice) conducted by Adrian Leaper. Historic recordings of miniatures and songs have appeared on the Dutton label. The Cameo Classics label has re-issued its Granville Bantock recordings made with conductor Geoffrey Heald-Smith from 1978 to 1982 on a double CD set, which includes the Hebridean Symphony (in the presence of Raymond Bantock), the Pagan Symphony and Witch of Atlas (the first digital recordings), and the Sapphic Poem (solo cello, Gillian Thoday).
Selected works
Operas The Pearl of Iran, a romantic opera (1894, one act, libretto by composer) Caedmar, a Romantic Opera (1892, one act, libretto by Frederick Corder, performed at the Royal Academy of Music, 12 July 1892, and then at Crystal Palace, 18 October 1892 and the Olympic Theatre, 25 October 1892)Foreman, Lewis (2003). Sir Granville Bantock (1868–1946) The Song of Songs (sleeve notes). Hyperion Records. Retrieved 16 July 2011. The Seal Woman, a Celtic Folk Opera (libretto by Marjory Kennedy-Fraser who also appeared in the performance as an old crone, utilising melodies drawn from Kennedy-Fraser's collection of Hebridean folk songs, conducted by the composer, Birmingham Repertory Company, 27 September 1924, produced by Barry Jackson) Eugene Aram (opera in four acts, unfinished, libretto based on Bulwer Lytton and Thomas Hood, performed as a recitation in 1892)
Choral works The Fire Worshippers, dramatic cantata for solo voices chorus and orchestra (1892, after Thomas Moore's Lalla Rookh, prelude conducted by August Manns at the Crystal Palace) Christus, a Festival Symphony in ten parts for solo voices chorus and orchestra (only two parts completed: "Christ in the Wilderness" – Gloucester Festival 1907; and "Gethsemane") The Time Spirit, rhapsody for chorus and orchestra (text H.F.B. i.e. Helena F. Bantock, dedicated to Herbert Brewer); Sea Wanderers, poem for chorus and orchestra (text H.F.B. i.e. Helena F. Bantock) Omar Khayyám for solo voices chorus and orchestra – Part I (Birmingham Festival, 1906), Part II (Cardiff Festival 1907), Part III (Birmingham Festival 1909, BBCSO/Del Mar, 27 November 1968, first broadcast performance); complete (based on the third version of Fitzgerald's adaptation, London Choral Society/Arthur Fagge, Queen's Hall, February 1910; Vienna, February 1912, BBC Symphony Orchestra under Norman Del Mar, 5–6 January 1979) The Song of Liberty for solo voices, chorus and orchestra (1914, for the 21st Festival of the International Labour Party, Bradford) The Great God Pan, a Choral Ballet for solo voices, chorus and orchestra (Sheffield Festival 1920) The Song of Songs for soloists, double chorus and orchestra (started in 1912 completed 1922; text: Book of Solomon, Three Choirs Festival, Gloucester, 1922, then Dorothy Silk, Frank Mullings, Norman Allin, Hallé, composer, 10 March 1927) The Burden of Babylon for chorus, brass and drums (1927, text: Bible) The Pilgrim's Progress for solo voices, chorus and orchestra (1928, BBC commission, Queen's Hall, BBC Orchestra and Choral Society / composer, 1928–29 season, 23 November 1928; this was the first appearance for the Choral Society) Prometheus Unbound for chorus and orchestra (1936, text by Shelley) King Solomon for chorus, narrator and orchestra (1937, for the coronation of King George VI and Queen Elizabeth, BBC SO/Boult, 6 May 1937)
Choral unaccompanied works Atalanta in Calydon, a Choral Symphony (A. C. Swinburne, Liverpool Welsh Choral Union, Gitana Ladies' Choir, Birkenhead and the Manchester Orpheus Glee Society, conducted by Harry Evans, 1912) Vanity of Vanities, a Choral Symphony (from Ecclesiastes, Welsh Choral Union, Harry Evans, Liverpool, February 1914) A Pageant of Human Life, a Choral Suite (Sir Thomas More) The Golden Journey to Samarkand (1922, James Elroy Flecker) America – National Song (before 1946, Coolidge) Choral Hymn for a Priest's First Mass (1946)
For male voice Mass in B-flat major (liturgical, 1903) Choral Suite from the Chinese (1914, Cranmer Byng) Suite from Cathay (1923, Ezra Pound) Choral Suite (1926, Collins) Seven Burdens of Isaiah (1927, Bible) Three Sea Songs (1920s, Henry Newbolt) Three Cavalier Tunes (1920s, Robert Browning) Three Browning Songs (1929) Lucifer in Starlight (George Meredith)
For solo voice and orchestra
Wulstan – baritone (1892, composer) Five Ghazals of Hafiz with a Prelude – baritone (1905, Hafiz translated E. Arnold, BBCSO/Clarence Raybould, 15 December 1937) Ferishtah's Fancies – tenor (1905, Robert Browning, renowned interpretation came from Frank Mullings) Sappho, nine fragments with a Prelude (1906, Sappho translated by Helena F. Bantock, the Prelude and three of the songs were sung by Edith Clegg with the composer conducting at an RPS concert in 1911–12, first appearances with the Society for both the composer and the singer) Pagan Chants – tenor (1917–18, Thorley); The Vale of Arden (1919, Alfred Hayes) The March – tenor (1919, J. C. Squire) The Sphinx, a cycle – baritone or contralto (1941, Oscar Wilde) Thomas the Rhymer (1946, traditional)
Symphonies Hebridean Symphony (1913), prefixed with the poem: From the lonely shieling of the misty island / Mountains divide us and the mist of seas/ Yet still the blood is strong, the heart is highland/ And we in dreams behold the Hebrides. Carnegie Trust Award, Glasgow 17 January 1916, Queen's Hall, London Symphony Orchestra/Hamilton Harty, March 1917); Pagan Symphony (motto: et ego in Arcadia vixi, dedicated to Raymond Bantock, Paris 3 September 1927, BBC SO/Sir Adrian Boult, 8 May 1936) The Cyprian Goddess: Symphony No. 3 (1938/39)