The Cold War was reflected in culture through music, movies, books, television, and other media, as well as sports, social beliefs, and behavior. Major elements of the Cold War included the perceived threat of communist expansion, a nuclear war, and – connected to both – espionage. Many works use the Cold War as a backdrop or directly take part in a fictional conflict between the United States and the Soviet Union and their respective allies. The period 1953–62 saw Cold War themes becoming mainstream as a public preoccupation.
Fictional spy stories Cloak and dagger stories became part of the popular culture of the Cold War in both East and West, with innumerable novels and movies that showed how polarized and dangerous the world was. Soviet audiences were thrilled by spy stories showing how their KGB agents protected the motherland by foiling dirty work by the intelligence agencies of the United States, United Kingdom, and Israel. After 1963, Hollywood increasingly depicted the CIA as clowns (as in the comedy TV series Get Smart) or villains (as in Oliver Stone's 1992 film JFK). Ian Fleming's infamous spy novels about the MI6 agent James Bond also referenced elements of the Cold War when being adapted into films. One example of this includes the first Bond film, Dr. No, which was released in 1962 and used the Cuban Missile Crisis as a plot base. However, Cuba was substituted for Jamaica in the film.
Books and literature
Novels and other fiction Atomsk by Paul Linebarger, published in 1949, is the first espionage novel of the Cold War. Alas, Babylon by Pat Frank Arc Light by Eric L. Harry Cat's Cradle by Kurt Vonnegut The Dispossessed by Ursula Le Guin is a science fiction novel exploring the differences in culture and philosophy between several alien societies, including that of an anarcho-syndicalist planet where most of the novel is set. Red Alert by Peter George Resurrection Day by Brendan DuBois Twilight 2000, role-playing game. Warday by Whitley Strieber and James Kunetka Tom Clancy novels: Red Storm Rising a 1986 novel by Tom Clancy, about a conventional NATO/Warsaw Pact war. Other Tom Clancy novels which are part of the Jack Ryan universe, most especially The Hunt for Red October and The Cardinal of the Kremlin, though all of his books from this era are featured against a background of east–west conflict. Later Red Rabbit narrates a "What-If" scenario of the Soviets being behind the 1981 assassination attempt on the Pope. 1984 by George Orwell Frederick Forsyth's spy novels sold in the hundreds of thousands. The Fourth Protocol, whose title refers to a series of conventions that, if broken, will lead to nuclear war and that are now, of course, all broken except for the fourth and last thread, was made into a major film starring British actor Michael Caine. The Manchurian Candidate, by Richard Condon, took a different approach and portrayed a Communist conspiracy against the US acting not through leftists or pacifists but through a thinly veiled allusion to Joseph McCarthy. The logic of this was that if McCarthyists were accusing so many people of being communist agents, it could only be to divert attention from the real communists. The theme of collusion between international communists and Western rightists would be picked up again by many movies (Goldfinger, A View to a Kill) or television shows (episodes of MacGyver or Airwolf), which would feature an alliance between power-hungry communists attacking the free world from the outside and profit-driven capitalists undermining it for financial gain. The Ugly American by William J. Lederer and Eugene Burdick. Originally published in 1958, this book tells the story of how the US government handled foreign policy very poorly. The main character, Homer Atkins, discovers this sad truth when he is dispatched to the fictitious country of Sarkhan (in Southeast Asia.) One Day in the Life of Ivan Denisovich by Alexander Solzhenitsyn. This acclaimed book, first published in 1962, exposed the horrors of the Russian prison camps during WWII under the Stalinist regime. It is a semi-autobiographical tale about a dutiful soldier who is sent to a Siberian camp, after being falsely accused of treason. Solzhenitsyn received the Nobel Prize in literature. Starship Troopers by Robert A. Heinlein
Comic Books Comics published during the Cold War provided both entertainment and political commentary. Themes of foreign wars, radiation, and social injustices were prevalent within the genre. Comics like Fantastic Four show American's relationship to the nuclear family unit, while other comics like Spider-Man and The Incredible Hulk show societal fears related to nuclear power and its effects. Other comics were less focused on fantastical elements and instead set their stories within Cold War events. Marines In Action was a comic series that ran from 1955 to 1957 that focuses on fictional characters within the Korean War. These comics were pro-war, which was a common sentiment among military centered stories.Golgo 13, a Japanese comic published since October 1968 also portrayed Cold War events like Fall of the Berlin Wall and Tiananmen Square protests from the perspective of the protagonist, a professional hitman hired by different powers.
Militant memoirs and propaganda The Turner Diaries (1978) is a work of fiction, but is confirmed to have inspired terrorist attacks and far-right extremist movements. In the final scene before the epilogue, the main character carries out a suicide attack on The Pentagon, in an aircraft carrying a nuclear bomb.
The Revolt, written by Menachem Begin before he became Prime Minister, tells the story of the Lehi (referred to by their translated name's acronym, F.F.I. "Freedom Fighters of Israel" in early English editions) and Begin's own Irgun fighters during the Jewish insurgency in Palestine. Available online: The Revolt influenced groups from a wide variety of ideologies. Some of these groups began to use suicide attacks in the 1990s. The book was allegedly found Osama bin Laden's al-Qaeda organization. Begin praised his militants' willingness to die, "These two wonderful young men greeted the sentence with the singing of Hatikvah".: "The wearers of the crimson gallows-dress grew in number. In March, Moshe Barazani, a member of the F.F.I, was sentenced to "be hanged by the neck till he was dead." Early in April three British officers again donned their caps while one of them uttered the formula to Meir Feinstein, a member of the Irgun. These two wonderful young men greeted the sentence with the singing of Hatikvah". The "two wonderful young men" were the two who blew themselves up in 1947, he described their deaths, "even before they put on their red uniforms. They too held their heads high when they faced their judges… But they did not reach the gallows. They too sang on the threshold of death — a song of faith in God: 'Lord of the world who reigned before creation'. But their song ended with a great explosion which shattered the silence of the prison in occupied Jerusalem".From . Note: "Lord of the world who reigned before creation" is a translation of Adon Olam. In 1977 the author became prime minister, after previously being in opposition. – Quote "There was no way, they thought, that Menachem Begin could really win the election. But on 17 May 1977, he did, sending Israel's upper crust into a tailspin." Historical militants featured prominently in his political speeches. He praised the actions of his militants during the insurgency in Palestine in the 1940s, including the leader of the cell who bombed the King David Hotel (killing 91 people and 1 terrorist). His favourites were, again, the two young militants who blew themselves up in Jerusalem prison in1947. — Hebrew Wikipedia page about the speech: – Quote "They fastened the grenade to their hearts", Begin said emotionally, "and they pulled the pin. An Ashkenazi Jew? An Iraqi Jew? They were Jews! Brothers! Warriors!"
Post Cold War works about the Cold War
Games about the Cold War Twilight Struggle is a 2005 card-based board game by GMT Games that depicts the events of the entire Cold War, starting from Joseph Stalin to Ronald Reagan. The game was turned into a video game in 2016.
Films about Historical Cold War events Thirteen Days (2001), about the Cuban Missile Crisis. Bridge of Spies (2015), about a spy swap.
Cinema
Use as early Cold War propaganda
During the Cold War, the United States and the Soviet Union each invested heavily in propaganda designed to sway both domestic and foreign opinion in the respective country's favor, especially using motion pictures. The quality gap between American and Soviet film gave the Americans a distinct advantage over the Soviet Union; the United States was readily prepared to utilize their cinematic superiority as a way to effectively impact the public opinion in a way the Soviet Union could not. Americans hoped that achievements in cinema would compensate for America's failure to keep up with Soviet development of nuclear weapons and advancements in space technology. The use of film as an effective form of widespread propaganda transformed cinema into another Cold War battlefront alongside the arms race and Space Race. Films from both the United States and Soviet Union can be seen as artifacts of propaganda as well as resistance.
US cinema The Americans took advantage of their pre-existing cinematic advantage over the Soviet Union, using movies as another way to create the Communist enemy. In the early years of the Cold War (between 1948 and 1953), seventy explicitly anti-communist films were released.Tony Shaw and Denise J. Younglood, Cinematic Cold War: The American and Soviet Struggle for Hearts and Minds (2010) pp 20-21 American films incorporated a wide scale of Cold War themes and issues into all genres of film, which gave American motion pictures a particular lead over Soviet film. Despite the audiences' lack of zeal for Anti-Communist/Cold War related cinema, the films produced evidently did serve as successful propaganda in both the United States and the Soviet Union. The films released during this time received a response from the Soviet Union, which subsequently released its own array of films to combat the depiction of the Communist threat.
Several organizations played a key role in ensuring that Hollywood acted in the national best interest of the US, like the Catholic Legion of Decency and the Production Code Administration, which acted as two conservative groups that controlled a great deal of the national repertoire during the early stages of the Cold War. These groups filtered out politically subversive or morally questionable movies. More blatantly illustrating the shift from cinema as an art form to cinema as a form of strategic weapon, the Motion Picture Alliance for the Preservation of American Ideals ensured that filmmakers adequately expressed their patriotism. Beyond these cinema-specific efforts, the FBI played a surprisingly large role in the production of movies, instituting a triangular-shaped film strategy: FBI set up a surveillance operation in Hollywood, made efforts to pinpoint and blacklist Communists, secretly laundered intelligence through HUAC, and further helped in producing movies that "fostered [the FBI] image as the protector of the American people." The FBI additionally endorsed films, including Oscar winner The Hoaxters.Shaw and Younglood, Cinematic Cold War (2010) pp 20-21