Derek Fordjour (born 1974) is an American interdisciplinary artist and educator of Ghanaian heritage who works in collage, video/film, sculpture, and painting. Fordjour lives and works in New York City.

Early life and education Derek Fordjour was born in 1974 in Memphis, Tennessee. His parents were both Ghanaian immigrants.

Fordjour received an MFA from Hunter College, an Ed. M in Arts Education from Harvard University, and a B.A. from Morehouse College. Fordjour is a member of the Alpha Phi Alpha fraternity. He was commissioned by Alpha Phi Alpha to create a portrait entitled An Experiment in Brotherhood to commemorate the founding of the fraternity.

Career He was appointed the Alex Katz Chair at Cooper Union in spring 2020, and since 2018 he has served as a core critic at Yale University School of Art.

In 2014, Fordjour was working with sports imagery in his art, which served as metaphors for inequality.

In 2020, his series of artworks in the exhibition titled "Shelter" were created during the self-quarantine period due to the COVID-19 pandemic. The works in "Shelter" examined the privileges of security as well as confinement.

In 2021, the artist had a solo exhibition at Pond Society in Shanghai, China, where his paintings looked at the gamification of social structures and vulnerability. In these paintings, Fordjour incorporated layers of the Financial Times. On his use of the paper in his practice, Fordjour explained in Ocula Magazine: 'The Financial Times is making an effort to differentiate itself from the pool of other newsprints with its distinctive color. The idea of individuation—the desire to distinguish oneself in the face of being stereotyped or grouped—has a tension that I identify with.'

His work has been exhibited in numerous venues, including the Contemporary Art Museum in St. Louis (2020), the Nasher Museum of Art (2019), and the Whitney Museum of Contemporary Art (2018–2019). He has received commissions for public projects, including a permanent installation for the Metropolitan Transit Authority of New York City at 145th Street Subway Station, and the Whitney Museum Billboard Project in 2018.

Personal life Fordjour married LaChanze Sapp-Gooding in 2005. They separated in 2013, and finalized their divorce on March 27, 2014, in Westchester County.

In July 2022, Fordjour married Alexis Hoag-Fordjour at the Arthur Ross Terrace and Garden at Cooper Hewitt, Smithsonian Design Museum in Manhattan.

Awards, honors, and collections He was awarded the 2016 Sugarhill Museum Artist-in-Residence, the 2017 Sharpe Walentas Studio Program in New York City, and the 2018 Deutsche Bank NYFA Fellowship Award.

His work appears in several public and private collections, including the Studio Museum in Harlem, Brooklyn Museum, Pérez Art Museum Miami Dallas Museum of Art, the Whitney Museum, and the Los Angeles County Museum of Art.

Select exhibitions 2020, 'SELF MUST DIE', Petzel Gallery, New York, NY 2020, 'SHELTER', Contemporary Art Museum of St. Louis, St. Louis, MO 2019: 'The House Always Wins', Josh Lilley, London, UK 2019: 'JRRNNYS', Night Gallery, Los Angeles, CA 2018 'Half Mast', the Whitney Museum of American Art, New York, NY 2018: 'Derek Fordjour: Camelot Study', BAM, Brooklyn, NY 2018 'Ritual', Nina Johnson Gallery, Miami, FL 2017 'PARADE', Sugar Hill Museum, New York, NY 2016: 'Agency and Regulation', LUCE Gallery, Turin, Italy 2016: 'Eight Paintings', Papillion Art, Los Angeles, CA 2015 'UPPER ROOM', Robert Blumenthal Gallery, New York, NY

Selected press and reviews Hyperallergic, "Derek Fordjour Conjures a Heavenly World", Seph Rodney, December 16, 2020 T: The New York Times Style Magazine, "Marching to..." T Magazine, November 27, 2020 New York Times, "Derek Fordjour, From Anguish...", Siddhartha Mitter, November 19, 2020 ARTNews, "Best Practices: Derek Fordjour...", Andy Battaglia, November 10, 2020 Financial Times, "Derek Fordjour on painting...", , October 20, 2020 Elephant Magazine, "Derek Fordjour Uses Sport...", Emily Steer, October 16, 2020 Artsy, "Derek Fordjour Honors Disenfranchised...", Jacqui Germain, June 3, 2020 Financial Times, "Painting crowds, or the lack...", Jackie Wullschläger, May 8, 2020 Hyperallergic, "Derek Fordjour Considers...", Jack Radley, April 6, 2020 Artforum, "Critics Pick: Derek Fordjour: Shelter", Jennifer Piejko, January 2020 St. Louis Post Dispatch, "Beyond white walls...", Jane Henderson, January 17, 2020 Financial Times, "Four exhibitions bring African...", Jackie Wullschlager, 2019 Artnews, "Petzel Gallery Now Represents Derek...", Annie Armstrong, 2019 Galerie, "The rising-star artist uses imagery of carnivals...", Lucy Rees, 2019 Cultured, "Artist Derek Fordjour Revels in The Game...", Jennifer Piejko, 2019 Los Angeles Times, "Datebook: Paintings of...", Carolina A. Miranda, 2019 The Wall Street Journal, "'I Don't Want to Be a Blip...", Kelly Crow, 2019 Artnet News, "8 Art Advisors Tell Us Which Artists...", Henri Neuendorf, 2018 Culture Type, "Historic Bequest: Late Arts...", Victoria L. Valentine, Oct, 10 2018 Artnet News, "Price Check! Here's What Sold...", artnet News, October 9, 2018 Hyperallergic, "Studio Museum in Harlem...", Jasmine Weber, October 8, 2018 Artnews, "Even as Brexit Looms, Galleries...", Judd Tully, October 3, 2018 Gotham, "6 Innovators Shaping...", The Editors, October 1, 2018 Juvenile Justice, "Arts-centered New York...", Shay Urbani, May 25, 2018 Hyperallergic, "Wandering the Artists...", Seph Rodney, May 5, 2018 Surface, "Best of Zona Maco 2018", Brooke Porter Katz, February 11, 2018 Artsy, "What Sold at Zona Maco", Anna Louie Sussman, February 11, 2018 Hyperallergic, "The Political Truths...", Seph Rodney, February 9, 2018 The Art Newspaper, "Art Los...", Maxwell Williams, January 31, 2018 Artnet News, "How Artist Derek Fordjour...", Sarah Cascone, December 18, 2017 Hyperallergic, "A Dreamy Carnival...", Seph Rodney, November 22, 2017 The Undefeated, "The Portrait of an Artist...", Kelley D. Evans, October 6, 2017 Galerie Magazine, "Derek Fordjour's Immersive...", Jacqueline Terrebonne, August 2, 2017 Vice, "Sports Are a Metaphor for Inequality...", Francesca Capossela, June 21, 2017 Los Angeles Times, "And There is an End...", David Pagel, March 21, 2016 Los Angeles Times, "Derek Fordjour: Eight Paintings.." by Carolina Miranda, February 4, 2016 Observer, "Nine Overachieving New Yorkers You Must Date", February 3, 2016 New York Times, "From Derek Fordjour..." by Holland Cotter, November 19, 2015 Los Angeles Times, "And There is an End.." by David Pagel, March 21, 2015 The Brooklyn Rail, Review of 'The Big Game'.. by Johnathan Goodman, October 7, 2014 Ebony, "Artist Derek Fordjour has a Lesson for...,", by Souleo, September 29, 2014 Huffington Post, "The Sports World Could Learn..." by Souleo, 2014 MSNBC's TheGrio.com, "40 Amazing Black Artists to Watch in 2014", January 3, 2014

References

External links Pen's Eye: Interview With Artist Derek Fordjour (2014)