Wolfdietrich Schnurre (22 August 19209 June 1989) was a German writer. Best known for his short stories, he also wrote tales, diaries, poems, radio plays, and children's books. Born in Frankfurt am Main, and later raised in Berlin-Weißensee, he grew up in a lower-middle class family and did not receive a post-secondary education. He served in Nazi Germany's army from 1939 until 1945, when he escaped from a prisoner camp after having been arrested for desertion. He was briefly imprisoned by British troops; after his release he returned to Germany in 1946 and began to write commercially.
Schnurre's experiences during the Second World War informed the themes of his writings, which often discuss guilt and moral responsibility; though influenced by his socialist political views, his works aim at ethical activation of the reader and not political activism. He is sometimes considered a representative of the rubble literature movement, a short period in German literary history during which many authors, often former soldiers, sought to re-establish German literature after the incisive events of the war. He was a founding member of the literary association Gruppe 47, and his short story Das Begräbnis (The Funeral), which describes God's death and burial, was read at the group's first meeting in 1947. Guilt, remembrance and war experiences are central themes in all of his major works; short story collections (When father's beard was still red) and Als Vater sich den Bart abnahm (When father shaved his beard off) recount the experiences of the narrator and his father in lower-class Berlin during the period of the rise of Nazism, while his sole novel, (A misfortune, An accident) explores themes of guilt and responsibility surrounding the persecution of Jews under Nazi rule. Among his other major works is (The shadow photographer), a discontiguous collection of various texts.
He received many awards for his literary work, including the Immermann-Preis in 1959, the Bundesverdienstkreuz in 1981, and the Georg Büchner Prize in 1983. Schnurre remained a highly active writer from the 1940s through the 1970s, but his literary output decreased after he moved to Felde in the early 1980s. In 1989, he died of heart failure in Kiel.
Early life Schnurre was born in Frankfurt am Main on 22 August 1920 to Otto and Erna Schnurre (née Zindel). Schnurre was raised by his father after Erna Schnurre left the family during his early childhood and remarried. A student at the time of Schnurre's birth, Otto Schnurre earned his income as a factory worker and graduated with a PhD in ornithology in 1921. The two lived in the Oberrad and Eschersheim districts of Frankfurt from 1920 to 1928. Schnurre frequently fell ill during childhood and was repeatedly placed in the care of Christian children's homes; traumatic experiences there contributed to his scepticism of religion in later life.
In 1934, Schnurre and his father moved to Berlin-Weißensee, where Otto Schnurre had found a job as deputy head librarian of the Berlin City Library. Schnurre attended a secular state school in Berlin until 1934, when he switched to a Humanistisches Gymnasium. Schnurre, who was relatively independent from an early age due to his father being preoccupied with work and affairs with women, grew up in a lower- to lower-middle-class social environment. He later characterised his experiences at school as largely shielded from National Socialist ideological influences, stating that his teachers were largely socialists, communists and proponents of the Weimar Democracy.
Military service and return Schnurre served in the army of Nazi Germany from 1939 until 1945. The exact circumstances of his entry into service are unknown; Schnurre himself recounted in a 1989 interview that he had been conscripted into the Reich Labour Service in 1939 and volunteered for the Wehrmacht because he anticipated imminent conscription and was able to choose his branch of service this way.
During his military service, which included postings in Poland, Germany and France, Schnurre was repeatedly arrested and assigned to Strafkompanien. The exact reasons for these disciplinary actions are unknown, though at least some of them can be attributed to Schnurre's refusal to comply with the Wehrmacht's prohibition on writing. Schnurre unsuccessfully attempted desertion in 1945, and was arrested and sent to a prisoner camp. In April 1945, he successfully escaped the camp and fled to Westphalia. Schnurre was captured by British troops and briefly imprisoned near Paderborn. He had married during the war; the couple had a son who was born in October 1945.
Following his release from British captivity, Schnurre worked on a farm and later returned to East Berlin in 1946, where he became a trainee at Ullstein Verlag, and wrote as an art, film, and literature critic for publications that had been licensed by the American occupying powers. His writing for Western publications led to conflicts with the Soviet authorities in East Berlin, which prompted a move to West Berlin two years later.
Later life and literary career Schnurre's war experiences had made him uncomfortable with working under superiors, so he quit work as a critic and became a freelance writer for radio stations and print publications in 1950. He remarried in 1952.
Schnurre was a founding member of the literary association Gruppe 47 and his short story Das Begräbnis (The funeral) was the first piece of literature read at the group's initial meeting. He became a member of the Federal Republic of Germany's branch of PEN in 1958, but left in 1961 to protest against PEN's silence after the construction of the Berlin Wall, which had separated him from his father. In 1964, he developed severe polyneuritis that left him completely paralysed for more than a year, and his recovery was slow. The costs of his extended hospital stay also led to financial troubles.
In 1965, his second wife died of suicide after 13 years of marriage. He remarried a year later; the couple adopted a son in 1974. In 1981, he published his first and only novel, (An accident, A misfortune). Schnurre moved to Felde in the early 1980s, leaving his family behind. During this time, his literary output decreased as Schnurre spent time in natureparticularly watching birdsinstead. He died of heart failure in Kiel on 9 June 1989 and was buried in the Waldfriedhof Zehlendorf cemetery in Berlin. He left behind detailed instructions for his funeral, requesting that there be no speech, sermon or music. Instead, he asked for "someone with a good voice" to read the "most beautiful story in the world", ("Unexpected reunion") by Johann Peter Hebel, and that the guests engage in small talk "at the grave, at least at the cemetery".
Themes Schnurre was highly active as an author and published more books than any other German author in the period between 1945 and 1972. His large and diverse body of works has been described as "hard to bring down to a catchy formula" by biographer Katharina Blencke. Despite this diversity, the Second World War consistently emerges as a fundamental thematic complex in Schnurre's works. While Schnurre had wanted to become an author since his childhood, he published little before 1945. The war catalysed his desire to write and heavily influenced the themes of his work. Forgetting and remembrance, death, violence, and especially guilt were frequent topics of his writings. Blencke has stated that Schnurre's "fundamental feeling of guilt became the crucial driver of his writing", and that his own memory served as the most important source of literary material. Schnurre is sometimes characterised as an exponent of the rubble literature movement, a short (1945c. 1950) period in German literary history during which some German authorsoften former soldierssought to capture the psychological and physical destruction they encountered after their return and to re-establish German literature by explicitly distancing themselves from the language and ideology of Nazi Germany.
Schnurre was uncomfortable with political labels and never joined a party, but expressed support for socialist ideas, specifically for the ideology of the Independent Social Democratic Party of Germany, a short-lived offshoot of the Social Democratic Party of Germany that had dissolved long before he reached adulthood. Unlike many other German authors of the time, however, he did not intend for his writings to function as a vehicle for political agitation, but primarily as a means for "moral-ethical activation of the reader". He wanted to "write as a contemporary", and explicitly intended for his stories to be read by "average" and young readers. In his acceptance speech for the Georg Büchner Prize of 1983, he described his approach to writing:
Major works
In (The funeral), Schnurre tells the story of a man who unexpectedly receives a letter containing an obituary that informs him of God's death. He decides to attend the funeral; there are only seven other people in attendance, including two gravediggers and a priest who struggles to recall the name of the deceased, calling him "Klott or Gott or something like that". Schnurre employs colloquial language and uses ellipsis and parataxis as literary devices, making short, simple sentences that are strung together without use of conjunctions. , whose central themes are guilt and the loss of faith and hope during World War II, was completed in 1946 and first published in the magazine (Yes. Newspaper of the young generation) two years later. According to his own account, Schnurre had "written the story at night on an upturned crib", with revisions resulting in a total of twelve or thirteen different versions. It was read both at the first and the last meeting of the Gruppe 47.
and (When father's beard was still red) and (When father shaved his beard off) are collections of short stories about the experiences of the narrator and his father in the harsh world of 1920s and 1930s lower-class Berlin, which is nonetheless presented in a positive light. Because they take place against the backdrop of Adolf Hitler's rise to power and an increasingly precarious political environment in Germany, the stories are often political, and frequently explore moral questions. was published in 1958; the second volume followed in 1995, after Schnurre's death, and contains stories whose completion dates range from the 1950s to the year of Schnurre's death. They are among Schnurre's more popular works, with some of the stories from the first volume frequently being included in school books.
("The Shadow Photographer. Records"), published in 1978, is a collection of texts that take various literary forms. Biographer Katharina Blencke identifies a total of nine types of texts, including diary entries, poems, short stories and letters. The texts touch on various aspects of Schnurre's personal life, including the suicide of his second wife, his childhood, and his feeling of being an inadequate father to his adoptive son owing to the disabilities he had acquired following his polyneuritis. At the time of publication, Schnurre had already faded into relative obscurity. To his surprise, and despite the unusual composition of the book, it was well-received by both critics and readers and became a commercial success.