Achutan Ramachandran Nair (1935 – 10 February 2024) was an Indian painter. He was born in Attingal, Kerala. In 2002 he was elected a Fellow of the Lalit Kala Akademi, the national academy of fine arts. In 2005 he was awarded the Padma Bhushan, India's third highest civilian honour, for outstanding service to the nation.The artist's website In 2013 he was conferred with an honorary doctorate by Mahatma Gandhi University, Kerala. By 2024 there had been at least thirty-two solo exhibitions of Ramachandran's paintings, sculptures, watercolours, graphics and drawings in major Indian cities. Outside India there have been exhibitions of his works held in Singapore, New York, London and Seoul.
Career In 1957 Ramachandran obtained his master's degree in Malayalam literature, but art had been his abiding interest since childhood. He joined Kala Bhavan, Santiniketan and completed his education in art in 1961, studying under Ramkinkar Baij and Benode Behari Mukherjee. Between 1961 and 1964 he worked on his doctoral thesis on Kerala mural painting. In 1964 he moved to Delhi, and joined the Kumar Gallery as an artist. In 1965 he started lecturing in art education at Jamia Millia Islamia. With Paramjit Singh and other colleagues he built up the institution into one that offered Bachelor's and Master's programs in Fine Arts. Later he became a professor in the department. He remained connected to the university until he took voluntary retirement in 1992 to devote more of his time to his artistic creations.
In 1991 Ramachandran was appointed honorary chairman of Kerala Lalithakala Akademi. In 1993 he and art historian Rupika Chawla mounted an exhibition at the National Museum in New Delhi as part of a critical reassessment of Raja Ravi Varma’s role in Indian art. It renewed interest in Ravi Varma’s work after an extended period of neglect and critical discredit. The exhibition was organised jointly by cultural and museum departments of the Government of India and the Government of Kerala. In 2008, with Sonia Rhie Mace and Pramod Chandra, Ramachandran co-organized the traveling exhibition "Rhythms of India: The Art of Nandalal Bose", originated and hosted by The San Diego Museum of Art in collaboration with the National Gallery of Modern Art, New Delhi, that was also staged at the Philadelphia Museum of Art before it toured India.
Ramachandran worked constantly and was prolific in a number of mediums, especially painting, sculpting and drawing. Initially Ramachandran painted in an expressionist style, showing brutalized, dehumanized figures that reflected the hardship and horrors of urban life. The paintings were large, akin to murals, and comprised powerful figuration. By the mid-1980s however, Ramachandran's work had undergone a sea-change. Urban reality was no longer a preoccupation. A tribal community in Rajasthan, with its vibrant ethos, gripped his imagination. Simultaneously, the colours and forms of the murals in the Kerala temples began to influence his modes of expression. Myths became a great resource for him. The first in this new style was Yayati (1986), a retelling of the story from the Indian epic, Mahabharata. It was conceived as the inner shrine of a Kerala temple, with thirteen bronze sculptures surrounded on three sides by painted murals.
In 2005 Ramachandran was awarded the Padma Bhushan.
In October 2025 the A. Ramachandran Museum was inaugurated at the Sree Narayana Guru Cultural Complex in Kollam, Kerala.
Personal life and death Ramachandran lived and worked in New Delhi. In 1967 he married artist Tan Yuan Chameli, daughter of Tan Yun-Shan. Their two children were raised and educated in New Delhi. Ramachandran was diagnosed with a tubercular infection of the right eye in 1984, and he experienced vision impairment for the rest of his career. Ramachandran died on 10 February 2024, at the age of 89.Artist A Ramachandran dies from prolonged illness at 89 The Week
Work In 1963 Ramachandran participated in a group showing in New Delhi. Subsequently he was offered a contract to work as an artist for the Kumar Gallery. In 1966 Ramachandran’s first solo exhibition was held there. From 1967 through 1970 there were four more solo exhibitions. During those and subsequent years his works were featured in numerous group exhibitions in India, and in some abroad. In 1969 he was commissioned to create a mural for the Gandhi Centenary. Later that year one of his paintings was included in the portfolio of Contemporary Paintings by eminent artists released by Lalit Kala Akademi. He participated in Triennale I (1968), II (1971) and III (1975). In 1972 he participated in the twenty-five years of Indian art exhibition. In 1969 and 1973 he received a National Award for painting from the Ministry of Culture, Government of India. In 1973 he illustrated This India by Sheila Dhar, published by the Government of India to celebrate the 25th anniversary of India’s independence. In 1975 and again in 1977 a one-man show of his works was held in New Delhi.
In 1977 Ramachandran was commissioned to do a mural and sculpture by the Maurya Sheraton Hotel, New Delhi. The resulting work was Vision of War. The mural was 12 by 5 feet, the sculpture (of Asoka) was 6 feet tall, bronze and zinc plates mounted on mirror. That year he participated in "Pictorial Space: A Point of View on Contemporary Indian Art" exhibition. In 1978 a retrospective exhibition showcasing thirteen years of his work in New Delhi was organised by the Kumar Gallery. In 1979 his works were featured in the Silver Jubilee Exhibition of Sculptures in New Delhi, as well as in exhibitions in Bombay, Madras and Calcutta. Ramachandran created a limited-edition portfolio of etchings inspired by the Urdu writings of Pakistani writer Saadat Hasan Manto, exhibited at the Prithvi Theatre, Mumbai.
In 1980 Ramachandran participated in the Silver Jubilee exhibition of miniature paintings in New Delhi, Bombay, Madras and Calcutta. In 1981 he created a series of miniature paintings in tempera on Japanese gold boards, and held "Puppet Theatre", an exhibition of paintings and drawings based on a novel by Anwar Sajjad, at the Dhoomimal Gallery in New Delhi. Also in 1981 he illustrated writings of Anwar Sajjad and other Urdu writers for a Shaoor publication. He participated in the "Indian Painting Today" exhibition in Mumbai and at "Asian Art" in Dhaka, Bangladesh.
Ramachandran designed six sets of commemorative stamps for the Department of Post and Telegraph of the Government of India. They marked the Silver Jubilee of the Bureau of Indian Standards (1972), the Indian Philatelic exhibition (1973), the centenary of the Universal Postal Union (1974), the fiftieth anniversary of Mahatma Gandhi’s Dandi March (1980), New Delhi's hosting of the Asian Games (1982), and the centenary of the discovery of the bacterium that causes tuberculosis (1982).
In 1982 Ramachandran participated in the "Contemporary Indian Art" exhibition in London, and the "India, Myth and Reality" show that followed. That year he created Modern Indian Painting for the exhibition that accompanied the visit of the Prime Minister of India to Washington DC. He participated in the inaugural exhibition of Bharat Bhavan, Bhopal, and in the "Indiche Kunst Heute" exhibition in Germany. In 1983 a retrospective exhibition of eighteen years of Ramachandran’s paintings, sculptures, drawings, miniatures and graphics was held at the Jehangir Art Gallery in Bombay. His works were featured in the "India in Print" show in Amsterdam, and in the "Asian Art" exhibition in Dhaka. In 1984 he created "Water Bodies", a set of eight ceramic pieces. From 1984-86 Ramachandran worked on Yayati, a three-panel mural (60 feet by 8 feet) with 13 bronze sculptures, a retelling of the story in the epic Mahabharata, that was exhibited at the Shridharani Gallery in New Delhi in 1986. In 2002 Yayati was exhibited again, at Art Heritage in New Delhi.
In 1985-87 Ramachandran participated in the International Festival of Arts in Cagnes-sur-Mer, France, the "Contemporary Indian Painting" exhibition at the Frankfurt Book Fair, the Havana Biennale in Cuba, and the Coup de Cœur exhibition in Geneva. In 1989 he participated in "Nature", an exhibition in New Delhi commemorating the birth centenary of Pandit Jawaharlal Nehru. In 1989-91 his works featured in the exhibitions "Art for Cry", "Art Mosaic" and "Award Winners of the National Exhibitions of Art, 1955-1990".
In 1991, "Urvashi, Pururavas and the Lotus Pond", an exhibition of Ramachandran's paintings, watercolours, drawings and sculptures, was held at the Shridharani Gallery, New Delhi. He participated in the "Masters" exhibition at Jehangir Art Gallery, Mumbai. Also that year he co-organized "From an Artist’s Collection", a selection of his 19th-century miniature paintings and drawings held at CMC Gallery in New Delhi. In 1993 he and Rupika Chawla co-organised the exhibition that reassessed Raja Ravi Varma's role in Indian art.
Also in 1993, Ramachandran participated in the "Wound" exhibition in New Delhi, Bombay and at the CIMA Gallery in Calcutta. In 1994 he participated in the exhibition "Review 1930-1993: From the NGMA Collection" at the National Gallery of Modern Art in New Delhi. In 1994 Ramachandran was commissioned by the Government of India to create the Rajiv Gandhi Memorial. In 1994-95 he participated in "Reality in Search of Myth", an exhibition held in Calcutta, Bangalore, Madras, Bombay and New Delhi. In 1995 he participated in the inaugural exhibition of the Art Today Gallery in New Delhi. In 1995 and 1999 his paintings were featured in the Christie’s exhibitions and auctions of Indian art in London.
In 1996 "The Mythical Traveller, Journeys into the Unknown" solo show of Ramachandran's works was held at the ARKS Gallery in London. That year he participated in the "Chamatkara: Myth and Magic in Indian Art" exhibition at Whitley’s Art Gallery in London, and in the "Contemporary Indian Painters, 1996" show in New Delhi and Mumbai.
In 1997, "The Lotus Pond at Obeshwar", an exhibition of Ramachandran paintings and watercolours, was held at Sistas’ Art Gallery in Bangalore. That year he participated in the "Colours of Independence" exhibition organised by CIMA in New Delhi and Calcutta; in the "Major Trends of Indian Art: 50th Anniversary of Indian Independence" exhibition in New Delhi; in the "Contemporary Indian Art: Rediscovering the Roots" exhibition presented by the Lalit Kala Akademi in Lima, Peru; in the "Indian Contemporary Art: Post-Independence" exhibition in New Delhi; and in the "Intuitive Logic" show organised by HEART in New Delhi and Bombay.
In 1998 the "Icons of the Raw Earth" exhibition of Ramachandran works was held in New Delhi (bronze sculptures and drawings at the Shridharani Gallery, paintings and watercolours at Art Today). A solo exhibition of his drawings and paintings in the medium of Chinese ink on rice paper was held at Gallerie Ganesha in New Delhi. In 1999 he participated in the "Watermark: The Watercolour Show" in Mumbai. In 2000 he participated in the "Celebration of Human Image" exhibition in New Delhi.
In 2001 "Imagined Territory", a solo show of Ramachandran's paintings, drawings, and sculptures, was held in New Delhi. In 2002, his Yayati murals and sculptures were exhibited at Art Heritage, sixteen years after their first showing.