Motörhead were an English rock band formed in London in 1975 by bassist and lead vocalist Lemmy Kilmister, guitarist Larry Wallis and drummer Lucas Fox. Kilmister was the primary songwriter and only constant member. The band are often considered a precursor to the new wave of British heavy metal, which re-energised heavy metal in the late 1970s and early 1980s. Though several guitarists and drummers played in Motörhead, most of their best-selling albums and singles featured drummer Phil "Philthy Animal" Taylor and guitarist "Fast" Eddie Clarke. From 1992 until the band's break-up in 2015, the group consisted of Kilmister, guitarist Phil Campbell and drummer Mikkey Dee.

Motörhead released 23 studio albums, 21 live recordings, 16 compilation albums and five EPs over a career spanning 40 years. Usually a power trio, they had particular success in the early 1980s with several successful singles in the UK Top 40 chart. The albums Overkill, Bomber (both 1979), Ace of Spades (1980) and, particularly, the live album No Sleep 'til Hammersmith (1981) cemented Motörhead's reputation as a top-tier rock band. The band are ranked number 26 on VH1's 100 Greatest Artists of Hard Rock. In 2016, the staff of Loudwire named them the eighth-best metal band of all time. As of 2025, the band have sold more than 25 million albums worldwide.

Most often classified as heavy metal, Motörhead has been credited with being part of and influencing numerous musical scenes, especially thrash metal and speed metal. Lemmy, however, always insisted that they were a rock and roll band. He said they had more in common with punk bands, but with their own unique sound, Motörhead were embraced in both punk and metal scenes. Their lyrics typically covered such topics as war, good and evil, abuse of power, promiscuity, substance abuse and, most famously, gambling, the last theme being the focus of their hit song "Ace of Spades".Multiple sources:

Lemmy died on 28 December 2015 from cardiac arrhythmia and congestive heart failure, after being diagnosed with prostate cancer. The day after his death, longtime members Dee and Campbell both confirmed that Motörhead had disbanded. By 2018, all three members of Motörhead's best-known line-up (Lemmy, Taylor and Clarke) had died.

History 1975–1977: Formation and early years

Lemmy was dismissed from Hawkwind in May 1975 after being arrested in Canada for drug possession; he said "the band dismissed me for doing the wrong drugs".Lemmy, White Line Fever, p. 94. (2002). Simon & Schuster. . Now on his own, Lemmy decided to form a new band called Motörhead, the name being inspired by the final song he had written for Hawkwind.White Line Fever, p. 99.

Lemmy wanted the music to be "fast and vicious, just like the MC5". His stated aim was to "concentrate on very basic music: loud, fast, city, raucous, arrogant, paranoid, speedfreak rock n roll ... it will be so loud that if we move in next door to you, your lawn will die". He recruited guitarist Larry Wallis (formerly of Pink Fairies) on the recommendation of Mick Farren, based on Wallis' work with Steve Peregrin Took's band Shagrat, and Lucas Fox on drums. According to Lemmy, the band's first practice was at the now defunct Sound Management rehearsal studios, in Kings Road, Chelsea in 1975. Sound Management leased the basement area of furniture store The Furniture Cave, located in adjacent Lots Road. Kilmister has said they used to steal equipment, as the band was short on gear. Their first engagement was supporting Greenslade at The Roundhouse, London on 20 July 1975.Burridge, Alan Illustrated Collector's Guide to Motorhead Published: 1995, Collector's Guide Publishing . Used for the line-up numbers as listed in albums in band members section as well as information on recordings and performances. On 19 October, having played 10 gigs, they became the supporting act to Blue Öyster Cult at the Hammersmith Odeon.White Line Fever, p. 101.

The band were contracted to United Artists by Andrew Lauder, the A&R man for Lemmy's previous band, Hawkwind. They recorded sessions at Rockfield Studios in Monmouth with producer Dave Edmunds, during which Fox proved to be unreliable and was replaced by drummer Phil "Philthy Animal" Taylor, a casual acquaintance of Lemmy's. Their record label was dissatisfied with the material and refused to release it, although it was subsequently issued as On Parole in 1979 after the band had established some success.

In March 1976, deciding that two guitarists were required, the band auditioned an acquaintance of drummer Taylor's named "Fast" Eddie Clarke. Wallis, who was continuing to tour with a reformed Pink Fairies, quit immediately after the auditions and Clarke remained as the sole guitarist. This trio of Lemmy/Clarke/Taylor is today regarded as the "classic" Motörhead line-up. In December, the band recorded the Holland–Dozier–Holland composition "Leaving Here" for early punk rock and pub rock label, Stiff Records, but United Artists intervened to prevent its general release as the band were still under contract to them, despite the label's refusal to issue their debut album. Initial reactions to the band had been unfavourable; they won a poll for "the best worst band in the world" in the music magazine NME.Dansby, Andrew. Motorhead Roll On . Rolling Stone. 23 August 2002. Retrieved 9 October 2006.

By April 1977, living in squats and with little recognition, Taylor and Clarke decided to quit the band, and after some debate, they agreed to do a farewell show at the Marquee Club in London. Lemmy had become acquainted with Ted Carroll from Chiswick Records and asked him to bring a mobile studio to the show to record it for posterity. Carroll was unable to get the mobile unit to the Marquee Club on 1 April 1977, but showed up backstage after the engagement and offered them two days at Escape Studios with producer Speedy Keen to record a single. The band took the chance, and instead of recording a single they laid down 11 unfinished tracks. Carroll gave them a few more days at Olympic Studios to finish the vocals and the band completed 13 tracks for release as an album.White Line Fever, pp. 112–113. Chiswick issued the single "Motorhead" in June, followed by the album Motörhead in August, which spent one week in the UK Albums Chart at number 43. The band toured the UK supporting Hawkwind in June, then from late July they commenced the "Beyond the Threshold of Pain Tour" with the Count Bishops, a band who were gaining some popularity on the early punk rock and pub rock scene.

In August, Tony Secunda took over the management of the band, and their cohesiveness became so unstable that by March 1978, Clarke and Taylor had formed and were performing as the Muggers with Speedy Keen and Billy Rath of American punk band The Heartbreakers.

1978–1979: Rise to success: Overkill and Bomber

In July 1978, the band returned to the management of Douglas Smith, who secured a one-off singles deal with Gerry Bron's Bronze Records. The resulting "Louie Louie" single (a cover version of Richard Berry and The Kingsmen standard) was issued in September peaking at number 68 on the UK Singles Chart, and the band toured the UK to promote it, recorded a BBC Radio 1 John Peel in session on 18 September (these tracks were later issued on the 2005 BBC Live & In-Session album), and appeared for the first time on BBC Television's Top of the Pops on 25 October. Pub rock and early Punk rock label Chiswick Records capitalised on this new level of success by re-issuing the debut album Motörhead on white vinyl through EMI Records.

The single's success led to Bronze extending their contract, and put the band back into the studio to record an album, this time with producer Jimmy Miller at Roundhouse Studios. A hint of what the band had recorded for the album came on 9 March 1979 when the band played "Overkill" on Top of the Pops to support the release of the single ahead of the Overkill album, which was released on 24 March. It became Motörhead's first album to break into the top 40 of the UK Albums chart, reaching number 24, with the single reaching number 39 on the UK Singles Chart. These releases were followed by the "Overkill" UK tour which began on 23 March. A subsequent single was released in June, coupling the album track "No Class" as the A-side with the previously unreleased song "Like a Nightmare" on the B-side. It fared worse than both the album and previous single but reached number 61 on the UK singles chart.

During July and August, except for a break to appear at the Reading Festival, the band were working on their next album, Bomber. Released on 27 October, it reached number 12 on the UK Albums Chart. On 1 December, it was followed by the "Bomber" single, which reached number 34 on the UK Singles Chart. The "Bomber" Europe and UK tour followed, with support from Saxon. The stage show featured a spectacular aircraft bomber-shaped lighting rig. During the "Bomber" tour, United Artists put together tapes recorded during the Rockfield Studios sessions in 1975–1976 and released them as the album On Parole, which peaked at number 65 on the UK Albums Chart in December.

On 8 May 1980, while the band were on tour in Europe, Bronze released The Golden Years, which sold better than any of their previous releases, reaching number eight on the UK Singles Chart. The band had, however, preferred the title Flying Tonight, in reference to the "Bomber" lighting rig. On 20 August, the band had a 40-minute filmed slot, along with Girlschool's 20 minutes performing live at the Nottingham Theatre Royal for the Rockstage programme, broadcast on UK television by the ATV on 4 April 1981.

1980–1982: Ace of Spades and Iron Fist

During August and September 1980, the band were at Jackson's Studios in Rickmansworth, recording with producer Vic Maile. The "Ace of Spades" single was released on 27 October 1980 as a preview of the Ace of Spades album, which followed on 8 November. The single reached No. 15 and the album reached No. 4 on the UK charts, the latter being the highest position in the band's history. Bronze celebrated its gold record status by pressing a limited edition of the album in gold vinyl.

Motörhead made an appearance on Top of the Pops in November that year with "Ace of Spades", and between 22 October and 29 November the band were on their "Ace Up Your Sleeve" UK tour with support from Girlschool and Vardis, and also made an appearance as guests on the ITV children's show Tiswas on 8 November. The "Arizona desert-style" pictures used on the album sleeve and tour booklet cover were taken during a photo session at a sandpit in Barnet. "Ace of Spades", considered to be the definitive Motörhead anthem, "put a choke on the English music charts and proved to all that a band could succeed without sacrificing its blunt power and speed".

To coincide with the Ace of Spades release, Big Beat, who had inherited the Chiswick catalogue, put together four unused tracks from the Escape Studios sessions in 1977 and released them as Beer Drinkers and Hell Raisers, which reached No. 43 on the UK Singles Chart in November.

The band had more chart hits in 1981 with the releases St. Valentine's Day Massacre EP, their collaboration with Girlschool which reached No. 5 on the UK Singles Chart in February; the live version of "Motorhead", which reached No. 6 on the UK Singles Chart in July; and the album it was taken from, No Sleep 'til Hammersmith, which reached No. 1 on the UK Albums Chart in June. During March 1981, the band had been touring Europe, and in the final week of the month they conducted the "Short Sharp, Pain in the Neck" UK tour from which the recordings for No Sleep 'til Hammersmith were made.